All this infophilia raises an important question: if we like information so much, why don’t we seek out more of it? - Psyche

We are running out of intelligence tests that humans can pass reliably and AI models cannot. By those benchmarks, and if we accept that intelligence is essentially computational — the view held by most computational neuroscientists — we must accept that a working ‘simulation’ of intelligence actually is intelligence. - Nature

“Long before he became an unlikely political force, Mayor-elect Zohran Mamdani was just another 20-something trying to squeeze a laugh out of his Saturday improv class in Manhattan.” - The New York Times

“Nearly a year into a second Trump presidency and 50 years after Arendt’s death, she is still routinely invoked as the key to understanding our moment. It’s been a strange afterlife for an idiosyncratic thinker who believed that politics was inherently contingent and unpredictable.” - The New York Times

The suspicion that Americans are becoming more illiterate has long been irresistible to the educated class. In the present day, this happens to be objectively true. But across time and cultures, we hear the alarm of declinism. - The Atlantic

The researchers found a significant negative effect for fantastical content. Children who watched programs featuring impossible events tended to perform worse on attention and executive function tasks immediately afterward. - PsyPost

At Lectures on Tap, “attendees hear thought-provoking talks from experts on wide-ranging topics such as Taylor Swift's use of storytelling in her music, how AI technology is being used to detect cardiovascular diseases, the psychology of deception and the quest for alien megastructures — all in a fun, low-stakes environment.” - Los Angeles Times...

“Dozens of Philadelphia artists across disciplines will present more than 30 original works, staged from late May to July 2026 in venues around Philadelphia, coinciding with the Fourth of July and FIFA World Cup matches as part of the city’s Semiquincentennial events.” - The Philadelphia Inquirer (MSN)

“Elon Musk responded with his trademark tact and professionalism by posting ‘Bullshit’ on X in response to the announcement.” Then “Nikita Bier, X’s head of product, accused the Commission of abusing an exploit to boost the reach of the announcement and responded by shutting down its ad account.” - The Verge

“What is the Kennedy Center now? For one thing, it’s getting a Trumpian revamp. He ordered new marble and the repainting of the exterior columns in austere white. Portraits of the first and second couples now hang in the center’s Hall of Nations.” - Washington Post (MSN)

Please, please, please, PLEASE do not screw this up, Netflix. We want HBO to be HBO, Warner Bros. to be Warner Bros. - and we need movie theatres. Cinemas. Big screens … maybe for your movies, Ted. - Los Angeles Times (MSN)

Parents and researchers are very worried - and rightly so. - Boston Globe

Did Mattias Krantz pull it off?  Sort of.  Here’s what he did, how well it worked, and why it didn’t work better. - ZME Science

“Everybody should be selling or licensing their voice and their skills to these companies,” Stewart said. “Otherwise they’re just going to take it anyway.” - The Guardian

It nudges listeners away from deep consideration and towards accepting a corporate-branded scorecard reflecting a very specific perspective on musical value. It encourages music fans to believe that the records they streamed the most must be the ones they liked the most, which is surely not always the case. - The Guardian

“I determine the pieces that the orchestra will perform, when we perform, which guest conductors and artists we perform with, all the details of their contracts – and combine everything into each concert that makes up a season. ... I’m like the party planner.” - Oregon ArtsWatch

Those who love torturing customers and co-workers alike might have to listen to the science. The fact is, Ariana Grande and Andy Williams are out. "On the other hand, Brenda Lee’s 'Rockin’ Around the Christmas Tree’ emerged as the most productivity-friendly holiday track.” - Fast Company

“The ‘Goldberg Variations’ was Gehry’s favorite work. He loved its otherworldliness and its worldliness. He loved its invitation to dance and to dream. He loved its astonishing sense of design, complex yet flowing with the ocean’s grace, its depth and its inviting surface.” - Los Angeles Times (Yahoo)

This extraordinarily rich design is certainly assertive throughout, but it is completely in synch with the nature of an institution that has been collecting for 255 years, one that inevitably reflects the sprawling curiosity and a worldliness—or lack thereof—among generations of Princetonians. - James Russell

“Between 300 and 400 works” were affected by the leak discovered on 26 November, the museum’s deputy administrator, Francis Steinbock, said, describing them as “Egyptology journals” and “scientific documentation” used by researchers. - The Guardian

Some 800 paintings have been taken from the collection since 1945, in one of the most devastating spates of art theft in Germany’s postwar history. Canvas by canvas, however, they are being filled in as the artworks are returned from around the world through a marathon exercise in detective work and cultural diplomacy. - The...

“The museum is in ‘crisis,’ with insufficient resources and ‘increasingly deteriorated working conditions,’ said the unions’ strike notice to Culture Minister Rachida Dati.” - AP

“In a daylight robbery on Sunday, two armed thieves stole eight prints by Henri Matisse and at least five engravings by Brazilian modernist painter Cândido Portinari from the Mário de Andrade Library in São Paulo.” - ARTnews

Architects are expanding their boundaries into other fields such as gastronomy, music, design, and the corporate world, applying spatial thinking to address challenges of various kinds. As social, environmental, and political crises deepen, the role of the architect continues to evolve from a solitary author to a mediator, activist, and collective agent of transformation....

“‘Those who are creating the modern composition authentically are naturally only of importance when they are dead,’ Stein once wrote. Accordingly, she spent a good portion of her life making arrangements for her afterlife.” - The New Republic

There’s a sense that big publishing has stopped investing in people, authors, and good writing, and is just producing huge amounts of product, which means a completely oversaturated market and overstuffed bookstores. - LitHub

The crisis is a shame, because “generally small presses take risks that bigger publishers don’t, so we end up with some really interesting and original writing.” Then there’s the intimacy of dealing from start to finish with the physical fact of a book. - LitHub

“Austen's characters are archetypes. That's what makes them so relatable today. We all know someone who's awkward and ingratiating, like Mr. Collins, clever and independent, like Lizzie, or reticent and reserved, like Mr. Darcy.” - NPR

Rachel Reid, author of many same-sex sports romances, on Heated Rivalry’s scorching HBO debut: "It's like I opened a door and there was on the other side a million people screaming. … It’s been really cool, but also it doesn't feel real at all.” - Washington Post (Yahoo)

"My Brilliant Friend made me angry because other media doesn’t make me feel this way — fully like a human.” - Matt Pearce

Presently, non-fiction filmmaking (in the form of docuseries) stands as a cornerstone of streaming economics, a format bolstered and degraded by an ever-growing demand for cheap, time-consuming content. - Stat Significant

Netflix’s movies don’t have to abide by any of the norms established over the history of cinema: they don’t have to be profitable, pretty, sexy, intelligent, funny, well-made, or anything else that pulls audiences into theater seats. - n+one

So, yes, for all intents and purposes, the Golden Globes are back. But regarding ethical practices, today’s for-profit Globes may well be worse than ever, crossing the line in ways that are more egregious than the shady maneuverings that put the awards on life support not so long ago. - Los Angeles Times

“The streamer has set new parameters for making content, providing rich upfront fees, but diminished profit participation or residuals for producers, directors, actors and their agents.” - TheWrap (Yahoo!)

From a competition standpoint, Warner Bros. going to Netflix is sharp a step in the wrong direction. It’s turbocharging the runaway market leader, leaving the other studios’ streaming services to wither on the vine. - Slate

Eline Van der Velden toiled with her 15-person team to nail down the look of her leading lady, creating 2,000 iterations of an actress unbound by the limits of physical ability, age or talent. She passed on dud iterations with the ruthless efficiency of a casting director who makes actors cry at auditions. -...

How the landmark modern dance was created, whom it influenced, and why it’s still magical today. - The New York Times

Richard A. Freeman Jr. served on an interim basis for two seasons, including holding the company together through the turmoil following the firing of 10 dancers for attempting to unionize. - KERA (Dallas)

Jane Raleigh: “There was definitely an overarching feeling of waiting for the shoe to drop. I was committed to staying until I was removed, (but) I did believe from the beginning that everyone would be fired at some point. … Basically every payday Friday was mass firings day.” - Forward

Mack, who did two stints as a principal dancer with the company (and got a master’s degree in-between), says her vision is to balance between Alvin Ailey’s own “powerful, visceral” choreography and new pieces by Fredrick Earl Mosley, Matthew Neenan, Jamar Roberts, and Urban Bush Women founder Jawole Willa Jo Zollar. - NPR

“As with other artistic attempts to track the mind more accurately — like the stream-of-consciousness of Virginia Woolf and James Joyce — O’Connor’s coexistence-of-everything choreography can appear off-putting and abstruse. But O’Connor isn’t trying to be difficult, he said.” - The New York Times

August Bournonville directed the company in the mid-19th century, and his works and style became thoroughly identified with the institution. Yet for some years the RDB turned away from Bournonville toward contemporary ballet; new artistic director Amy Watson is bringing his works and style back to the company’s heart. - The New York Times

These writers create an environment in which characters can enter or exit the main storyline as if from a magic door. Audiences are cognizant of this portal, but they are encouraged to forget its existence when the drama ramps up, thereby allowing them to have their cake and eat it too. - Los Angeles...

“Reggie D. White, whose résumé spans acting, directing and playwriting in addition to in-office leadership, will (succeed) Maria Manuela Goyanes, (who) announced her departure in March for New York’s Lincoln Center Theatre.” White will be only the third director in the company’s 45-year history. - The Washington Post (MSN)

To be fair, it’s a film - a “pro shot” - of the Broadway revival of Merrily We Roll Along. And “what ended up saving it was a superfan: actor and director Maria Friedman, who turned a role in a 1992 production of the play into a series of restagings.” - CBC

As part of its company-wide layoffs, the RSC will terminate its entire live music staff and switch to using recorded music. - The Stage (UK)

“The (Times) has been publishing reviews by a number of writers since predecessor Jesse Green was reassigned earlier this year. That list notably did not include Shaw, who joins the Times after a stint as theatre critic for The New Yorker, and a tenure as chief theatre critic at New York magazine prior.” - Playbill

The property was born in the French capital, first as a play, then as a hit film (followed later by the big US remake). But the American musical version had flopped in France — until the director of the Théâtre du Châtelet, Olivier Py, took it on. - The New York Times

Christina Vassallo, 45, follows Paula Marincola, who retired in October after serving as the center’s first director, since 2008. After leaving the Fabric Workshop in 2023, Vassallo became director of the Contemporary Arts Center in Cincinnati. - Philadelphia Inquirer (MSN)

“The Tony-nominated playwright and actor (was) released after spending three weeks in custody on suspicion of attempting to smuggle illegal drugs into the country. … (A) spokesman declined to say whether Mr. Harris had been charged.” - The New York Times

“Michaels sold an estimated 150 million books, including bodice rippers, family dramas and mysteries, according to Kensington Publishing, her longtime publisher. Her work has been translated into 20 languages.” And she started in her 40s. - The New York Times

“In a country with a reverential approach to its artistic heritage, the flamboyant Mr. Cogeval — ‘deceptively reserved and genuinely eccentric,’ according to Le Figaro newspaper — was a subversive figure. He was unconcerned, even pleased, by the criticism.” - The New York Times

Youn Yuh-jung, Oscar winner for Minari, doesn’t want to be seen as an icon, however. “In Korea, they usually say, ‘Is there any message for the younger generation?’ So I usually say, I’m not the Pope, I don’t have any message.” - Variety

Gehry, who arrived in L.A. as an aimless teenager just after World War II and went on to become the most famous and one of the most influential architects in the world over a prolific six-decade career, died Friday at his home in Santa Monica following a brief respiratory illness. - Los Angeles Times