The author won't need a headstone . . . This monumental omnibus will do . . . Five hundred and eight-six gorgeous pages of verbal pleasure . . . Intimate collaborations with esteemed artists . . . Landscapes of descriptive simplicity . . . Pure thought objectified . . .
The major disconnect of contemporary culture: Findability has detached from the ability of traditional cultural narratives to agree on what's important. Instead of art evolving in coherent strands that are traceable and linear, there are now multiple cultural universes, each with their own languages and conventions. Each has its own creative masters, famous within that universe. But from the outside, these adjacent universes are all but invisible and their languages opaque.
David Hockney’s departure has drawn obituaries from across the art world and the popular press, which is testimony to his eminence whether his paintings and drawings are considered a simple pleasure to look at or regressive to contemplate. Whatever it comes down to, he loved to experiment.
There is no simple explanation for anything important any of us do, and the human tragedy, or the human irony, consists in the necessity of living with the consequences of actions performed under the pressure of compulsions so obscure we do not and cannot understand them.
(Hugh MacLennan, The Watch Ends the Night (1958)).
Some personal history
When I was in high school, I...
(Lee J. Cobb and Mildred Dunnock in the original Broadway production of Arthur Miller’s Death of a Salesman, 1949).
In a guest essay in the New York Times, former Washington Post theater critic Naveen Kumar writes that “Broadway is Serving Up Liberal Comfort Food.”
His piece concludes:
Not everyone goes to the theater hoping to be confronted with big questions, the kind that compel audiences to...
This notion that the ultimate measure of American educational value is economic is an impoverishing one. We measure for success. If that measure is earnings then we optimize for earnings. Social value measured on an earnings scale doesn't just get deprioritized, it doesn't exist.
Andrew Joslyn, Associate Director of Popular Programming at the Seattle Symphony, shares the unique impact of relevant programming in building community.
My introduction of Gary Dunning at New England Conservatory’s Commencement ceremony on Sunday May 17, 2026. He received an honorary degree.
Let me speak of Gary Dunning who has spent decades reminding Boston — and reminding this country, demonstrating — that the arts are not a luxury. They are a lifeline.
Gary Dunning has led one of Boston’s most admired cultural...
The Kennedy Center is a treasure. Not just for what it has been, but because of what it represents. But the practicalities of providing a roof for a bunch of artistic enterprises that essentially have nothing much to do with one another — or worse, having to squabble dysfunctionally among themselves for resources — are an argument for the need for something better.
