“Called Watch Wilma, the digital theater platform will offer limited runs of shows filmed and staged at the Wilma and partner organizations, including Philadelphia’s Azuka Theatre and Pittsburgh’s City Theatre, for audiences both nationally and internationally.” - The Philadelphia Inquirer
“What I am doing,” says music supervisor Or Matias of Memoirs of Amorous Gentlemen, now in previews on Broadway, “is putting the puzzle pieces together in a way that best serves the evolution that (we need) during previews.” Says book writer Leah Nanako Winkler, “I feel like I’m trying to finish this painting.” - TheaterMania
“Elizabeth Williamson, … 47, currently serves as artistic director of Geva Theatre in Rochester, N.Y., and previously held leadership positions at Hartford Stage in Connecticut and Pioneer Theatre Company in Utah.” - San Francisco Chronicle (MSN)
“Staging that key three minutes of the show's meticulously choreographed, highly anticipated climax is a technical feat involving more than 100 gallons of water and unwavering physical acumen on the part of the cast.” - Los Angeles Times (Yahoo!)
But Hamilton plays differently now. "The show was written in a time where hope was what we were striving for, holding on to, and the pandemic did a lot to diminish that and exhaust people and scare people." - The New York Times
"Theater is so hard to do for so many reasons," says one actor in the renovated Olney Theatre. He's pleased "to see an actual new facility come up out of the ground, and to see talent and audience members come into this space and relish in the experience.” - Washington Post
She was laughing, but the X-Files (and current Who's Afraid of Virginia Woolf) star told her fans, "It's so distracting. You can't come 20 times and sit in the front row, it's driving me mad." - The Telegraph (Yahoo)
“Bill Pay itself was extremely meta and self-aware, a post-postmodern pageant that would have given David Foster Wallace an aneurysm. … (It) felt like an indicator of where the broader cultural zeitgeist is headed: back to a not-so-recent past where wealthy companies devoted heaping shares of their budgets toward sheer pandering.” - Slate (Yahoo!)
The Yard opened in an old industrial estate in July 2011; it was supposed to be a three-month pop-up but stayed for 14 years, presenting edgy stagings of classics and new work — and occasionally sending a production on to the National Theatre. Now it’s reopening after a £7 million renovation. - The Nerve (UK)
In the 11 years since the last episode of “Glee” aired, one thing has become clear: The TV series was a game changer for musical theater. - The New York Times
In theatre – and across dance, opera, musicals and concerts – the stage manager is like the air traffic controller of the production. Without them, chaos would ensue, yet they rarely get acknowledged. - ArtsHub
“Back in the mid-1970s, the late George Hawkins, founder of the Ensemble Theatre, imagined a place where Black actors could find work and perform plays that mattered. Even after he passed away, in 1990, his legacy and that dream continue to grow as the Ensemble prepares for its 50th-anniversary season starting this fall.” - Texas Observer
The lead producers of Chicago, Fran and Barry Weissler, now make a point of having someone in the cast with a following from outside Broadway — from film, scripted television, or, most recently, reality TV such as The Secret Lives of Mormon Wives, Vanderpump Rules, and America’s Sweethearts: Dallas Cowboys Cheerleaders. - Billboard
“Why are our playwrights so ill at ease with middle-class educated characters? ... In our contemporary affluent society, with its energetic social mobility, it is the middle class, not the working class, which gives Australia its character and flavour. - The Saturday Paper
The new co-artistic directors are Ericka Ratcliff, most recently literary manager at Chicago Shakespeare Theater, and longtime Lookingglass ensemble member David Catlin. Another longtime member, Philip R. Smith, will be executive director, while Schwimmer takes the new position of producing director, focusing on fundraising, marketing, board development and finding co-producing partners. - Chicago Tribune (Yahoo!)
