“Bill Pay itself was extremely meta and self-aware, a post-postmodern pageant that would have given David Foster Wallace an aneurysm. … (It) felt like an indicator of where the broader cultural zeitgeist is headed: back to a not-so-recent past where wealthy companies devoted heaping shares of their budgets toward sheer pandering.” - Slate (Yahoo!)
The Yard opened in an old industrial estate in July 2011; it was supposed to be a three-month pop-up but stayed for 14 years, presenting edgy stagings of classics and new work — and occasionally sending a production on to the National Theatre. Now it’s reopening after a £7 million renovation. - The Nerve (UK)
In the 11 years since the last episode of “Glee” aired, one thing has become clear: The TV series was a game changer for musical theater. - The New York Times
In theatre – and across dance, opera, musicals and concerts – the stage manager is like the air traffic controller of the production. Without them, chaos would ensue, yet they rarely get acknowledged. - ArtsHub
“Back in the mid-1970s, the late George Hawkins, founder of the Ensemble Theatre, imagined a place where Black actors could find work and perform plays that mattered. Even after he passed away, in 1990, his legacy and that dream continue to grow as the Ensemble prepares for its 50th-anniversary season starting this fall.” - Texas Observer
The lead producers of Chicago, Fran and Barry Weissler, now make a point of having someone in the cast with a following from outside Broadway — from film, scripted television, or, most recently, reality TV such as The Secret Lives of Mormon Wives, Vanderpump Rules, and America’s Sweethearts: Dallas Cowboys Cheerleaders. - Billboard
“Why are our playwrights so ill at ease with middle-class educated characters? ... In our contemporary affluent society, with its energetic social mobility, it is the middle class, not the working class, which gives Australia its character and flavour. - The Saturday Paper
The new co-artistic directors are Ericka Ratcliff, most recently literary manager at Chicago Shakespeare Theater, and longtime Lookingglass ensemble member David Catlin. Another longtime member, Philip R. Smith, will be executive director, while Schwimmer takes the new position of producing director, focusing on fundraising, marketing, board development and finding co-producing partners. - Chicago Tribune (Yahoo!)
“Copley Superintendent Aimee Kirsch said the play was canceled not because of its gay themes but because the proper vetting procedure wasn't followed.” Unh-hunh. The students cast in the canceled She Kills Monsters were offered parts in the newly approved Alice in Wonderland. - Akron Beacon Journal (Yahoo)
To me, Theatre as Public Good argues that the convening power of theatre, and the belonging and connection it creates, is essential, and should therefore be classified as a public good. - Karthik Subramanian
“In emails with members of the public obtained by KyCIR, Duncan repeatedly said the show was never canceled because Balasubramanian ‘went rogue.’” That’s a little different from a miscommunication. - WFPL
Public parks are widely considered a social good, and we know that because our tax dollars go to maintain them, we don’t have to pay every time we go to a park. What if the same were true for theatre? - American Theatre
“The library sits underground, beneath the Globe in London’s South Bank, and is accessible to the public, containing more than 6,000 books about Shakespeare, early modern literature and the history of dramatic performance around the world. A digital performance archive is also available to the public by appointment.” - The Bookseller (UK)
“Over the last three decades, a growing cohort of theater artists across Latin America have … used journalism, documentary and memoir to explore the boundaries between fact and fiction while confronting their region’s troubled past and turbulent present in a genre known as Theater of the Real.” - T — The New York Times Style Magazine
