Over the last 15 years, as a filmmaker and professor of digital arts, I have seen extraordinary shorts and features made on smartphones. Many were created by early career filmmakers who would have struggled to access industry funding without a smartphone and a minimal crew. - The Conversation
The studios sued the AI image lab last year, accusing it of enabling massive infringement of their copyrighted characters. Midjourney has claimed “fair use” and has argued that the studios are engaged in the very same AI practices. - Variety
“The headline was a grabber: ‘The Ghost Paper That Ate Alabama: How a Media Startup Killed 47 Weekly Newspapers and No One Noticed.’ It was a site named The Editorial, whose name rang a vague bell for me.” - Nieman Lab
“Worldwide” is the key word here: demand for news video on third-party platforms, while certainly growing, is lowest in Europe and North America, with such usage much higher in Asia and Latin America. - Nieman Lab
L.A. soundstages surveyed by permitting office FilmLA were 93 percent occupied as of 2019. That number has fallen to 62 percent as of last year. With that turn, more complexes have retooled themselves as creator campuses. - The Hollywood Reporter
Conservative groups are preparing to urge the Federal Communications Commission to revoke Disney’s broadcast television licenses, two representatives told POLITICO — a step that would build on agency Chair Brendan Carr’s already unprecedented efforts to punish President Donald Trump’s perceived critics in the media. - Politico
“I asked 10 writers what films they would pick to define America and why. Their choices ranged from blockbusters to indies, homegrown comedies to enigmatic Italian drama, a recent best-picture Oscar nominee to a little-known debut — in short, movies as varied as the country itself.” (Dazed and Confused, eh?) - The New York Times
“Neon said Tuesday that it bought the film following a bidding process. Amazon dropped the nearly complete $40 million film, starring Andrew Garfield as Altman, earlier this month, a surprise move that came just months after Amazon announced a $50 billion investment in OpenAI.” - AP
Oh, Brad Bird, say it ain’t so: "Ratatouille director Brad Bird revealed he’s putting the kibosh on any sequels to that delightful, delicious film.” (Could we at least get the musical? Remember that from the early days of the pandemic?) - Vulture
“Oja Kodar, the American film-maker’s partner and collaborator, has given her blessing to the project led by archives in France, Spain and Italy, along with the Munich film museum, to produce a coherent film out of 30 hours of footage scattered among them.” - The Guardian
“The stand-alone NBCUniversal will include Universal’s film and television studios, its growing theme parks division, the NBC and Telemundo networks, Bravo, Peacock, and the European media business, Sky. The remaining Comcast business will consist of the company’s broadband, wireless and cable television operations.” - The Wall Street Journal (MSN)
The recently released Michael Jackson movie has overtaken Oppenheimer as the highest-grossing biopic of all time, after taking $977m (£739m) at the worldwide box office. - BBC
Where binge-watching reality TV used to happen in the secret and safety of your own home, the popularity of “Love Island USA,” and shows like it, are redefining community for millions of viewers. - Washington Post
The MELS post-production studio “is closing a Quebec facility that houses one of North America's only laboratories capable of developing film for professional productions.” - CBC
To be fair, a lot of good movies and shows come out in the latter, awards-chasing half of the year, but still, here are "subtle, surreal moments that highlight a character’s fears and insecurities.” - The New York Times
