What most respondents considered negative was the effort itself. One visitor called it “un-American.” Another criticized the idea of “having Americans call in and snitch on each other.” One person wrote, “Hey Donald Trump! Trying to erase history doesn’t mean it didn’t still happen!” - AP
“For decades, the relationship between artists and audiences was heavily mediated and nurtured by newspaper critics, classical radio hosts, record-store owners, etc. — They made the music findable and meaningful. I call that layer the civic middleware of culture, and over the past twenty years it has largely collapsed.” - Bachtrack
Bernadette Peters, Neil Patrick Harris, P!nk, Bowen Yang, André DeShields, and Leslie Odom Jr. added extra glam to a star-studded night - one that also featured strong performances from the casts of Schmigadoon! and Ragtime. - Boston Globe
Revisiting the 1980s, a decade whose “reality pulsed with cultural Balkanization, financial erosion, systemic disinvestment, and televised neurosis, the American theatre conjures a cultural imagination crowded with the outsiders, monsters, con artists, hungry things, and chosen kindred of the analog twilight.” - American Theatre
“There's a big reason it takes years for a fresh musical to land on Broadway. Cracking any story is a painstaking process. The same goes for crafting a songbook. Getting the two to coalesce? It's a delicate alchemy.” - Washington Post (Yahoo)
The show is the Broadway transfer of Bess Wohl’s play Liberation, which won this year’s Pulitzer Prize for Drama (and may win a Tony this Sunday). Audience members were required to put their phones in sealed pouches so nobody would film nude scenes, and producers intend to maintain that requirement in London. - The Guardian
Peacock and Paramount+ have high hopes. “Emmy success can still bring tangible benefits. Even the commitment to campaigning can move the needle, especially for two streamers looking to recruit more talent to their ranks.” - Los Angeles Times (Yahoo)
Kim Petras was not happy with her experience of “what can happen when the general corporate powers that be force you to sideline your artistry for the company line.” So, she left. - The Fader
“If you want a deep dive into Chicago arts and culture, check your phone at the door: The ‘unplugged’ trend is growing locally among arts groups responding to a collective desire for more phone-free experiences.” - WBEZ (Chicago)
“Every number is a homage to at least one classic musical, and often two or three. Here, the hills are alive with the sound of pastiche; the plains and the valleys too.” - The New York Times
“The documentary centres on a cocktail party Greaves hosted at Duke Ellington’s townhouse in Harlem in August 1972 – an attempt to capture the voices of artists, writers, musicians and organisers whose work had transformed Black American culture in the 1920s.” - The Guardian (UK)
The head of one viral marketing firm says 90 percent of what we see online is advertising. And of course, “the point of this kind of marketing is that nobody is supposed to notice it. But lately, the machinery has started to show.” - Vulture
If you go to the Biennale, including this year’s intensely controversial edition, “Do you marshal skepticism or let the feelings flow? Whatever your preference, you’ll get a lot of practice.” - The Atlantic
Why? For one thing, “conservation specialists ... have been navigating the practical challenge of safely transporting the works across the globe.” - The Guardian (UK)
“Indigo’s report (for Britain’s National Theatre) states that ‘there is very little evidence that filmed theatre reduces in-person attendance of theatre overall’ and that 93% of survey respondents who saw at least one filmed theatre production in the cinema or via streaming also attended a performance in person.” - The Guardian
