Yoko Morishita, who will turn 78 in December, is the prima ballerina in Japan’s storied Matsuyama Ballet Company. One of Japan’s most-celebrated dancers, she performed with Rudolf Nureyev 200 times and toured with Margot Fonteyn. - The Wall Street Journal
Ultimately dating back to 1991 and in its current form — four choreographers working with 16 professional dancers, creating pieces for three weeks and then performing for an audience which gives direct feedback, taking place each July at UCal-Irvine — since 2004. This year’s final edition features work by four alumni. - Pointe Magazine
“Because every competition’s scoring rubric is slightly different, dancers may not always understand why they received a certain score or ranking. ... What do competitors and coaches need to know about the competitive-dance world’s many judging systems, and how can they glean useful information from the often-mysterious numerical scores?” - Dance Magazine
The company, based in Glasgow, will cut short its December run of Cinders in Edinburgh, canceling Christmas-to-New-Year’s-week shows, because — especially with an upcoming 5% addition to the hotel tax — the cost of accommodation for up to 150 performers and crew is simply too high. - STV News (Scotland)
“The data shows that the majority of kids who enroll in dance will not pursue it as a career, and 90 percent will quit in their preteen years. There’s an opportunity for dance education to rethink its approach: How do we teach kids to love dance and the skin they’re in for all stages of life?” - Dance Teacher
“Being onstage, although well out of the spotlight, brought once-familiar sensations flooding back: the particular dry-mouth feel that comes from nerves and heavy lipstick, the sweat-and-velvet musk of the costumes. But nothing can quite prepare you for your first look into the Met audience — faceless and staggeringly vast.” - The New York Times
“He became a devoted student at the Alvin Ailey Dance Theater’s drop-in classes. Sibley integrated his love of movement with his identity as a proud Black gay man, and in his advocacy for social change and racial justice through public performances.” - Hyperallergic
Though Dmitriy Popov, now 20, was acquitted of murder, he was convicted of first-degree manslaughter as a hate crime and other charges for attacking Sibley — a Black and visibly gay man — with a knife and puncturing his heart while Sibley and friends were dancing outside a Brooklyn gas station in 2023. - Gothamist
Nobody has definitive data, but Anne Green Gilbert has reached thousands of people during her career as the creator of, and advocate for, something she calls Brain-Compatible Dance Education. - Seattle Times
“It’s not that I don’t have a strategy — I just don’t have one for my life. I don’t plan it. Some people define their next goal and know exactly what they want. I let things come. ... I have a vision about how I want to run the company.” - Hube
So claims Julian MacKay, who was a principal at the Bavarian State Ballet from 2022 until this week. He says he complained about unfair treatment and threatened to resign, then was dismissed without warning while on sick leave. The company says he was properly terminated in an in-person meeting. - The Violin Channel
Dance Guru is a virtual reality application in which a digital teacher, seen through your headset, walks you through the steps for salsa, waltzing, bachata or cha-cha — repeating as many times as you need, with no human there to make you self-conscious or to get impatient or bored. - NPR
The unnamed 17-year-old, who's been competing in girls’ youth divisions for several years, was enrolled as a contestant in last week's North American Irish Dance Championships in Orlando. She withdrew after Florida Attorney General James Uthmeier threatened to pursue the competition’s governing bodies for violating state law. - Orlando Sentinel
“By eschewing music and narrative in favor of seemingly pedestrian motions—toe taps, limbs folding and unrolling—that don’t repeat, challenged dance tradition when it premiered in 1966. It requires performers to maintain what Rainer describes as an ‘uninflected continuity.’”- Dance Magazine
“For me, the key has always been to make Odette the embodiment of pure femininity, sorrow, refinement, and forgiveness — but never weakness. ... Odile, by contrast, should be explosive, feminine, bold, daring and wicked — but never vulgar. You know, without steam coming out of her nostrils.” - Gramilano (Milan)
