“Since speculation emerged last fall that Disney might be interested in getting its paws on Netflix, Wall Street has been split on whether such a tie-up would be a bold, smart move or an unnecessarily risky gambit.”
Variety Published: 01.18.17
The advice to owners of permanent seats, seen by the Guardian, is that they can “significantly improve income from unwanted tickets” by using secondary sites, which have become a haven for touts exploiting the most in-demand events. The author of the document, a seat owner who asked to remain anonymous, said: “Seat owners are entitled to optimise their returns.
The Guardian Published: 01.18.17
Dance has become a popular acquisition of museums in recent years. Immersive, participatory, and often silly, “The Museum Workout” could be seen as a cheeky response to the trend. But the work also tackles serious questions that dance artists have long been asking about the relationship between artists and audiences and about what constitutes dance.
The New Yorker Published: 01.16.17
“The editors who select the topics are “deeply aware of the social impacts of new technologies and of the role of real people in shaping those technologies. We don’t treat technology in a vacuum here. We talk about how people who use technology have a chance to take some responsibility for it, and to influence its future design and direction.”
WBUR Published: 01.13.17
“Embodiment” and “the intelligent body” are buzz terms both in dance and academia: the idea is that the brain doesn’t have dominion over human experience. “We still hugely privilege the mind over everything else,” says Siobhan Davies. “I think the mind is bloody wonderful, but the whole of us lives in the world, the whole of us communicates, the whole of us can fantasise and imagine. I’d like us to turn the world around.”
The Guardian Published: 01.12.17
“On an otherwise quiet Sunday at the [L.A.] museum in early June, an Australian man is chuckling with two middle school-aged kids over a pair of fake breasts from Serbia that the donor says her ex-boyfriend required her to wear during sex. … Around the corner, in a corridor in which objects recall loved ones who died, fell ill, or were abusive, a couple is ranking objects by their level of misery.”
Pacific Standard Published: 01.17.17
Luck is chance viewed through the spectacles of good or bad fortune. It’s really good news, at least for you, if you win the lottery, and it’s really bad news if you’re one of the passengers on the plane when it crashes. Chance, then, is the objective reality of random outcomes in the real world, while luck is a consequence of the subjective value you place on those random outcomes. Luck, we might say, is chance with a human face. Understanding this gives us a clearer view of reality, and a clearer view of reality means we can choose better courses of action.”
Nautilus Published: 01.12.17
“To have one’s novel translated – on one hand, an honor. On the other – you might as well be trying to have sex using another person’s body.” Now imagine that that body used to be yours, and you remember it. Boris Fishman tells the story of reading from the Russian translation of his A Replacement Life at a book tour event in Estonia.
New York Times Book Review Published: 01.13.17
“Even as one very visible portion of the art world becomes ever more soaked in money, artists like A.L. Steiner are picking up the ideas of first- and second-generation institutional critique and adapting them to the needs of the present. With what feels like increasing frequency, they are investigating, tweaking, and even striking out against the operation of museums, galleries, and the very market itself as an integral part of their larger practices.”
ARTnews Published: 01.18.17
The evidence is circumstantial, not direct, but it’s considerable – and until now, not a single one of the Virgin Queen’s famously lavish dresses was known to have survived.
Smithsonian Magazine Published: 01.17.17
Jennifer Holliday: Were Death Threats Really Necessary When I Made A Mistake About Performing In The Inaugural?
“Holliday says it wasn’t until a Daily Beast article explicated why those in the LGBTQ community, a group that the singer credits with the success of her career, might find her decision to perform so devastating that she understood her responsibility to bow out.”
New York Magazine Published: 01.17.17
Fortunately, he has a lot of them, as he’s demonstrated in the ten years he’s been in Los Angeles: LACMA’s attendance has doubled and its cachet has soared. Adam Nagourney gives an overview of Govan’s prospects for the biggest project he’s ever undertaken.
New York Times Published: 01.18.17
“It is a time-honored role for artist as designator, to point at the stuff of the physical world and revision it as art, harkening back to the readymade. But Gates’s decision to ‘bump off from art’ and live ‘in the sphere of dirt, the dirty, the stuff that we think is in the ground’ was revelatory, leading to invitations to Davos and a TED Talk, where he talked about how he revived a neighborhood with imagination and hard graft.”
The Guardian Published: 01.16.17
“‘Watch Now’ started out small with around 1,000 titles – about 1% of Netflix’s 70,000-video physical library – when it began rolling out on Jan. 16, 2007. Videos ranged from Hollywood classics like Casablanca, to cult movies, to foreign films, to mini-series – including the original 1990 BBC series of House of Cards.
Quartz Published: 01.17.17
As broadcasters the world over are gradually dropping traditional FM signals for digital audio, Ernie Smith tells the story of FMX, a 1980s technology that researchers and engineers were convinced would give a huge improvement in sound quality and be relatively smooth to adopt. Radio stations were gradually getting interested, until …
Tedium Published: 01.17.17
The producers went to a lot of trouble to institute a paperless system that would keep tickets off the price-gouging resale market. That worked for (literally) less than two hours.
The Guardian Published: 01.16.17
The first African writer to win a Nobel, Soyinka had to sneak out of his homeland after dictator Sani Abacha confiscated his passport; he claimed asylum in the States when Abacha sentenced him to death. Though the playwright since moved back to Nigeria, he regularly took temporary gigs at American institutions. Now, in the face of you-know-what, he’s given up his green card.
The Atlantic Published: 01.17.17
“How do you know if the negatives are outweighing the positives?” Sarah Wroth helps with yet another instance of things that should be obvious but never are when we’re the ones in the middle of them.
Dance Magazine Published: 01.13.17
The Dresden Staatskapelle is 458 years old; the Royal Danish Orchestra (in Danish, the “Royal Chapel”) is a century older still. The Budapest Festival Orchestra, on the other hand, was founded in 1983, and many critics and listeners consider it to be easily a peer of the Dresdeners. Andrew Mellor considers the ways in which an orchestra’s institutional history might or might not affect how it plays today.
Gramophone Published: 01.11.17
Is This Velázquez Genuine Or Not? Experts Have Argued For Years, And The Ringling Museum Is Going To Settle It Once And For All
Curators at the Sarasota museum have studied this portrait of King Philip IV with an infrared camera, and they think they’ve found the evidence they need.
The Art Newspaper Published: 01.17.17
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The auction house filed a complaint against the collector who consigned this work, which was described as 16th-century Italian, after testing discovered pigments that didn’t exist until the 20th century. (Sotheby’s launched a similar lawsuit in October over a different canvas.)
New York Times Published:01.17.17
News broke yesterday that Pyotr Pavlensky, Russia’s most notorious protest artist, had fled the country and sought political asylum in France due to allegations of sexual assault that he says are bogus and politically motivated. Rachel Donadio looks into the situation and finds that it’s not at all so clear-cut.
New York Times Published:01.17.17
“The demise of young Quaker poet Aquila Rose, while surely lamentable, is virtually forgotten. But this obscure death nearly three centuries ago is arguably among the most momentous deaths in Philadelphia’s 300-plus years – not for who Rose was, but for what he precipitated.”
Philadelphia Inquirer Published:01.17.17
Middle school student Sarah Hansen has a progressive disorder that had left her unable to take more than one or two steps without holding on to something or falling. Then she found Bonnie Schlachte’s studio, Ballet for All Kids. Schlachte usually teaches developmentally disabled kids, but she knew that, thanks to neuroplasticity, she could help Hansen. (includes video)
USA Today Published:01.17.17
Israel already does West Bank excavations, and lends artifacts found in them, without approval from Palestinian authorities. The new ruling permits digs done anonymously and lending artefacts without informing the Palestinians at all.
The Art Newspaper Published:01.18.17
“Non-European thought is often underrepresented in philosophy. The rich histories of India, China, the Islamic world, and Africa are often seen as footnotes and side ventures to the thinkers of Europe. While European thought is of great use, the influence of African ideas on Freud, the influence of Maoism on many French philosophers, and the refinement of Greek ideas by Islamic thinkers cannot be denied.”
Big Think Published:01.16.17
As in 7 million YouTube views. “When people look at a full-figured girl, automatically they just think, they can’t do. But there are lot of plus-sized people that can really dance and move. I mean, you have to know your body as a dancer. You have to know how to transfer your weight. Of course, you know, being a woman of my aesthetic, I know my body. I know what I’m capable of doing. So you just have to be comfortable in your own skin.”
He threw his weight behind a £280 million (324 million euro, $347 million) project aimed at creating a “Centre for Music” equipped for the digital era. The plans involve building a new hall on the site of the Museum of London, which is relocating nearby, which would become the new home of the LSO.
Yahoo! (AFP) Published:01.17.17
“Writers know so little about how other writers make ends meet that it’s difficult for them to have much perspective on their own ability to do so.”
“Opera lovers routinely avoid new works for just this reason: They’re not going to be on a par with the masterpieces that still make up the bulk of the operatic canon. Part of the problem is the delivery mechanism: New opera is less available than a new book and, generally, a lot more expensive. Wouldn’t it be great if new opera were presented like a film festival? Yes — and more and more festivals are trying it.”
Washington Post Published:01.15.17