Joe Horowitz

The following article is an abridged adaptation of my January 22 NPR report on recent developments in government and the arts — at the NEA, the NEH, and the Kennedy Center —  under President Donald J. Trump. I write: “The arts sector feels invaded by aliens. The incursion is so

My forthcoming novel, The Disciple: A Wagnerian Tale of the Gilded Age, may be my best book. A prequel to The Marriage: The Mahlers in New York (2023), it’s already available via pre-order. (And if you order both books, you get a discount.) My story tracks the prodigious American impact

A couple of my recent blogs – here and here — have saluted John Luther Adams as “among the most esteemed present-day American composers for orchestra. . . . Encountering Adams’s Become Ocean on a 21st-century symphonic program is so fundamentally enthralling that it risks cliché. It is the proverbial oasis in the

I cannot think of a better conversationalist about music, and about the state of things musical today, than the conductor Kenneth Woods. Ken is an American based in the UK, where he conducts the English Symphony Orchestra in Worcester and resides in Wales. He programs bravely and insightfully. He presides

It must mean a lot that I can remember watching Sid Caesar’s “Show of Shows” on TV with my parents as a young child. For one thing, I don’t recall watching anything else as a family. For another, Caesar’s “Show of Shows” went off the air in 1954 and I