Joe Horowitz
“Shosakovich in South Dakota” P. S.
https://youtube.com/watch?v=D9PJXMkmGsY&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent I cannot resist this postscript to my 7,000-word manifesto, in the current American Scholar, about the South Dakota Symphony. If
“Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”
https://youtube.com/watch?v=D9PJXMkmGsY&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent My “manifesto for the future of American classical music,” in the current issue of The American Scholar, attempts
“The Jazz Threat” on NPR
In my book Dvorak’s Prophecy and the Vexed Fate of Black Classical Music, I call “an antipathy to jazz” one
Pedro Carboné (1960-2023)
https://youtube.com/watch?v=v85Npd_pB3w&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent The pianist Pedro Carboné – who was one of my closest friends – died last night
The Cultural Cold War — at a 30 % Discount
My brand-new website posts information on my brand-new book: The Propaganda of Freedom: JFK, Shostakovich, Stravinsky, and the Cultural Cold War.