Joe Horowitz
Ivan Fischer’s Mahler, Manfred Honeck’s “Elektra,” and What Happens When an Orchestra “Feels It”
“As the repertoire ages, as the world changes, we will have ever fewer Fischers and Honecks, and ever more Dueñasas, Lims, and Chos. The outcome seems to me unpredictable. It could be a refreshment and it could be a dilution.“ A dozen years ago, Ivan Fischer came to Carnegie Hall
Trump and the Arts — Take 2: Jimmy Kimmel on the Kennedy Center Shutdown
As a sequel to my NPR show on Donald Trump’s incursions at the Kennedy Center, the NEH, and the NEA, here’s something Jimmy Kimmel said on TV the other night: Trump says he’s closing the Kennedy center for roughly two years, so it can be rebuilt into the finest performing
Trump and the Arts
The following article is an abridged adaptation of my January 22 NPR report on recent developments in government and the arts — at the NEA, the NEH, and the Kennedy Center — under President Donald J. Trump. I write: “The arts sector feels invaded by aliens. The incursion is so
My New Novel: “The Disciple”
My forthcoming novel, The Disciple: A Wagnerian Tale of the Gilded Age, may be my best book. A prequel to The Marriage: The Mahlers in New York (2023), it’s already available via pre-order. (And if you order both books, you get a discount.) My story tracks the prodigious American impact
John Luther Adams on “Why I Moved from the US to Australia”
A couple of my recent blogs – here and here — have saluted John Luther Adams as “among the most esteemed present-day American composers for orchestra. . . . Encountering Adams’s Become Ocean on a 21st-century symphonic program is so fundamentally enthralling that it risks cliché. It is the proverbial oasis in the
