"Unlike Black Swan, the darkly funny Abigail — which follows a band of kidnappers as they discover that their prisoner, supposedly an adolescent ballet student, is actually a centuries-old vampire — doesn’t aim for profundity. But entertainment-world depictions of ballet, even in campy romps like Abigail, carry weight." - The New York Times
Cool and deeply creepy at the same time: “The artist's AI voice was trained on voice samples taken from archival interviews Dalí did in English over his career. (He spoke four languages — Catalan, Spanish, French and English — sometimes interchangeably.)” We’re ready for the four-language answers. - NPR
“The exhibition’s top prizes both went to Indigenous artists, with the Golden Lion for the main curated exhibition going to the Mataaho Collective, which consists of four Māori women artists. ... The Golden Lion for the National Pavilion was given to Archie Moore (Kamilaroi/Bigambul), who was Australia’s representative." - ARTnews
Orlando Whitfield (as recounted in his new book): “I mean, this is great, but it’s on a fucking wall. A door was one thing, but this is different.” Philbrick: “I know. But it has to be doable, right? Has to be. Think of all those frescoes they move in Italy.” - The Guardian
The series E-Moves is 25 years old now, and one of its "intended effects has been to take choreographers who work mainly ‘downtown,’ in white-dominated dance institutions, and bring them ‘uptown’ to Harlem." - The New York Times
Birmingham is a bellwether for the UK. Nothing “could be more emblematic of the way that Britain currently devalues life: when we only focus on our most basic needs, dismissing leisure, art, literature and culture as something decadent and middle-class, we do ourselves an injustice.” - The Observer (UK)
“For more than a half-century, Ms. Ringgold explored themes of race, gender, class, family and community through a vast array of media, among them painting, sculpture, mask- and doll-making, textiles and performance art.” - The New York Times
Even now, "some employees, particularly female employees, continue to feel unsafe. A current member of the orchestra told me about an incident this past February in which her male colleagues spoke negatively about Asian women performing with the orchestra." - Vulture (MSN)
"Critics need to be more flexible than artists. You have to be open to being changed and pushed into new directions. ... My main goal has always been to point out art that people would enjoy seeing, and to show them how I saw it and enjoyed it." - The New York Times
Although distributors and streaming services frequently use language that places the blame on the artist for fraudulent activity detected on their accounts, it has become clear that artists are often caught in the middle of a crossfire between streaming services, distributors and fraudsters attempting to game the system for their own financial gain. - Variety
In the foreword to Project 2025, the Heritage Foundation’s blueprint for a possible second Donald Trump administration, it says “people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders.” - AP
Said the 82-year-old this morning, "I woke up at 5:30 yesterday morning to get ready for rehearsal and I thought, what am I even doing? I was wobbly on my feet, and then I thought, I just shouldn't do it anymore." - NPO Radio 4 (Netherlands) (via Google Translate)
One musician says, "Every time I go over there, I'm losing money. … We’re never making money, it's not a possibility. I'm lucky enough that I'm signed now and I've made two albums so I have the money to lose in America.” - BBC
Lea Salonga, on the song “The Worst Pies in London": "There are a whole lot of built-in reversals and crazy shifts. And I don’t mean vocal, but rather where she goes emotionally. It’s like this woman is the multitasking queen.” - Washington Post
The city was a beacon of artistic freedom. Then came October 7. Now, "a climate of fear and recrimination has put Berlin’s status as an international cultural capital in greater hazard than at any time since 1989." - The New York Times
The theatre company said, "We are working with a remarkable group of artists. We insist that they are free to create work without facing online harassment.” - BBC
"In a career spanning (over) 40 years, he established himself as a hyperliterate jester and an anarchic clown. Regarding subject and theme, he pogoed from sex to metaphysics to serial killers to psychology; he had a way of collapsing high art and jokes that aimed much lower." - The New York Times
"A Finn who turned 28 in January, Mäkelä has had an astonishing rise in the music world. … Mäkelä will become CSO music director designate immediately and start a five-year tenure in 2027-28" — at the same time he begins as chief conductor of the Royal Concertgebouw Orchestra in Amsterdam. - AP
"Any attempt to look at the company’s finances suggests a long history of issues at the very top. … Sources described a corporate culture with no discernible strategy and little of the necessary financial infrastructure or discipline. … While Vice execs were spending opulently, the newsroom struggled to pay its bills." - The Verge
