“Screenmaxxing is big business for an imperiled theatrical exhibition industry. … PLF screens seem to be an effective way to lure them out of the house, and charge a little (or a lot) extra for the assurance that they’re seeing a version of the movie that goes above and beyond.” - The Guardian (UK)
Yes, you need to watch The Sorrow and the Pity, and you need to do it right now. Why? Because “Ophuls’s film is illuminating precisely because its lessons about complicity apply to evil and corruption of all kinds.” - The Atlantic
“Transparency, porousness — all the buzzwords of architecture today are antithetical to security. It’s a paradox implicit to museum design today.” - The New York Times
“The Winnipeg-born children's book author and illustrator of I Want My Hat Back, has won the Astrid Lindgren Memorial Award, which is worth nearly $750,00” (Canadian). - CBC
In the company’s staging of Kaija Saariaho’s opera Innocence, seven stage managers, four prop masters, and a big flock of stagehands transform the set from a decorated wedding-banquet hall into a blood-spattered high-school classroom in a minute and a half — and they do it while the set is rotating. - The New York Times
One the one hand, you have the Buffalo Philharmonic’s JoAnn Falletta and the South Dakota Symphony’s Delta David Gier, both thoroughly embedded in their communities. On the other, you have Klaus Mäkelä with three orchestras and Andris Nelsons, who's losing his Boston Symphony job partly because he's so busy elsewhere. - The New York Times
But “the Basque government, headed by Imanol Pradales of the Basque Nationalist Party (PNV), has made the transfer of Picasso’s painting a matter of regional pride." - El País English ...
“Solutions like Proudly Human and Not by AI aim to be broader, covering published text, visual art, videography, and music, but the verification processes being used by these services can be questionable.” (Archive Today version here.) - The Verge
PSU’s “dance program had once been a cornerstone of Portland’s artistic community, even as it struggled against decades of intermittent support, administrative turnover, and shifting school priorities.” - Oregon ArtsWatch
“Many shows have not only endured, they’ve spawned universes, international adaptations and spinoffs. Bravo, a TV channel that used to focus on the performing arts, is now an unscripted powerhouse that even has its own convention, BravoCon.” - Los Angeles Times (Yahoo)
“At the crux of the controversy is the fact that Tabouret’s new windows would push out Viollet-le-Duc’s undamaged ones. Advocates for the project argue that since the windows date to the 19th century, instead of the Middle Ages, they are fair game to be replaced.” - ARTnews
"Developers discovered the cultural value of place-making. Corporations embraced art as branding. Cultural nonprofits and academic institutions increasingly adopted the vocabulary of community engagement while operating within the same economic structures driving displacement.” What now? - Hyperallergic
It’s “is a replica of one that protesters in Baltimore tore down and dumped into the city’s Inner Harbor in the summer of 2020. The statue’s marble pieces were retrieved from the harbor, and a Maryland artist used them to guide the creation of the replica." - The New York Times
“The ministry reportedly took issue with Duwaji’s animation Eyes on Jenin (2025), a work that linked police brutality against pro-Palestinian protesters to Israel’s genocide in Gaza.” - Hyperallergic
"The Rutherford County Library Board voted ... to relocate more than 190 books, many involving LGBTQ+ themes, from children’s and teen sections to adult areas following a review of ‘age-appropriate’ materials” - and the library director refused.- The Advocate
Will this argument play? "Whether it is computer chips, the energy sector or pharmaceuticals, this is something that is standard in the United States. … In terms of our nation, Hollywood and its ability to tell the story of America, it is something worth saving.” - Los Angeles Times (MSN)
An early profile of Jean Tinguley “defined an approach that informed the dozens of artist profiles he wrote for The New Yorker over the next 62 years … providing the magazine’s readers with a sophisticated guide to often arcane styles and -isms.” - The New York Times
The school's founder and artistic director says the grant “represents a chance to further what he calls his lifetime mission to inspire a return to a classical style of art that last reigned supreme in an era before the Civil War.” - The New York Times
