“The 35-day figures for the 2024-25 season show that for series that originate on broadcast or cable networks, five weeks of streaming can grow a show’s audience by 40 to 50 percent — and in a few outlier cases, practically double it — from its linear total over the same time frame.” - The Hollywood Reporter
The company sold 72% of capacity this past season, the same as 2023-24 but below projections. General manager Peter Gelb said that attendance was down in April and May, when overseas visitor numbers to New York fell sharply. - AP
“The only thing that can stop AI companies doing what they’re doing is the law. ... If these lawsuits are successful, that is what will hopefully stop AI companies from exploiting people’s life’s work.” - Time
“Biography alters as we do, as our conceptions of motive evolve, as theories of personality float into fashion or fade away. It offers a snapshot of our working notions of selfhood.” - The New York Times
"Universal, whose parent company acquired DreamWorks Animation in 2016, was adamant that the new cater not only to young viewers but also to adults who had grown up with the original.”- The New York Times
Tracy Young: “I’ve seen nothing to counter the notion that Shakespeare was a populist. All about the people, and the audience’s kind of theater guy. … That to me was the real affirmation of why Play on Shakespeare is worthy. I have no complicated feelings about the rightness or wrongness of it.” - TheaterMania
“Beginning January 1, 2026, major French museums — including the Louvre and the Château de Versailles — will charge non-European Union visitors €30 (about $35), up from €22 ($25). …The new pricing, described as a ‘differential tariff,’ marks a sharp turn in France’s long-professed commitment to universal access to culture. It’s also triggered a domino effect.” - ARTnews
At the preshow, “Buena Vista Social Club, a musical about a Cuban band, picked up awards for choreography, sound design and orchestrations, while Stranger Things: The First Shadow, a prequel to the Netflix series, won for sound, lighting and scenic design.” - The New York Times
“Singing robots. Undead frenemies. A dead train robber, and a dying cave explorer. A fumbling group of spies, and a bumbling group of pirates. Also: Hamilton.” - The New York Times
And that’s thanks to us, the great unwashed movie audience: He "explained that he found himself too distracted by the chat and mobile-phone disturbance from the audience to concentrate on the film.” - The Guardian (UK)
"The pressures that deformed the news in Murrow’s day have only grown more intense, and its defenses weaker. The last line of protection is those people sitting in the dark, watching George Clooney remind them what they have to do.” - Slate
“Operators aimed the dish at Voyager 1, the world’s most distant spacecraft more than 15 billion miles (24 billion kilometers) away. Traveling at the speed of light, the music was expected to overtake Voyager 1 within 23 hours.” - Seattle Times (AP)
Maybe - but no sarcasm, please. "We already have umpteen animated takedowns – Robot Chicken’s fever-dream dismemberments, Family Guy’s fart-laced remakes – and they’re fine, in their way.” But not from the franchise itself. - The Guardian (UK)
At Madrid’s Bernabéu Stadium, dozens of music gigs took place in 2024 - until September, when everything came to a (non-screeching) halt when the stadium’s neighbors sued over the noise. - BBC
John McWhorter: “Sitting through a three-or-more-hour performance in a language we don’t understand is a peculiar cultural phenomenon, ... and it’s a big part of what keeps opera from reaching more people. ... The composers of yore had their works translated ... because they wanted audiences to understand what they were hearing." - The New York Times
