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AJBlogs

Advocacy for the Nonprofit Arts Sector is Currently Meaningless

Lost amid a string of inside-baseball phrases and ideologies, officials have little idea as to why they would possibly fund ...

Schubert and the Music of Exhaustion

The supreme string quartet, for me, has long been Schubert’s last, in G major — memorably performed last Friday night

R. I. P. : The National Endowment for the Humanities (1965-2005)

Since 2010 I have administered Music Unwound, a national consortium of orchestras and educational institutions funded by the National Endowment

Robert Taylor shares methods to inspire through diverse repertoire

Robert Taylor, Director of Bands and Professor of Conducting at Northwestern University’s Bienen School of Music, shares his approach to diverse repertoire and inspiring individual voices in group ensembles.

Across North America, 29 “Jazz Heroes”

Twenty-five years ago the Jazz Journalists Association began to identify and celebrate activists, advocates, altruists, aiders and abettors of jazz as members of an “A Team,” soon renamed “Jazz Heroes.” Today the JJA announced its 2025 slate of these Heroes, 29 people across North America who put extraordinary efforts into sustaining and expanding jazz in its various forms. So who...

A Case for Support: Forklift Danceworks Uses the Art of Dance to Tell the Stories of Real, Essential Workers

Studs Terkel would have been proud of this remarkably impactful nonprofit arts organization. ...

Yuval Sharon talks about the role of the arts in a rapidly changing world

Yuval Sharon, Artistic Director of Detroit Opera, talks about their historic upcoming productions and the role of the arts within a rapidly changing society.

On the aesthetic education of the young

From Book III of The Republic, by Plato (circa 375 BCE, translation by F. M. Cornford). Socrates is speaking with Glaucon: One thing, however, is easily settled, namely that grace and seemliness of form and movement go with good rhythm; ungracefulness and unseemliness with bad. Naturally. And again, good or bad rhythm and also tunefulness or discord in music go with the...

Revisiting Dublin through an Arts Research Blog Post

In deference to St. Patrick’s Day, I’m reposting an entry from ten years ago. Titled “Yeats and the Economics of Creativity,” it originally ran on the Arts Endowment website on May 7, 2025. Last month, at the invitation of the U.S. Embassy in Dublin, I took part in a conference titled “Creative Minds: The Importance of the Creative Economy in...

Shake It Up: The Benefits of Free-Form Dance May Rival Those of Other Forms of Movement

When we talk about the arts and DIY, we commonly refer to craft activities or teaching oneself how to play a musical instrument. But what could be more DIY than free-form dancing? The adjective says it all. Free-form, freestyle, or free dance is a series of unstructured, personally directed movements in which creativity and improvisation are at a premium....

Educating Ourselves about Childhood Arts Experiences—and Why They Matter

A new report from the National Endowment for the Arts re-affirms what we have learned from many other previous studies—namely, that arts education is closely linked with positive academic outcomes and social and emotional development. The report appears in the wake of new data from the National Center for Education Statistics (NCES), based on survey questions that researchers from the...

“Trump”-l’Oeil & “Entrumpy”: Museums’ Re-envisioned Missions Under a Capricious Ruler

Call it entrumpy—a “gradual decline into disorder” (riffing on “entropy”), attributable to the unpredictability of our unprecedented President. Exploiting his

Quick Study: Monetizing Health Benefits from the Arts

In this episode, we discuss findings from a UK study about the economic consequences of using arts-based strategies to improve health and well-being. A transcript is available at the Arts Endowment website.

Learning out loud during sabbatical

It’s been a year since I posted to the Artful Manager, when I reflected on the passing of my dear friend and colleague Diane Ragsdale. Since then, I’ve been focusing my public writing in the ArtsManaged initiative, an effort to create free, online, and evolving resources for Arts Management practitioners. You can subscribe to the weekly newsletter, browse the...

Creativity Versus Skills

Art that is primarily skill-based -- graphic design, stock music or images, text and marketing, etc -- can be created faster and often better than human artists, and at lower cost. This is particularly true for compound art that requires specialized equipment and/or collaboration of specialists. As for art with high creative quotient, humans will not only be essential, but the automation of skills available to them will likely make them better. Maybe much better. And certainly more prolific.

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