Fired FBI agents are suing the bureau and Kash Patel for dismissing them because they took part in an investigation of el presidente Trumpscheisse’s attempt to overturn the 2020 election.
In Verdi, the elephants are in Aida. In Wagner, the elephant in the room is a pamphlet: “Judaism and Music.” It seems the Rosetta Stone of Wagner scholarship, the central text that lays bare what lurks hidden in his life and work. Beyond a doubt, it is an egregious text,
[A human named David Szalay]. Paul Bloom posted this note on Substack: I’ve always thought that I would never want to read an AI-written novel, no matter how objectively well-written it is. But I’m starting to question this. I’m on a real David Szalay kick these days; last night, I finished “London
The infrastructure carrying culture to audiences — legal, technical, financial, corporate — was not built for the creative sector. It was built by and for technology companies, telecommunications firms, and entertainment conglomerates.
I am in Ann Arbor, participating in a Mahler project with Ken Kiesler and his fervent University of Michigan Symphony Orchestra – the group with which I memorably toured South Africa a year ago (and about which I blogged and broadcast). Addressing a class of young conductors this morning, I
'President Trump has been right about everything." — White House Press Secretary Karoline Leavitt. (This is old news by now, but the staff felt an obligation to memorialize it.)
(Kudos to the art director who chose that American flag done with handprints – it’s perfect). I enjoyed reading Becca Rothfield’s “Listless Liberalism” in The Point, in which she reviews Ezra Klein and Derek Thompson’s Abundance, and Cass Sunstein’s Liberalism, and also asks the question of why the aesthetics of a liberal society, barely addressed
Leonard Bernstein celebrated Dmitri Shostakovich’s sixtieth birthday by proclaiming him “an authentic genius” – “and there aren’t too many of those around anymore.” That took courage in 1966, when Shostakovich – the leading Soviet musician — remained a Cold War cartoon of the stooge and simpleton. As Bernstein appreciated earlier
This week we collected 118 stories. It's worth noting, I think, that attempts to address the current collapse of the non-profit culture sector are focused on changing market forces. But this is a larger, more systemic set of issues that has corroded all of civic life -- from culture to
Rachel Thompson, Program Manager at the Curb Center for Art, Enterprise & Public Policy at Vanderbilt, talks about building curricular ties between students and the arts and art institutions.
Ireland demonstrated something: economic insecurity doesn't just force workers out, it diminishes the overall creative economy. That matters enormously right now, because we are entering a period when a lot of people across a lot of industries are about to lose their job security.
These weekly essays are meant to connect stories from the week to larger trends and ideas across the arts world. This week we collected 118 stories. Here's what I learned:
Two huge culture industry deals in the past week, both in entertainment, and maybe they don't seem connected. Certainly not connected to non-profit arts. But these are exactly the kind of culture infrastructure deals that should worry anyone in the commercial or non-profit culture business because they impact us all.
