What can arts organizations learn from a runner content creator?How to build connection and trust. Today’s audiences invest in process and personality, not polish—and that shift could change everything for the performing arts.
Ahmed Anzaldua, Artistic Director of Border Crossing, talks about their commitment to impacting audiences through their programming of Latin American classical music.
Christine Taylor Conda, Executive Director of Education and Community Engagement at Ravinia, talks about the unique impact of their One Score, One Chicago program.
The journal H-Diplo Review, addressing scholars of diplomacy, foreign relations, and international history, has graciously published a little something I
John Richmond, Dean of the College of Music of the University of North Texas, shares strategies of balancing innovation and tradition that embody excellence transforming pathways into the arts.
Bill Neri, Director of Ensemble Advancement for The Sphinx Organization, shares the unique structure and transformational impact of the Sphinx Virtuosi.
The ACLU is pleased to announce that they succeeded in court against the new National Endowment for the Arts provision prohibiting funding for organizations or projects...
