For readers familiar with his work, it will come as no surprise that Swiss novelist Christoph Keller's prose in English, an adopted language, has the idiomatic flare of a native speaker. Nor is it a surprise that much of his latest novel is again set in downtown Manhattan, where he
The fear and concern are real. The issues are real. But we're trying to conjure up rules for 21st Century technologies with a 20th-Century vocabulary that's ill-equipped for the job.
Neil Barclay, President & CEO of the Charles H. Wright Museum of African American History, talks the evolving landscape for BIPOC organizations and avenues for sustainability.
My forthcoming novel, The Disciple: A Wagnerian Tale of the Gilded Age, may be my best book. A prequel to The Marriage: The Mahlers in New York (2023), it’s already available via pre-order. (And if you order both books, you get a discount.) My story tracks the prodigious American impact
When I saw this eye-popping video for the first time, it bowled me over. I've rewatched it several times and am still marveling at it. But is this work a piece of AI-slop? Is it "kind of meaningless in [its] calculated reality," as Doug McLennan has written of the genre?
A couple of my recent blogs – here and here — have saluted John Luther Adams as “among the most esteemed present-day American composers for orchestra. . . . Encountering Adams’s Become Ocean on a 21st-century symphonic program is so fundamentally enthralling that it risks cliché. It is the proverbial oasis in the
In the evolving world of AI, marketing is moving from getting messages out to engaging in dialog with the consumer. Messages get lost in the Sea of Messages. Persuasion asks what you're interested in first and engages you in opportunities.
I cannot think of a better conversationalist about music, and about the state of things musical today, than the conductor Kenneth Woods. Ken is an American based in the UK, where he conducts the English Symphony Orchestra in Worcester and resides in Wales. He programs bravely and insightfully. He presides
It must mean a lot that I can remember watching Sid Caesar’s “Show of Shows” on TV with my parents as a young child. For one thing, I don’t recall watching anything else as a family. For another, Caesar’s “Show of Shows” went off the air in 1954 and I
A reader, Kevin, asks if I had seen this new report by Brian Shearer at Vanderbilt University on legal remedies for high prices charged by different sorts of firms (airports, hospitals, car dealerships, etc) on “captive” consumers. I had not. I am no lawyer, and so I cannot speak to the various
Adrian Rodriguez, Director of Community Engagement, Chorus Director and Curriculum Manager of the Music Advancement Program at The Juilliard School, shares how to implement a commitment to young people as they develop in the arts.
We posted more than 6,000 stories across all forms of culture in 2025. When you pull back and look at them in aggregate, the individual crises—the closures in San Francisco, the lawsuits in D.C., the endless op-eds about the "death of cinema"—stop looking like isolated incidents. They resolve into a
