Today's headline at WIRED is a reminder of "Billboard Proposal #2," which was posted seven months ago. And now that Elon Musk's chainsaw has evolved, this is not so much an I-told-you-so as confirmation of his so-far inescapable assault. Let us also not forget "Billboard Proposal #1."
Which is remarkable, except that neither did many writers of the highest esteem. Was he considered for it? You'd certainly think so, given his record of achievement.
Curtis Stewart, Composer-in-Residence of the Sphinx Virtuosi & Artistic Director of the American Composers Orchestra, shares the complexity of his artistic process of creation.
(Indiana University Bloomington, Kelley School of Business (left) and O’Neill School of Public and Environmental Affairs (right)).
At her blog Arts Analytics, Joanna Woronkowicz has written a...
Notions of ownership of creative work, ideas, and artistic identity are muddied when the technology rapidly outpaces attempts to define issues and even what's at stake.
Jordana Leigh, Vice-President of Artistic Programming at Lincoln Center for the Performing Arts, shares the historic significance of their San Juan Hill Festival and the impact of their artist-centered initiatives.
There is a recent piece at Lawfare, by Simon Goldstein and Peter N. Salib, “Copyright should not protect artists from artificial intelligence.” The article...
https://youtube.com/watch?v=I_nQkfhVHIk&feature=oembed In Western classical music, the iconic composers disappeared sometime midway through the twentieth century, with Dmitri Shostakovich the
Kaneza Schaal, Theater & Opera Artist & Director, talks about the extraordinary upcoming America at 250 season at Detroit Opera and its impact for audiences and community.
Tomoko Fujita, Coordinator of the Cali Pathways Project & Assistant Professor at the Cali School of Music at Montclair State University, shares the Pathways structure they utilize to transform lives.
In a recent post comparing the White House’s proposed “compact” with universities to the situation facing the nonprofit arts in the United States, I wrote:
The administration’s...
