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Glimpses #9: Parisian Modern
The Paris Opera Ballet, in its determined non-classical guise, closed its New York visit with the late Pina Bausch’s 1975 Orpheus and Eurydice. In a post-modern, glossy-mag décor, Bausch’s take on the subject mingles the ravishing dancers with the solo singers, giving Terpsichore’s favorites little better to do than undulate their supple spines (ladies), run…
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A Ballet Romance
Paris Opera Ballet / David H. Koch Theater, Lincoln Center, NYC / June 11-22, 2012 Say that, as a dance fan, you happen to have a young child in your life who’s showing a burgeoning interest in—perhaps even an instinctive love for—dancing. If you take her or him to the ballet to see one of…
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Made in France
Paris Opera Ballet / David H. Koch Theater, Lincoln Center, NYC / July 11-22, 2012 The Paris Opera Ballet, playing at the David H. Koch through July 22, gets the prize for vintage achievement. Formed in 1669, it has the distinction of being the world’s oldest classical ballet troupe. The academy that produces most of…
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Swans
American Ballet Theatre / Metropolitan Opera House, Lincoln Center, NYC / through July 7, 2012 In the past week American Ballet Theatre has been offering a handsome array of dancers to play Odette/Odile and Prince Siegfried in Kevin McKenzie’s version of Swan Lake. Steeling myself against the choreography—as mistaken and misshapen as Peter Martins’ Lake…
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Troika
American Ballet Theatre: Kenneth MacMillan’s Romeo and Juliet, with Natalia Osipova, David Hallberg, and Herman Cornejo / Metropolitan Opera House, Lincoln Center, NYC / June 18, 2012 The near-hysterical joy of the audience at the Metropolitan Opera House on June 18—in response to American Ballet Theatre’s pairing of Natalia Osipova and David Hallberg as the…
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Five-Alarm “Firebird”
American Ballet Theatre: Alexei Ratmansky’s new Firebird / Metropolitan Opera House, Lincoln Center, NYC / season runs through July 7, 2012 I can’t imagine what Alexei Ratmansky was thinking of in creating his New Look Firebird. To begin with—and this is the first thing you notice–it‘s dressed for Las Vegas by Galina Solovyeva, with complementary…
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Glimpses #8: Tiler Peck
Like Patricia McBride’s, Tiler Peck’s stunning face registers intensely—once seen, never forgotten. Her dancing alone makes a visit to the New York City Ballet heartening. Her technical acumen never falters, only commands, having grown in confidence and in an athletic prowess that’s increasingly managed with subtlety. Yet even viewers who adore her—as well they might—may…
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Wunderkinder
The School of American Ballet’s Workshop Performances / Peter Jay Sharp Theater, Lincoln Center, NYC / June 2 matinee and evening; June 5, 2012 School of American Ballet’s Workshop Performances: Austin Bachman in Peter Martins’ Les Petits Riens Photo: Paul Kolnik Students at the School of American Ballet and the in-group that cares about…
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Books Remembered: Noel Streatfeild’s “Ballet Shoes”
This essay, commissioned by the Children’s Book Council, first appeared in CBC Features, Vol. 46, No. 1, Winter-Spring 1993. Noel Streatfeild’s Ballet Shoes was published in 1936. It is still in print. We were in London, my daughter and I, walking down the Cromwell Road. Anne was an exquisitely ingenuous fourteen-year-old, a pupil…
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Armchair Travel
American Ballet Theatre / Metropolitan Opera House, Lincoln Center, NYC / through July 7, 2012 We are in India, a long and mythical time ago. A Brahmin priest lusts after Nikiya, the loveliest of the temple dancers, a situation acceptable neither to his gods nor to the young woman. She loves the warrior Solor, who…