Matthew Bourne’s Sleeping Beauty: A Gothic Romance / New York City Center / October 23 – November 3, 2013 Matthew Bourne, who has changed classical ballet into sheer—often outrageous, often delicious—entertainment, has just brought to New York the last of his three works based on the glowing inheritance from the nineteenth century. Having tackled Swan […]
Alexei Ratmansky
Life Lessons
Mark Morris Dance Group / James and Martha Duffy Performance Space, Mark Morris Dance Center, Brooklyn, NY / April 3-14, 2013 Jenn and Spencer, being given its world premiere on the opening night of the Mark Morris Dance Group’s run at the company’s studio/theater in Brooklyn, refers to two of the company’s splendid dancers, Jenn Weddel […]
Untitled
American Ballet Theatre / City Center, NYC / October 16-20, 2012 American Ballet Theatre, financially afflicted like many a dance company in these stringent days, gave a Fall “season” consisting of just one “week”—October 16-20. Did the brevity of the run ensure the excellence of the repertory? Presented at the City Center, it consisted of […]
Baryshnikov’s Choice
In Paris / Gerald W. Lynch Theater, NYC / August 1-5, 2012 In Paris: It’s the quietest production imaginable, built—by Dmitry Krymov—through words (in Russian, French, and English), grainy black and white projected images (most often of words), haunting song, and a flying rig. It dramatizes a short story by the Russian writer Ivan Bunin. […]
Five-Alarm “Firebird”
American Ballet Theatre: Alexei Ratmansky’s new Firebird / Metropolitan Opera House, Lincoln Center, NYC / season runs through July 7, 2012 I can’t imagine what Alexei Ratmansky was thinking of in creating his New Look Firebird. To begin with—and this is the first thing you notice–it‘s dressed for Las Vegas by Galina Solovyeva, with complementary […]
Fantasias
Mark Morris Dance Group / BAM Howard Gilman Opera House, Brooklyn, NY / March 1-3, 2012 The only information I have to offer about the world premiere of Mark Morris’ A Choral Fantasy is descriptive. The relatively brief, high-spirited piece is set to Beethoven’s Fantasia in C Minor for Piano, Chorus and Orchestra, Op. 80. Amber […]






