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Terry Teachout on the arts in New York City

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Archives for October 12, 2018

A visit to Desolation Row

October 12, 2018 by Terry Teachout

In today’s Wall Street Journal drama column, I review the American premiere of Conor McPherson’s Girl from the North Country. Here’s an excerpt.

* * *

Conor McPherson is Ireland’s greatest living playwright, give or take Martin McDonagh. Bob Dylan is Bob Dylan. On paper they look like the oddest of couples, but the notion of Mr. McPherson’s writing a jukebox musical based on Mr. Dylan’s songs is just crazy enough to be brilliant.

“Girl from the North Country,” which has transferred to the Public Theater after successful runs at London’s Old Vic and in the West End, is a musical as powerful and unsettling as any of Mr. McPherson’s plays. It adds a rich new layer of meaning to the songs, some familiar (“I Want You”) and others obscure (“Slow Train”), that he has woven into its theatrical fabric. It won’t send you home happy—it’s not meant to—and the results are far from perfect. But the show’s flaws are as forgivable as its originality is profound…

“Girl from the North Country” is an “Our Town”-like group portrait of the tenants of a Depression-era boarding house in Duluth, Minnesota, Mr. Dylan’s birthplace (though no other obvious reference is made to the songwriter’s life). The dozen-odd characters have all been wounded in ways that no New Deal could ever hope to heal, above all Elizabeth (Mare Winningham), the wife of the boarding-house proprietor (Stephen Bogardus), who appears to be suffering from dementia but soon proves to be Mr. McPherson’s Shakespearean fool. She utters his bleakest truths with the absolute conviction that only terrible suffering can supply…

Mr. McPherson has made no attempt to choose songs that fit neatly into his dramatic scheme, the customary modus operandi of the jukebox musical. Instead, he’s followed the lead of Stephen Sondheim and George Furth in “Company,” a series of related but mostly free-standing sketches about a group of friends in which the songs typically comment on the sketches instead of propelling the dramatic action of the show….

What Mr. McPherson does with Mr. Dylan’s songs is infallibly right. I’m not so sure, though, about the way that the songs themselves are sung and played by the cast and onstage band. While some of the actors, Ms. Winningham and Luba Mason in particular, sing with an appropriately raw edge, most of the others sound too smoothly theatrical…

* * *

Read the whole thing here.

The trailer for the London production of Girl from the North Country:

Jukebox musicals and British invaders

October 12, 2018 by Terry Teachout

The twentieth episode of Three on the Aisle, the twice-monthly podcast in which Peter Marks, Elisabeth Vincentelli, and I talk about theater in America, is now available on line for listening or downloading.

Here’s an excerpt from American Theatre’s “official” summary of the proceedings:

This week [the panelists] celebrate a happy first birthday—or, as Terry says incredulously in this episode, “Have we really been doing this for a year?” Yes, they have! To celebrate the show’s one-year anniversary, our hosts take on a favorite punching bag of theatre criticism: the jukebox musical. Is it pure populism or can it be brilliant? Or both? They discuss that in relation to a new Bob Dylan jukebox musical currently playing at the Public Theater, Girl from the North Country (it made two of our critics cry!).

Then the critics discuss another recurring theatrical theme: the British invasion of the American theatre. Girl from the North Country originated in London, and so did The Nap, The Ferryman, and others currently running and still set to open on Broadway….

This episode closes with a tally of shows the critics love and want you to see…

To listen, download the latest episode, read more about it, or subscribe to Three on the Aisle, go here.

In case you missed any previous episodes, you’ll find them all here.

Replay: Alberto Giacometti at work

October 12, 2018 by Terry Teachout

TV CAMERA“Giacometti,” a 1966 documentary featurette about Alberto Giacometti, the great Swiss sculptor, directed by Michael Gill and made in collaboration with David Sylvester for the Arts Council of Great Britain:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: C.S. Lewis on absolute values

October 12, 2018 by Terry Teachout

INK BOTTLE“If nothing is self-evident, nothing can be proved.”

C.S. Lewis, The Abolition of Man

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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