Meet Brendan Fernandes, whose latest work, Score for the Murphy Auditorium at Chicago’s Driehaus, deploys seven dancers executing semi-improvised steps within a dodecahedron of mirrored benches. - WBEZ (Chicago)
It’s George Balanchine’s company, after all, and he had a special gift for coordinating and synchronizing large casts. Peck particularly admires that achievement and was frustrated by how few choreographers today do the same. So, in her new Symphonie Espagnole, she’s deploying 40 dancers. - The New York Times
“Founded in 1997, the African Dance Biennial has spent three decades rotating across African cities — most recently Maputo, Mozambique, in 2023 — with the aim of raising the visibility of choreographic work on the continent. The three-day event, which closed Sunday, was held at the École des Sables … in Toubab Dialao, Senegal.” - AP
One became a kindergarten teacher and social worker; another became a midwife. One lucky fellow got to be artistic director of a company; another studied music and started conducting ballet orchestras. One got appointed to Britain’s House of Lords. And one, of course, became a consultant. - The Guardian
“I keep waking up every day, pinching myself, thinking I’m so lucky. It feels, literally, as if I’ve just been transported back in time,” says Hart, 70, who joined the company 50 years ago, in 1976. - Winnipeg Free Press
When Leslie Smart took the helm in early 2023, the company’s existence post-COVID was in doubt. She undertook both cost-cutting and fundraising campaigns, and she ultimately raised over $18.5 million and oversaw record-breaking ticket sales; just last week she announced a $9 million investment in the company’s expansion. - Louisville Courier Journal (AOL)
The company’s operating loss for 2025 was AU$4.7 million, down from AU$6 million in 2024. Losses are due to the costs of a temporary venue change; the company’s usual home, the Ian Potter State Theatre in the Melbourne Arts Precinct, closed for renovations in March of 2024 and will reopen this October. - AAP
Clarissa Hard argues that, with no hard evidence of serious sexual misconduct ever revealed, the gifted young choreographer should not have been made a total pariah and driven to take his own life. - The Critic (UK)
Graham saw herself primarily as a dancer—she made dances, she said, so that she would have something to dance. It could be said that she invented a people and a place. - The New Yorker
Sure, they’re relatively young, but that doesn’t avoid the energy and kinetic demands of high-energy dance and music performances. The stars “must train to develop stamina and prevent injuries while also maintaining the specific physique that their industry demands.” - The New York Times
To allow for genuinely open, honest exchange, the rules at the Creators in Dance Summit, which hosted 75 choreographers across numerous genres, were simple but strict: “You cannot name individuals or institutions, and you can use what you received at the summit, but you cannot name who said it.” - Dance Magazine
“Sara Mearns was missing her cues. She couldn’t hear what her dance partner was saying from across the studio. She was late for her entrances because the music sounded too soft. … Now, ‘I feel like it’s a whole new chapter of my life,’ Mearns, 40, said in an interview.” - AP
