Choreographic researcher and artist Nazira Yerbolkyzy is among a new generation of practitioners working to reframe this relationship by exploring how traditional movement philosophies can be reinterpreted through contemporary choreography and movement analysis. - BroadwayWorld
The 40-year-old wasn’t happy when artistic director Susan Jaffe told him to make room for someone younger, but he’s philosophical: “I’ve been with ABT my entire life, and I feel very grateful. ... The idea of continuing to dance for the sake of dancing, that’s not what I (want) right now.” - The New York Times
“The amount of things that I didn’t get! … We will never get to fulfil the potential of what we want to achieve. There are so many versions of our life.” - The Saturday Paper (Australia)
Australian dance is undergoing a generational transfer of leadership. At the same time, First Nations choreography has never been more visible. Yet visibility and authority are not the same thing. - ArtsHub
In the years since American Dance Theater, the descendants of modern dance have performed at Lincoln Center with varying frequency. But the new festival counts as the center’s biggest commitment since the early years and part of the reason this year’s Summer for the City series is being called Summer of Dance. - The New York Times
“Ballet is an art form bound by tradition, with limited financial resources to support forward-thinking change. But that hasn’t stopped artists and artisans from trying. And recently, some manufacturers have made waves with nontraditional designs that incorporate very 21st-century technologies.” - Dance Magazine
“Of all the joy blooming throughout the Knicks championship run, the most visible has been the jubilant transfer of energy from body to body.” - The New York Times
“For (a decade NCAAkron) has supported research and development of new work by over 800 dancers from around the United States through dancing labs and residencies. ‘As nobody questions when a scientist goes into a lab, that’s what we believe is possible for a choreographer going into the studio,’ said director Christy Bolingbroke.” - Signal Akron
“’Welcome to bad dancing,’ says Alex Ketley, a choreographer and former member of the San Francisco Ballet who teaches Dance 123: Hot Mess & Deliberate Failure as Practice. Ketley, an advanced lecturer in the department of theater and performance studies and a former Guggenheim Fellow, says it’s his most popular course.” - Stanford Magazine
The passionate ballroom dance of Buenos Aires and Montevideo has found a large, equally passionate base of fans in Istanbul, where a multitude of milonga clubs, dance studios and schools have arisen to support a vibrant tango scene. - AP
Following widespread rumors that the chosen candidate was a politically-connected university professor with no experience in ballet, the company’s dancers issued a public statement stressing the importance of a qualified, experienced director. The Culture Minister responded, insisting that no choice had been made and the rumors were groundless. - The Chosun Daily (Seoul)
Choreographed by Benjamin Millepied, no less. “Tennis doesn’t have a strong tradition of opening numbers — and certainly not of dance routines.” - The New York Times
“I just feel fortunate. I’m still running around and everybody keeps reminding me that I’m 85. I don’t think about that so much. I do work every day. I work out every day. ... It’s the first thing I do and that sort of keeps me together physically.” - The Brooklyn Rail
"I love Russian ballet and always wanted to become a dancer, but there is no national ballet school in Japan, so I chose Russia," says his compatriot Haruka Takemi, 20, who has lived in Russia for six years. - AFP (MSN)
