A couple weeks back I gave a talk in Australia at the annual conference of APACA (the Australian Performing Arts Center Association). It’s called Living in the struggle: Our long tug of war in the arts. I would characterize this as a rather existential talk, concerning our necessary missions and the free market society in which we now exist, and the different directions they so often seem to pull us. The first section of the talk is called Mission, Markets, Morals, and Mice. In it, I recount the highlights of a newly published experimental … [Read more...]

A few weeks back, in a guest-post on Engaging Matters, Roberto Bedoya extended an invitation for others to join him in blogging about “how the White Racial Frame intersects with cultural policies and cultural practices.” The proposition grew out of a series of posts (largely written by a bunch of white people, like me) focused specifically on the Irvine Foundation’s new participatory arts focus and, more generally, on (funding) diversity in the arts. I don’t feel qualified to address this topic and I’m positive I do not do it … [Read more...]

Clay Lord has been on fire over this past week with a couple truly substantive and provocative posts—both aimed at issues around ethnic diversity in the arts. The first asserts that (1) valuing diversity and managing it are different (the former relatively easy, the latter not so much) and (2) funders interested in funding organizations to reach more diverse audiences are not as patient as they need to be if they want to see this change realized. The second post examines data from the Bay Area that attests to the (relative) lack of ethnic … [Read more...]

HuffPo blogger and Kennedy Center chief Michael Kaiser recently wrote a post reflecting on the financial corner that many arts organizations have painted themselves into (which he compares to the Fed’s fiscal cliff). His post got me thinking about our tendency to see the problems facing the arts and culture sector as inherently financial in nature. Kaiser ends his post with the following recommendations: I have spent the better part of my life arguing that revenue increases are not only advisable, but necessary. It is inarguable that over … [Read more...]

About a month ago, art critics Sarah Thornton and David Hickey threw in the towel citing frustration, disillusionment, and annoyance with corruption in the art world. Reading their back-to-back commentaries gave me pause. I found myself stewing on their words for several days--not because I am consumed with their particular concerns regarding the machinations of the art world (though these are, indeed, troubling), but because I'm beginning to lose faith that necessary transformation in the nonprofit arts sector will come. Recently, I … [Read more...]

In November 2011, twenty-five theater professionals gathered in Washington, DC to discuss nonprofit and commercial collaborations aimed at the development of new theatrical work. In spirit (if not structure and size) the meeting represented the third installment of an ongoing conversation that was sparked in June 1974 when 224 representatives from the American theater gathered at Princeton University to entertain the (then) remote possibility of cooperation between the nonprofit and commercial theater in the interest of advancing the American … [Read more...]

A couple weeks ago I wrote a post about the recent turmoils at a few orchestras in the US which garnered several comments—all well worth reading and more interesting, in my opinion, than my original post—so I thought I’d continue the conversation. As one person wrote, the section of my post that seemed to provoke the most discussion was the statement: “I must be hopelessly naïve because I want to believe that if you go work for a nonprofit you’re not doing it for the money.” More than a few said that this was a potentially … [Read more...]

In one of the more recent (of many) essays on the controversial move of the Barnes collection from the home of Albert C. Barnes (in Merion, PA) to a new facility in downtown Philadelphia, Peter Dobrin of the Philadelphia Inquirer questions some of the changes that have been made in the name of improvement of the cultural landscape of Philadelphia, which he perceives to be eroding some of the distinctive characteristics of the city. In his post, Barnes move to Parkway is progress, but a quirky something has been lost, Dobrin … [Read more...]

This is a post about my struggles to learn Dutch and assimilate to my new country (which I've endeavored to wrap back around to the arts). The past few weeks I’ve been studying rather intensely, preparing for my NT2 Staatsexamen I—the Dutch language exam that I must pass in order to be granted permanent residency status and the ability to stay in the Netherlands with my Dutch husband and his two daughters once my PhD position at the university ends in a couple years. It’s a two-day exam that tests reading, writing, speaking, and listening … [Read more...]

In lieu of a Jumper post this week I have written a post (If this is leading, what is following?) for the Arts Journal Discussion, Lead or Follow.  Here's the question that launched the debate, posed by AJ's Doug McLennan: Increasingly, audiences have more visibility for their opinions about the culture they consume. Cultural institutions know more and more about their audiences and their wants. Some suggest this new transparency argues for a different relationship between artists and audience.  So the question: In this age of self … [Read more...]