• Home
  • About
    • Jumper
    • Diane Ragsdale
    • Contact
  • AJBlogs
  • ArtsJournal

Jumper

Diane Ragsdale on what the arts do and why

You are here: Home / Archives for Supply/Demand

Change in the arts sector. Can we speed it up or must we wait it out?

July 2, 2014 by Diane Ragsdale 6 Comments

[contextly_auto_sidebar id="GRpBARpvIalLVwjuD4OMBty0IFrBDRoC"]   Devon Smith has written a smart, provocative post on a debate she engaged in at the recent Americans for the Arts Conference in Nashville. It’s called We Should Allow Failing Arts Organizations to Die and it has lit up the arts blogosphere, Twitter, and Facebook the past few days. So much so that she has added a second post responding to the internet comments. This topic is close to my heart. In 2009 I was on a panel at the Grantmakers in the Arts Conference … [Read more...]

On organizations evolving: when short-term coping mechanisms become the new way of doing business

April 30, 2013 by Diane Ragsdale 5 Comments

A couple weeks ago, one of my favorite arts bloggers, Andrew Taylor (a/k/a The Artful Manager) wrote a post whose title conveys a pretty strong thesis: Organizations don’t evolve; they cope.  While I share Andrew’s skepticism of the field’s use of natural world metaphors (ecosystem, ecology, evolve, adapt, sustainability, etc.) it’s not because I think the metaphors don’t apply (within limits); it’s because I think we sometimes misapply them. Andrew begins his analysis with a comparison between individual organizations and individual … [Read more...]

Nonprofit Arts Orgs and the Boards That Love Them

August 7, 2012 by Diane Ragsdale 20 Comments

Last week I read an article by Pablo Eisenberg in the Chronicle of Philanthropy in which he argues that greater oversight of nonprofits is needed because nonprofit boards can no longer be trusted to make sure the institutions they govern are serving the public interest, which they are legally obliged to serve. Eisenberg mentions hospitals and universities in particular, citing the recent debacles at University of Virginia and Penn State as evidence for why we can no longer put our faith in boards. However, I think it’s fair to say that the arts … [Read more...]

Is Opera a Sustainable Art Form? Excerpts from a new keynote …

April 16, 2012 by Diane Ragsdale 18 Comments

I’ve been on hiatus in order to concentrate my time on the weekends to learning Dutch (state exam coming up). My last post was before Mike Daisey unhinged Ira Glass and Ira Glass exposed Mike Daisey and the whole world wrote about it. I’m not going to write about Mike Daisey. Instead, because I’m still concerned about the state of the arts and culture sector in the US (despite its “turnaround” according to Americans for the Arts), and because I’m still studying Dutch and neck-deep in my research at the moment, I’m going to share an excerpt from … [Read more...]

On my Soapbox: Digitization of Live Performance

February 21, 2012 by Diane Ragsdale 5 Comments

The Wooster GroupClay Lord has written a provocative and rather erudite post, The Work of Presentational Art in the Age of On-Demand Technological Empowerment, in which he cautions that as arts organizations embrace or respond to pressure to record and disseminate their live work that they not lose their identity and the core of what live performance (and theater in particular, perhaps) is all about. Clay mentions my post from last week in which I wrote: "If our goal for the next century is to hold onto our marginalized position and … [Read more...]

A planned ending for Merce Cunningham Dance Co.

January 15, 2012 by Diane Ragsdale 5 Comments

Merce CunninghamIn last week’s post on direct subsidies to artists, I expanded upon a premise from artist/economist Hans Abbing--that direct subsidies to artists may provide incentives to more people to become artists, thereby increasing competition, and making it more difficult for any to make a living--and suggested that the same may be true of arts organizations. I wrote, "We have incentivized the exponential growth of the arts and culture sector in the US and, despite significant resources (government and private) flowing into the sector on … [Read more...]

What are we incubating and to what end?

October 2, 2011 by Diane Ragsdale 9 Comments

A couple weeks back Thomas Cott published an issue of “You’ve Cott Mail” centered loosely on the theme of innovation and business incubators in the arts world, in which he linked to a post by one of my favorite bloggers/researchers/thinkers, Devon Smith. Devon contrasted the concept of ‘incubator’ in the tech world and the arts world. After reading her post I was curious to read up on technology and business incubators and ask myself what, exactly, arts incubators are incubating and to what end? Devon makes the point that in the tech world … [Read more...]

How to avoid a strip-mall future for the arts sector: Lessons from the boutique label, Pi

August 22, 2011 by Diane Ragsdale 10 Comments

This past week I came across a New York Times article featured on ArtsJournal examining the remarkable success of the indie Jazz label, Pi. The article demonstrates that Pi is bucking trends in the music industry. It is managing to not just keep its head above water at a time when many music labels are struggling, but it is having tremendous impact despite being a relatively small Jazz label focused on the leading edge of its artform. Here are a few keys to Pi’s success (which I gleaned from the article): (1)   Unlike many labels … [Read more...]

The crucial gap once filled by Florida Stage

June 13, 2011 by Diane Ragsdale 4 Comments

Last week, it was announced in the Miami Herald that Florida Stage would be filing for Chapter 7 bankruptcy protection and closing its doors for good. I am haunted by the thought that the American Theater has just lost an organization without fully grasping the critical role that it played. It appears that the move to a new space was a key factor in financial troubles that eventually left the company with a $1.5 million debt (significant for a theater of its size). This closing has left me feeling sad and disappointed in the trajectory of the … [Read more...]

Nonprofits redistributing ‘surpluses’ to patrons?

April 4, 2011 by Diane Ragsdale 4 Comments

Recently I came across an academic paper examining the relationship between performing arts organizations and their patrons that includes a description of a patron loyalty program developed by the Bach Choir of Bethlehem in the early twentieth century (Kushner and King, 1994).* BCB’s model is unlike any current model I have yet encountered (though this may be due to my lack of awareness not to a lack of similar models) and it strikes me as both simple and enlightened. Here’s my summary of the 1994 description of BCB’s model in the paper: The … [Read more...]

sector transformation, unlikely to be kind or gentle

March 21, 2011 by Diane Ragsdale 3 Comments

In 2008, Paul Light (professor of public service at NYU and author of numerous books) wrote an article for the Nonprofit Quarterly in which he speculated on Four Futures for the nonprofit sector arising out of the recession: (1) Rescue Fantasy: nonprofits saved by significant increases in contributions; (2) Withering Winterland: organizations starve themselves into a weakened organizational state; (3) Arbitrary Winnowing: survival of the largest, oldest, and best connected; and (4) Transformation: a redesign of the sector that leaves it … [Read more...]

Arts Ed: An opportunity for arts nonprofits to create shared value?

March 6, 2011 by Diane Ragsdale 9 Comments

A new acquaintance recently recommended the Jan-Feb 2011 HBR article, "Creating Shared Value" by Michael E. Porter and Mark R. Kramer. The authors define the concept of shared value as "policies and operating practices that enhance the competitiveness of a company while simultaneously advancing the economic and social conditions in the communities in which it operates." The article, which is compelling, gives several examples of policies and practices that create shared value, including: food companies traditionally focused on taste and … [Read more...]

What is a mission-failing arts org? Like its opposite, perhaps you know it when you see it.

February 13, 2011 by Diane Ragsdale 14 Comments

In last week's post I suggested that the sector might be strengthened if some ‘mission-failing’ organizations were to close. I defined mission-failing organizations as those that were not providing sufficient cultural or social value relative to the investments in them. It’s an awkward phrase and I find it difficult to describe a mission-failing organization with any confidence; however, I can give an example of its opposite--an organization that is providing great cultural and social value--and did so in a talk I gave in 2010 called The … [Read more...]

Supply and Demand Redux: Rocco’s Comment and the Elephant in the Room

February 7, 2011 by Diane Ragsdale 44 Comments

I’ve been following the responses to Rocco’s 'decreasing supply' comment and his subsequent post on the NEA blog. Some believe that supply/demand is the wrong framework through which to look at the sector; some that there is no such thing as too much art and that we should increase patronage rather than ‘kill’ organizations; some agree with him but believe it was inappropriate for him to make the statement; and a few seem to agree with his points and believe that it was beneficial for him to make them. I'm in the last group. Rocco has … [Read more...]

Diane Ragsdale

Diane Ragsdale is an Assistant Professor in the College of Performing Arts at The New School, where she also serves as Program Director for the MA in Arts Management and Entrepreneurship. Alongside her post at the New School Diane teaches on the Cultural Leadership Program at Banff Centre for Arts and Creativity in Canada and teaches a workshop on Cultural Policy at Yale University for its Theater Management MA. She is also a doctoral candidate at Erasmus University Rotterdam (in the Netherlands), where she lectured 2011-2015 in the cultural economics and sociology of the arts programs. Read More…

Jumper

White's Tree Frog

About 20 years ago, when I was in graduate school, I came across the following poem: When an old pond gets a new frog it’s a new pond. I think the inverse also may be true. I’ve often been the new frog jumping into an old pond. Since 1988, I’ve worked in the arts in the US in various roles … [Read More...]

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

@DERagsdale

Tweets by @DERagsdale

Recent Comments

  • Richard Linzer on On Aesthetics, Ethics, Economics, and Consequential Decisions of Cultural Leaders in the Long Now: “Diane, the free manuals that we have created on fully secured borrowing for arts nonprofits, other nonprofits, and individual artists…” Jan 11, 20:48
  • Jon Catherwood-Ginn on On Aesthetics, Ethics, Economics, and Consequential Decisions of Cultural Leaders in the Long Now: “Diane and Jerry – thank you so much for your thoughtful responses to my question! Excellent points regarding the opportunity…” Oct 13, 21:08
  • Jerry Yoshitomi on On Aesthetics, Ethics, Economics, and Consequential Decisions of Cultural Leaders in the Long Now: “Thanks to both of you for your thoughts. One of the great opportunities available through electronic communications will be the…” Oct 6, 01:20
  • Diane Ragsdale on On Aesthetics, Ethics, Economics, and Consequential Decisions of Cultural Leaders in the Long Now: “Dear Jon, thanks for your comment and great question! I’d also be curious what others reading the post might think.…” Oct 5, 09:20
  • Jon Catherwood-Ginn on On Aesthetics, Ethics, Economics, and Consequential Decisions of Cultural Leaders in the Long Now: “Thank you for this, Diane! A fantastic piece. As an extension of your analysis of the interplay among economics, ethics,…” Oct 2, 20:41

Approaching Beauty Course Posts

On artistic leadership and aesthetic values in a changed cultural context: A new keynote address

Last week I had the privilege, pleasure, and honor to give the keynote address at the Canadian Arts Summit--an annual gathering of the board chairs, … [Read More...]

Art for ____________’s sake. What would you fill in?

A few weeks back I was in NYC and had the opportunity to attend a Public Forum event featuring the brilliant Jeremy McCarter reading from his new book … [Read More...]

Irvine asks: Is there an issue in the arts field more urgent than engagement? My answer: Yes.

A couple weeks back the Irvine Foundation launched an online Q&A series, Are We Doing Enough?—aimed at “exploring tough questions about engagement … [Read More...]

A Q&A on the Beauty Class with Students from the SAIC

Recently, I received an email from a student at the School of the Art Institute of Chicago, preparing for a seminar on Arts Organizations in Society. … [Read More...]

It’s creative; but is it beautiful? (My talk at the Pave Symposium on Entrepreneurship and the Arts)

In May, I gave a talk at the Pave Biennial Symposium on Arts & Entrepreneurship at Arizona State University. The theme of this year's conference … [Read More...]

Archives

Subscribe to Jumper by Email

Enter your email address:

A Few Things I’ve Written

"Surviving the Culture Change", "The Excellence Barrier", "Holding Up the Arts: Can We Sustain What We've Creatived? Should We?" and "Living in the Struggle: Our Long Tug of War in the Arts" are a few keynote addresses I've given in the US and abroad on the larger changes in the cultural environment and ways arts organizations may need to adapt in order to survive and thrive in the coming years.

If you want a quicker read, then you may want to skip the speeches and opt for the article, "Recreating Fine Arts Institutions," which was published in the November 2009 Stanford Social Innovation Review.

Here is a recent essay commissioned by the Royal Society for the Encouragement of the Arts for the 2011 State of the Arts Conference in London, "Rethinking Cultural Philanthropy".

In 2012 I documented a meeting among commercial theater producers and nonprofit theater directors to discuss partnerships between the two sectors in the development of new theatrical work, which is published by HowlRound. You can get a copy of this report, "In the Intersection," on the HowlRound Website. Finally, last year I also had essays published in Doug Borwick's book, Building Communities Not Audiences and Theatre Bay Area's book (edited by Clay Lord), Counting New Beans.

Categories

  • artistic home
  • Artistic Standards & Quality
  • arts conferences
  • Arts Education
  • arts facilities
  • Asymmetric power dynamics
  • beauty
  • community
  • Democratization of Culture
  • Economic Impact Studies
  • engagement
  • entrepreneurship
  • ethics
  • Funder Jargon
  • Innovation
  • institutionalism
  • interdependence
  • intrinsic value
  • leadership
  • nonprofit model
  • nonprofits and information disclosure
  • philanthropy
  • Pricing
  • purpose
  • subsidization of the arts
  • succession planning
  • Supply/Demand
  • sustainability
  • Uncategorized
  • Undercapitalization
Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2021 · Magazine Pro Theme on Genesis Framework · WordPress · Log in