A few weeks back, in a guest-post on Engaging Matters, Roberto Bedoya extended an invitation for others to join him in blogging about “how the White Racial Frame intersects with cultural policies and cultural practices.” The proposition grew out of a series of posts (largely written by a bunch of white people, like me) focused specifically on the Irvine Foundation’s new participatory arts focus and, more generally, on (funding) diversity in the arts. I don’t feel qualified to address this topic and I’m positive I do not do it justice, but this … [Read more...]
When does coaxing become coercing?
Last week I wrote a post on the efforts of foundations to encourage diversity (of various forms) in nonprofit arts organizations, in which I suggested that such efforts could be construed as a form of coercion. In particular, I discussed a new initiative at the Irvine Foundation and suggested that Irvine has been trying to "coax" its grantees into uncharted territory and "coerce" them into behavior that some are not ready or willing to adopt. In response to my post, Ted Russell at the Irvine Foundation tweeted the excellent question, “We're … [Read more...]
On coercive philanthropy and change: Breakups may be good and necessary
Clay Lord has been on fire over this past week with a couple truly substantive and provocative posts—both aimed at issues around ethnic diversity in the arts. The first asserts that (1) valuing diversity and managing it are different (the former relatively easy, the latter not so much) and (2) funders interested in funding organizations to reach more diverse audiences are not as patient as they need to be if they want to see this change realized. The second post examines data from the Bay Area that attests to the (relative) lack of ethnic … [Read more...]
Can we change our definition & measures of success? Do we really want to?
Happy New Year a week late. I picked up a book at the university library a few days ago called Morals and Markets and have read a few chapters, which have been tumbling around in my mind with an excellent New Year's essay by Polly Carl on the measures of an individual playwright’s success, a New York Times op-ed on trying to measure the impact of social media using “yardsticks” of traditional marketing, and a much cited New Year's prediction for the arts by Rick Lester at Target Resource Group that appeared on Thomas Cott’s Year End Predictions … [Read more...]
I see an arts cliff, too, Mr. Kaiser; but it’s not fiscal in nature.
HuffPo blogger and Kennedy Center chief Michael Kaiser recently wrote a post reflecting on the financial corner that many arts organizations have painted themselves into (which he compares to the Fed’s fiscal cliff). His post got me thinking about our tendency to see the problems facing the arts and culture sector as inherently financial in nature. Kaiser ends his post with the following recommendations: I have spent the better part of my life arguing that revenue increases are not only advisable, but necessary. It is inarguable that over … [Read more...]
Have we squandered the economic crisis and the opportunity for transformation?
About a month ago, art critics Sarah Thornton and David Hickey threw in the towel citing frustration, disillusionment, and annoyance with corruption in the art world. Reading their back-to-back commentaries gave me pause. I found myself stewing on their words for several days--not because I am consumed with their particular concerns regarding the machinations of the art world (though these are, indeed, troubling), but because I'm beginning to lose faith that necessary transformation in the nonprofit arts sector will come. Recently, I … [Read more...]
In the Intersection: Partnerships in the New Play Sector
In November 2011, twenty-five theater professionals gathered in Washington, DC to discuss nonprofit and commercial collaborations aimed at the development of new theatrical work. In spirit (if not structure and size) the meeting represented the third installment of an ongoing conversation that was sparked in June 1974 when 224 representatives from the American theater gathered at Princeton University to entertain the (then) remote possibility of cooperation between the nonprofit and commercial theater in the interest of advancing the American … [Read more...]
The Dark Side II: Not In It For the Money
A couple weeks ago I wrote a post about the recent turmoils at a few orchestras in the US which garnered several comments—all well worth reading and more interesting, in my opinion, than my original post—so I thought I’d continue the conversation. As one person wrote, the section of my post that seemed to provoke the most discussion was the statement: “I must be hopelessly naïve because I want to believe that if you go work for a nonprofit you’re not doing it for the money.” More than a few said that this was a potentially damaging idea for … [Read more...]
The sinewy stuff: It makes it hard to connect the dots
In one of the more recent (of many) essays on the controversial move of the Barnes collection from the home of Albert C. Barnes (in Merion, PA) to a new facility in downtown Philadelphia, Peter Dobrin of the Philadelphia Inquirer questions some of the changes that have been made in the name of improvement of the cultural landscape of Philadelphia, which he perceives to be eroding some of the distinctive characteristics of the city. In his post, Barnes move to Parkway is progress, but a quirky something has been lost, Dobrin … [Read more...]
Funder knows best
In a recent thought-provoking Createquity post, Creative Placemaking Has an Outcomes Problem, Ian David Moss examines one of the newer initiatives of the NEA (and its private philanthropy friends) and finds it to be lacking a logic for how it will achieve its aims. Moss criticizes this program and others for attempting to connect the arts with economic development without considering the steps in between. Moss's post is a call for a clear and detailed theory of change for such initiatives and he goes so far as to share two models (one simple … [Read more...]
Lessons in my struggles to learn Dutch
This is a post about my struggles to learn Dutch and assimilate to my new country (which I've endeavored to wrap back around to the arts). The past few weeks I’ve been studying rather intensely, preparing for my NT2 Staatsexamen I—the Dutch language exam that I must pass in order to be granted permanent residency status and the ability to stay in the Netherlands with my Dutch husband and his two daughters once my PhD position at the university ends in a couple years. It’s a two-day exam that tests reading, writing, speaking, and listening … [Read more...]
On my Soapbox: Digitization of Live Performance
The Wooster GroupClay Lord has written a provocative and rather erudite post, The Work of Presentational Art in the Age of On-Demand Technological Empowerment, in which he cautions that as arts organizations embrace or respond to pressure to record and disseminate their live work that they not lose their identity and the core of what live performance (and theater in particular, perhaps) is all about. Clay mentions my post from last week in which I wrote: "If our goal for the next century is to hold onto our marginalized position and … [Read more...]
AJ Discussion: Lead or Follow?
In lieu of a Jumper post this week I have written a post (If this is leading, what is following?) for the Arts Journal Discussion, Lead or Follow. Here's the question that launched the debate, posed by AJ's Doug McLennan: Increasingly, audiences have more visibility for their opinions about the culture they consume. Cultural institutions know more and more about their audiences and their wants. Some suggest this new transparency argues for a different relationship between artists and audience. So the question: In this age of self expression … [Read more...]
Time to start pulling off the duct tape …
In his article, Occupy the Arts, a seat at a time, NY Times critic Anthony Tomasini (like others) pounced on recent allegations of ‘elitism’ in the arts (growing out of the Occupy movement), decrying that there are loads of free and affordable arts events and that even those organizations that charge $400 per ticket also have cheap seats (and the experience is just as great from the nosebleeds, thank you very much!). Not only do Tomasini and others seem a tad defensive when they fly their Free Tickets Flag in the face of those seeking to raise … [Read more...]
It’s been a great year. Thanks!
I may be unable to post much the next few weeks as I'm on planes and trains, buried in research materials, visiting friends and family that I too rarely get to see these days, and sprinting to the finish line on a few projects. But I want to take the opportunity to thank Doug Mclennan for the opportunity to launch Jumper on ArtsJournal.com (a gift for which I will be forever grateful) and to thank everyone that has taken the time these past twelve months to read posts, post comments, send emails, Tweet, ReTweet, republish, or otherwise … [Read more...]