• AJ
  • dance
  • ideas
  • issues
  • media
  • music
  • people
  • theatre
  • words
  • visual
  • ajblogs
  • about AJ
    • advertise

ArtsAudience

The Audience Is Changing!

  • AJ Home
  • This Week in Audience
  • Featured Audience
  • AJ Audience
  • about our audience project ~

This Week’s Audience Stories Highlights

This Week’s Top Audience Stories: Franchises, Genres And Big Data

December 28, 2019

This Week's Insights: Franchise movies are crowding out everything else... Big Data is changing what music is making it... Are music genres disappearing?... Why bands are ditching encores. Big Movies Squash The Rest: Hollywood is having an … [Read More...]

This Week’s Top Audience Stories: Studies That try To Convince You Of The Benefits Of Art

December 22, 2019

This Week's Insights: The arts help you live longer?... Best-selling books need movies to become best-selling... Why Broadway curtain calls are getting more elaborate... Paris tries to diversify with the arts... Does virtual reality improve the … [Read More...]

This Week’s Top Audience Stories: Ticket Scalping’s Scary Next Gen

December 8, 2019

This Week's Insights: The next phase of ticket scalping... When popularity doesn't define a good art experience... Why are museums turning to performance?... When artists end and brand begin... Philadelphia offers a culture pass to library … [Read More...]

More "This Week" Roundups

Audience Stories

[wp-rss-aggregator limit=’10’]

Featured Audience

How Opera Theatre Of St. Louis Tackled Its “Leaky Bucket”

Like many performing arts organizations, OTSL realized that it suffered from “leaky bucket” syndrome: As older audience members dropped away, not enough young ones were stepping up to take up the … [Read More...]

Does Community Participation Scale to Destination Institutions?

Our entire strategy at the Santa Cruz Museum of Art & History is rooted in community participation. We invite diverse locals to share their creative and cultural talents with our greater community at … [Read More...]

More Featured Audience

AJ Audience

On “looky-loos” and the institutions who are desperate for them and desperate for them to behave

"If our economic models depend on drawing exponentially more looky-loos than participants then is it really reasonable to expect those lured to our events by aggressive marketing or buzz to be … [Read More...]

Dear White Orchestras – A Challenge To “Universality”

"A universalist ethic inclines us to believe that orchestral music is, itself, a universal thing and our place in the arts ecosystem is related to that. It leads us to focus on how this music is True … [Read More...]

Attention Deficit Disorder: Our Walled-Garden Problem

As the digital world pummels us with more information and choice, many of us react by walling off the things we simply won’t pay attention to. It’s a survival strategy. We increasingly define … [Read More...]

More AJ Audience

WALLACE FOUNDATION AUDIENCE RESOURCES

NEW!



WORLD MUSIC/CRASHarts Tests New Format New Name to Draw New Audiences
This article and video are part of a series describing the early work of some of the 25 performing arts organizations participating in The Wallace Foundation’s $52 million Building Audiences for Sustainability initiative. Launched in 2015 in response to concerns about a declining audience base for a number of major art forms, the endeavor seeks to help the organizations strengthen their audience-building efforts, see if this contributes to their financial sustainability, and develop insights from the work for the wider arts field.


Think Opera’s Not for You? Opera Theatre of Saint Louis Says Think Again
Analysis showed that while the company’s core audience bought several tickets each year, even tending to schedule their May and June around opera season, newcomers behaved differently.




Can the City's Boom Mean New Audiences for the Seattle Symphony?
In line with the community’s spirit of innovation, Seattle Symphony is using audience research to help target and woo recent transplants.





Denver Center Theatre Company is Cracking the Millennial Code...One Step at a Time
The average single-ticket buyer at the Denver Center Theatre Company is 50 years old and the average subscriber is 63, despite the fact that millennials, a group often defined as people born between 1981 and 1997, compose the largest age group in Denver. Since 2010, the Denver Center has been engaged in an iterative process of experimentation, evaluation and refinement to help reverse this trend.



The Party’s Still a Hit: The Isabella Stewart Gardner Museum Builds on its Millennial Momentum

That ongoing research has revealed areas to adjust, as well as successes. Soon after the re-opening, for example, the team partnered with a local music school, taking the opportunity to hold 45-minute concerts in Calderwood Hall. But in part through survey results, it realized the approach didn’t work. [read more]



Austin Ballet’s “Familiarity” Problem And How It Learned To Connect With New Audiences



“Encouraging people to attend the ballet more often was less about increasing their familiarity with productions and more about bridging an uncertainty gap. “Familiarity is about information,” notes Martin, “whereas uncertainty about how an experience will feel is much more personal. You can give somebody a lot of information but that’s not necessarily going to reassure them that they’re going to belong in that audience.”

How the Contemporary Jewish Museum
Expanded its Reach



​​​The Contemporary Jewish Museum in San Francisco moves to a larger space and secures a nine-fold increase in family visitors of all backgrounds.

ALSO:

VISIT THE WALLACE KNOWLEDGE CENTER

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in