Just for instance, when he played Hamlet for Liviu Ciulei, he recounts, “The first day’s rehearsal, I picked up a chair and moved it a few feet, and he said, ‘No, no, Hamlet would never do that, he’d never move a chair himself, because he’s a prince.’ I said, ‘I’m the prince, I can do whatever I want.'” The next time he played Hamlet, he directed himself.
“Can I just say, very loudly, bollocks. If you look after yourself and you’re healthy, then you’ll have the energy to do things. But not to recognise getting older for what it is? I do think the infantilisation of our generation is one of the huge issues of our time. People wanting to be 35 when they’re 50 makes me think: why? Why don’t you be 50 and be good at that?”
Adam Gopnik: “Second acts there may or may not be, but American epilogues go on forever. Scott and Zelda’s friends from the Jazz Age would doubtless have spit up into their morning coffee – or, more likely, into teacups filled with bathtub gin – to find the pair, almost a century after their meeting, not a poignant footnote to an ill-named time but an enduring legend of the West, a subject adaptable for movies and novels and probably paper dolls and ice shows.”
“The Jazz Crusaders, who played the muscular, bluesy variation on bebop known as hard bop, had their roots in Houston, where Mr. Sample, the tenor saxophonist Wilton Felder and the drummer Nesbert Hooper (better known by the self-explanatory first name Stix) began performing together as the Swingsters while in high school.”
“Her characters often serve to ‘hold up the wall’ of the narrative, she said, like the empathetic best friend in ‘Eat, Pray, Love’ or the kindly stranger in ‘Extremely Loud and Incredibly Close.’ Or the kindly mental-institution psychiatrist in ‘It’s Kind of a Funny Story,’ the kindly rape-treatment counselor in ‘Trust’ or the kindly medium in ‘Beautiful Creatures.'”
“In a new album titled Caged Bird Songs – you can guess which book inspired this – Shawn Rivera and Roccstar will sample Maya Angelou‘s voice. The producers initiated the project before Angelou knew about it, but she agreed to share recordings of her voice and even opened her home to the producers.”
“[He] surely has neither the time nor the need to do anything he doesn’t want to do. What he does want to do, even now [at age 77], is comedy: he performs about a hundred times a year, mainly on weekends, following an itinerary that often leads him into what promoters call tertiary markets, where fans are not just happy to be able to see him in person but surprised, too.”
“I don’t know how to explain it [what he's currently writing]. I really don’t. Hopefully it’s a novel, but I have the hardest time sustaining prose. I feel like I’m a natural-born playwright but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?”
You young’uns who only know her for getting facelifts and yanking the chains of celebrities on the red carpet before awards shows: by the time she was your age, she was already a thriving stand-up and one of the best comedy writers in the business – and for a time in the 1970s and ’80s, she was one of the three or four most successful comedians in the entire English-speaking world.
He died “with the astonishing record of having had his career conclude with 17 poorly received flops in a row. It is far from unusual for a creative artist to lose his way in middle age. But Williams’s disintegration was so spectacular that it is hard not to wonder exactly what went wrong with a writer whose initial success had been no less spectacular.”
After he got himself banned from Cannes in 2011 for making a thoroughly unfortunate joke, the Danish filmmaker announced that he would “refrain from all public statements and interviews” so as to keep himself out of trouble. But he really wanted to discuss the uncut 5½-hour version of Nymphomaniac with the press at this year’s Venice Film Festival. So they found an ingenious (and entertaining) solution.
These days, tattoo artists for athletes have started to pay more attention to their rights. And those worries aren’t necessarily frivolous, says Tim Bradley, an intellectual property attorney. He says copyright law is actually very friendly to the artist, and that protections kick in once you’ve shown a “modicum of creativity” in your design and you’ve put it on a “tangible medium.”