“Charles M. Jones (1912-2002) was, in fact, easily one of the greatest comedy directors in the history of motion pictures, indisputably on a par with Preston Sturges, Billy Wilder, Mel Brooks or Woody Allen.”

Boris Kachka offers a notably sympathetic account of how the 88-year-old author of To Kill a Mockingbird, so feisty – and so beloved by her friends and neighbors – for so many years, came to her enfeebled, embattled, litigious current state.

“The reclusive and bitingly satirical novelist … explored the myths of the American West in Little Big Man and the mores of 20th-century middle-class society in a shelf of other well-received books.”

“Meticulously drawn and colored, and annotated with historical information, Mr. Tierney’s paper-doll books are not just for children — and some are not for children at all. His aim, he often said, was to contribute to the visual literature of costume history.”

Garner, star of ‘Maverick’ and ‘The Rockford Files,’ “was a genuine star but as an actor something of a paradox: a lantern-jawed, brawny athlete whose physical appeal was both enhanced and undercut by a disarming wit.”

“The opera said in a statement that it has mutually resolved its differences with Campbell and his ex-wife Ann Spira Campbell, a former high-ranking adminstrator at the company. It said the differences arose out of their former employment relationships with the opera.”

“He harnessed those two sounds – old blues and new rock – into something forceful and his own, a gritty music notable for a raw-nerved intensity.”

After presiding over the rise and collapse of theatrical giant Livent (Phantom of the Opera, Ragtime), falling deep into debt and serving a prison sentence for fraud, Drabinsky has had his license to practice law revoked by the Law Society of Upper Canada [Ontario].

“Ms. Stritch’s career began in the 1940s and spanned almost 70 years. She made her fair share of appearances in movies, including Woody Allen’s “September” (1987) and “Small Time Crooks” (2000), and on television; well into her 80s, she had a recurring role on the NBC comedy “30 Rock” as the domineering mother of the television executive played by Alec Baldwin.”

“Once, when she went to the Actors Studio for a tune-up, [Lee Strasberg] just waved her away with ‘Elaine, you were born with The Method’.”

“Thee popular Estonian composer Arvo Pärt and the South African playwright Athol Fugard are among the recipients of the [$147,500] 2014 Praemium Imperiale awards, Japan’s highest honors in the arts. This year’s roster of winners also includes architect Steven Holl, painter Martial Raysse and sculptor Giuseppe Penone.”

“Mr. Stout, an associate in Frank Gehry’s office before establishing his own firm in 1996 in Los Angeles, explored the relationship between architecture and energy in holistic designs that were no less sculptural and humane for being ecologically responsible. Sustainability helped shape form.”

“Now, with the publication this week of The Mockingbird Next Door: Life With Harper Lee, [former neighbor] Marja Mills’s memoir of what she describes in the book as a warm friendship with Ms. Lee and her older sister, Alice Lee, Harper Lee is back to remind us that she did not authorize the book or cooperate with Ms. Mills.”

“Most references to director, writer and actress Desiree Akhavan place a neat three-word descriptor by her name: bisexual Iranian American, often followed by the words ‘the next Lena Dunham’.” But being young, female, and a writer/director/actress is where the similarities end.

“He had an incomparable stick technique (something he pooh-poohed as a technique). A brilliantly accomplished musician (he was a virtuoso violinist and a composer), he boasted what must have been a genius-level IQ. He appeared capable of playing four-dimensional mental chess while carrying on a dinner conversation with lesser mortal beings.”

“[The] superstar Marxist philosopher … [has] been accused of the worst professorial misdeed of them all: plagiarism. And not just any plagiarism – plagiarism of a 1999 article in American Renaissance, a white supremacist magazine published by an organization that the Southern Poverty Law Center has designated a ‘hate group’.”

“We’ve only got a few left,” he comments, adding that a “high percentage” of those who have invested will have done purely because of the proximity to the trumpeter.

“Regarded by many as South Africa’s leading writer, Gordimer was renowned as a rigid moralist whose novels and short stories reflected the drama of human life and emotion in a society warped by decades of white-minority rule.”

“‘Don’t understand why life takes beautiful people away,’ Haden said, his voice shaking and struggling against a question that ultimately hangs over all of us. ‘Beautiful people give of themselves.’”

“Making feature documentaries is incredibly hard. You either have to have a massive trust fund or take this existential risk. You can’t have a family. You can’t have a mortgage. The idea that you could turn a 10-minute film on a Swedish arts programme into an Oscar-winning documentary, it’s either folly or extraordinary bravery.”

“He was revered for the precision of his baton technique, and for his prodigious memory — he rarely used a score in performances — but when he was at his most interpretively idiosyncratic, he used his powers to distend phrases and reconfigure familiar balances in the service of an unusual inner vision.”

“Competing in Sochi for Thailand as Vanessa Vanakorn, using the surname of her Thai father, she finished a distant last among the 67 racers who completed the two runs in the Olympic giant slalom.”

The keyboardist/composer made the revelation on his website, announcing that he would be unable to attend the Sapporo International Art Festival, of which he is the guest director.

“As part of WNYC’s 90th anniversary celebration, Marty Goldensohn, former WNYC news director, shares excerpts from the station’s 1998 series Reports on the Afterlife. It’s based on Vonnegut’s book God Bless You Dr. Kevorkian, a fictionalized account of interviews with recently deceased people.”

As the flutist/saxophonist once told an interviewer, “New Age music does something wonderful to the nervous system. It settles you down into a deep state of relaxation. When people want to ‘cool out,’ a [New Age] record will do it real quick. It’s meditative music.”

While he did write serious stage works based on Dostoevsky and de Maupassant, “he was still more widely known for lighter one-act works whose accessibility, tunefulness and economy of scale made them among the most frequently performed operas in the world … perennial favorites of college, semiprofessional and regional companies.”

“The recent Wagner anniversary has brought a predictable amount of equivocation and hand-wringing about the German master’s role in the history of hate. We know by now not to read history backward. A nineteenth-century composer who died in 1883 cannot logically be accused of personal complicity in a twentieth-century genocide. Yet that does not mean that the broader question of his responsibility for the spread of modern anti-Semitism can be simply ignored.”

There are a few things I have witnessed becoming obsolete in the past few years, the first being autographs. I haven’t been asked for an autograph since the invention of the iPhone with a front-facing camera. The only memento “kids these days” want is a selfie. It’s part of the new currency, which seems to be “how many followers you have on Instagram.”

Philip Hoare asks, “Can we excuse these flighty young men their fling with the far right?”

J. Jerome has to deal with a shortage of instruments, an even greater shortage of tuners (he’s the only one in town), a near-total lack of spare parts – and, as a member of Pakistan’s small Christian minority, the threat of extreme Islamist militants who disapprove of music in general and Western music in particular. Yet he struggles on. (includes audio)