“For decades, arts organizations outside the U.S. have raised money by registering their nonprofits here, such as the American Friends of the Israel Philharmonic Orchestra or the Royal Shakespeare Company’s RSC America. Now U.S. arts groups are flipping the script, but with a twist.”
“I would never tell artists that they had to address social issues in their work, because as soon as you tell artists that they have to do something, they turn around and poop on the floor. Tell them, instead, that these questions are difficult, that the story is missing something without them, that they are another dimension, and then see what happens.”
“Madame Jojo’s – home to some of London’s most diverse nightlife for more than half a century” – has had its license revoked by the local council of Westminster. Some activists say that it’s an attempt by the council to gentrify Soho; the council says it’s because of “an organised assault with injury” by the club’s staff.
“The center plans to commission, program and present innovative work from around the world, across the arts and the creative industries, including film, fashion, video, performing arts, culinary arts, music and publishing. It is expected to become the new home of Fashion Week and a possible anchor for the Tribeca Film Festival.”
“The antagonisms between highbrow and lowbrow aren’t new, and have arguably even diminished somewhat in comparison with the Astor Place riot. Highbrow has long sneered at lowbrow, and lowbrow has long sneered right back. What’s different is not the conflict, but the fact that the antagonism occurs in a landscape where highbrow and lowbrow have split into more clearly defined camps.”
By now, most of us have learned to see through, and make fun of, Upworthy-style headlines. “Thus clickbait – or whatever you want to call it – has now, in the manner of a hemorrhagic fever, evolved. It’s finished with its low-hanging-fruit phase, and has attached itself to a new form of curiosity-gap exploitation, one that’s more insidious, but no less irritating.”
“Governments coddle these cities the same way nursing homes care for Alzheimer’s patients; everything is planned, nothing happens organically. Those splendid skylines are so fraught with symbolism and national pride that a misplaced roof tile could cause panic. The only future these cities will ever know is their own past.”
“More than half of all Canadians listen to music daily, read fiction several times a month or more and have visited a museum or art gallery in the last year. The numbers who go to concerts and plays are smaller, but when asked what kind of event they like to attend outside the home, 34 per cent of Canadians chose the arts while 29 per cent chose sports. That last stat contains a big message for business sponsors who sometimes prefer to lend their names to sporting events because they judge them to be more popular – and more populist.”
“Basically, it refers to whether or not a belief can be proven wrong. If I tell you that I weigh 70 pounds, this is a claim that can be easily tested and promptly thrown out by bringing me to a scale — that is, it’s falsifiable. If, on the other hand, I tell you that everything in the universe is controlled by an invisible astral monkey with a million arms, then there’s little you can do to prove, empirically, that this is a zany notion.”
“In recent years, not just in novels but in movies, television, poetry, video games and the visual arts, drones have taken on a life of their own. As a character, they are menacing, melancholy or gallant; beastly, blind, snub-nosed, noisy and fast … They show off the military talent of their users, or they are an expression of unbridled hubris. They represent protection or extermination – and they carry out both things at once.”
“A new Miami Beach arts center designed by Rem Koolhaas is to open in December 2015 … Called Faena Forum, the 50,000-square-foot institution … will serve as a public forum for the exploration of topics in the arts, sciences, technology, politics and urbanism. It will also encourage dialogue about Latin American cultural practices.”
The Protect and Preserve International Cultural Property Act asks Congress to appoint a cultural property protection czar and establish emergency import restrictions to protect endangered cultural patrimony. The bill aims to “deny terrorists and criminals the ability to profit from instability by looting the world of its greatest treasures.”
“Galleries abound. The Istanbul Design Biennial is in full swing. Three new private art museums are in the works, including one designed by the London-based star architect Zaha Hadid. The rock and jazz scenes are thriving. A Turkish film, “Winter Sleep,” took the top prize at the Cannes International Film Festival this year.”
“Not only had Los Angeles built the nation’s second major modern performing arts center, after New York’s Lincoln Center, we built it our way. And the world noticed. … Fifty years later we can look back and see the extent to which the Music Center shaped Southern California’s cultural identity. It got not only the world to take us more seriously but we began to take ourselves more seriously.”
“The campaign she led resulted in about $19 million in private donations – equivalent to about $146 million today – and a permanent home for the L.A. Phil. It was a feat that Time magazine called … ‘perhaps the most impressive display of virtuoso money-raising and civic citizenship in the history of U.S. womanhood.'”
“The staircase and the Pavilion’s other markers of classical European opulence still dazzle. But 50 years later, the Music Center has a very different awareness of the need to reflect its audience, and it can’t be done just with mirrors.” Mike Boehm looks at the Center’s changing offerings, from a hip-hop festival to an ambitious dance program to a huge ukulele jam session.
From Zubin Mehta sipping champagne onstage during the Philharmonic’s first concert there, through the birth of opera and theater companies (and one of the great works of American drama), to a celebrated concert hall and a new ballet troupe – with plenty of Oscar lore and offstage drama along the way.
“In many cases, arts organizations’ collection of data has been driven by the need to comply with funders’ reporting requirements rather than by a desire to collect information that could improve their future decision making. While the databases that have been generated through this process provide rich sources of information, it is not always clear what that information is good for, or how individual organizations can benefit from it.”
“Worried about facing national ridicule if a Satanic group is allowed to give out coloring books to children, the Orange County School Board moved Thursday toward preventing any outside group from distributing religious materials on campus.” Said the board chairman, “This really has, frankly, gotten out of hand. I think we’ve seen a group or groups take advantage of the open forum we’ve had.”
“People might not speak up so much in London, maybe because they don’t have that same passionate feeling of belonging, whereas audiences here will shout at me or stop me in the bar – nine times out of 10 because they enjoyed something, but also to tell me if they think something’s crap or to ask ‘what’s this performance art nonsense?'”
“The accumulation of Koenig’s little judgments throughout the show — and there are many more examples — should feel familiar to anyone who has spent much of her life around well-intentioned white people who believe that equality and empathy can only be achieved through a full, but ultimately bankrupt, understanding of one another’s cultures.”