Issues

“One Of The Most Bizarre Cultural-Political Episodes Of Recent History”

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Andrew O’Hehir: “Let me see if I have this right, because the whole thing stretches credulity: North Korean dictator Kim Jong-un has apparently managed to kill a major Hollywood movie. … We had a choice – ‘we’ being a term of art that does not actually include you and me – of whether to stand tall for the supposed principles of free expression and free enterprise or ‘let the terrorists win.’ We let them win, with barely a moment’s hesitation. … It’s a breathtaking and total victory by a despised, isolated and impoverished nation (or by those acting on its behalf), over one of the biggest media corporations in the world.”

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North Korea Is Not Funny, And “The Interview” Is Not Brave

north korea is not funny

Adrian Hong, co-founder of the refugee rescue organization Liberty in North Korea: “It takes no valor and costs precious little to joke about these things safely oceans away from North Korea’s reach. … To pretend that punchlines from afar, even in the face of hollow North Korean threats, are righteous acts is nonsense.”

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U.S. Gov’t Should Pay Costs Of Releasing “The Interview” (Argues Pundit)

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Jonathan Chait: “We don’t entrust for-profit entities with the common defense. And recognizing that the threat to a Sony picture is actually a threat to the freedom of American culture ought to lead us to a public rather than a private solution. … Either Washington should guarantee Sony’s financial liability in the event of an attack, or it should directly reimburse the studio’s projected losses so it can release the movie online for free.”

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‘Tis The Season For Kitsch (So Here’s Why Kitsch Is Bad – And Good)

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“Kitsch, in other words, is not about the thing observed but about the observer. It does not invite you to feel moved by the doll you are dressing so tenderly, but by yourself dressing the doll. All sentimentality is like this – it redirects emotion from the object to the subject, so as to create a fantasy of emotion without the real cost of feeling it.”

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Arts Council England’s New CEO: Boss Of UK’s Classic FM

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“Arts Council England has appointed the managing director of Classic FM, the music radio station, to be its next chief executive. Darren Henley will take over at the country’s main arts funding body in 2015, replacing Alan Davey, who leaves after seven years in the role” to become controller of the BBC’s classical network, Radio 3.

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Have We Been Trying To Understand Race In The Wrong Way?

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The authors argue that “quantitative researchers should acknowledge that any one person’s racial identity is more like a collection of many different factors — from skin color, to neighborhood, to language, to socioeconomic status. With this insight, it becomes possible to study race not as a single, unchanging variable, but rather as a “a bundle of sticks” that can be pulled apart and carefully examined one by one.”

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Software Glitch Drops Amazon UK Marketplace Prices To One Penny; Sellers Panic

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“There were Christmas shopping bargains galore on Amazon’s website over the weekend … for about an hour. Because of a technical glitch, the prices of thousands of items crashed to 1p – giving eagle-eyed customers a pre-Christmas treat while leaving scores of small family-owned businesses nursing heavy losses, with some warning they could enter the new year facing closure.”

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Atlanta’s Woodruff Arts Center Receives Largest-Ever Gift, $38 Million

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The grant from the Robert W. Woodruff Foundation includes $25 million for the endowment (pledged as matching funds) and $13 million for capital improvements, in particular at the Alliance Theatre. (The Woodruff also includes the Atlanta Symphony, which locked out its musicians for the first nine weeks of this season, and the High Museum of Art .)

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The Russian Orthodox Church Originally Blocked The ‘Eye Of Sauron,’ But Gave In For The Holidays

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“The evil eye appeared exactly where it was first planned to be installed – on top of a skyscraper in the Moscow City business area, a stone’s throw away from the country’s government office. The symbol, which has sparked controversy among Muscovites, is hidden from bare eyes; to see it, one needs a smartphone or tablet.”

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Who’s Saving – And Curating – Protest Art?

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“Since it wouldn’t be in the true spirit of protest if there weren’t at least a few voices of dissent, not everyone’s on board with preserving these ephemeral but powerful works. In Hong Kong, many museums that were asked to keep some of the artworks rejected them because they were ‘political.'”

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A Supreme Court Case About A 50-Year-Old Spiderman Toy May Change Everything About Patents

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“The court noted concern that a patent holder might require someone licensing a patent to also license expired patents in order to seal the deal — a bargaining power that would have undermined the intent of making patents eventually open up to the public. Effectively, it would give some added leverage where they already have a monopoly.”

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Why Teaching In American Schools Is Getting Worse

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“When teachers were hired for their inborn ability to “nurture” schoolchildren, many derided or disregarded their intellectual capacities. Now we’ve created a system that is so firmly tied to scholastic achievement—as narrowly defined by standardized tests—that no serious scholar would want to teach in it.”

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How the Arts Drove Pittsburgh’s Revitalization

How the Arts Drove Pittsburgh's Revitalization

“But in looking at Pittsburgh’s impressive revival, it’s important to take note of the key role played over the last 30 years by the Pittsburgh Cultural Trust, an organization that has managed one of the city’s most vivid transformations, turning a large part of downtown that had been overtaken by porn shops, strip joints, massage parlors, and sleazy bars into a lively, safe, and attractive district for cultural arts and entertainment.”

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Google News Is Pulling Out Of Spain Due To New Law

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“Starting Jan. 1, recently enacted Spanish legislation will require the search giant to pay the publications it links to. For previewing their articles. In addition to the article title, Google News offers a small content snippet, beckoning users to click on the link visit the news site. For that, the Spanish government believes, they should pay the publisher. You can furrow your brow and scratch your head now.”

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Why Art Censorship Is On The Rise

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“Why have these recent demands to censor been so successful? It’s worth reflecting on who is protesting, because this is also different from the earlier, top-down attempts to censor.”

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Reclaiming The Swastika

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“[Recently] there have been calls to reclaim the symbol from its Nazi links and restore its origin as an ancient symbol signalling good luck. So can these two views ever be reconciled? Mukti Jain Campion examines the symbol’s long and surprising pre-Nazi history and discovers how the Nazi adoption of it is based on a mistaken interpretation of ancient Indian texts.” (audio)

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Ten Different Uses Of The Swastika, None Of Them Nazi

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Many people know that the now-notorious sign has been (and is) used in India as a good luck sign for centuries. But the swastika has been used in many other times and places, from ancient Greek pottery to Japanese Buddhist temples to – believe it or not – the U.S. and British military during World War One.

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What They Protested At La Scala’s Season Opening This Year

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There are always protests on opening night: demonstrators see it as an ideal occasion to get their causes in front of TV cameras. This year, Milan was worried enough about violence to bring in 1,000 riot police. And, as it happened, current events had some bearing on what was happening inside the opera house, on the stage.

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Polish Intellectuals Are None Too Pleased With The Threat Of Russia

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“It is the fear that Europe is not reacting forcefully enough to the crisis in Ukraine, the fear that Putin will advance not only to the Donets River, but soon also to the banks of the Vistula. And it is the fear of Putin himself, who just a few days ago made reference to the ‘centuries old common history’ that connects Poles and Russians.”

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New Thinking In How We Engage Audiences And Where

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‘The future of the arts depends on programming in both new and old spaces, creating experiences that satisfy current participants and speak to new ones. Ultimately, “where” should and will grow to be an ever more important variable in the presentation and production of art, especially as one considers “who” one serves.’

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