Michael Harris: “I think that we’ve gone through this very giddy ride of absorbing new communication technologies, and what we’re hitting now is a point where we have to start becoming intelligent about our media diets in the same way that we had to become intelligent about our food diets after we got a super abundance of sugar and fats at our disposal.”
“Lincoln Center’s move comes as overall corporate philanthropy is dwindling and big companies’ support of the arts is eroding. Corporate giving fell nearly 2% in 2013, according to Giving USA. Meanwhile, the share of corporate philanthropy dedicated to the arts fell to 5.3% in 2012 from 8.8% in 2007, according to CECP, a coalition of chief executives working to improve society.”
“Practically speaking, it doesn’t matter where the Sendak materials live or who owns them. Any exhibition uses only a few dozen items at a time, and loans are common in the world of arts and literature. In theory, if the Rosenbach and the Sendak trustees agreed, a steady stream of Sendak shows could continue to flow through the Rosenbach, and as far as the backstage legal status and residency of the collection goes, the public would be none the wiser.”
“As an amateur student of history, as we all are at least as to our own lives, I would like prove the past was what it was. Many people, including Asian Americans themselves, deny that Asians in America, whether new arrivals or native born, now face or for that matter have ever faced significant discrimination rooted in bigotry.”
The arts community in the province has been up in arms since the leak of a document suggesting that the government planned to close the five regional branches of the Conservatoire de musique et d’art dramatique du Québec, leaving only the schools in Montreal and Quebec City. (The network is running a $14m deficit.) In the face of public pleas and protest concerts, the province’s culture minister has promised that all instruction currently offered will remain available, though the buildings may close. (in French)
Among the honorees this year were scientists who investigated the differential in pain thresholds of people looking at beautiful art versus ugly art, the neuroscience behind people who see the face of Jesus in a piece of toast or the Virgin Mary in a stain on a wall, and the physics behind one of the hoariest gags in all of slapstock comedy.
This summer, Miami street artist David Anasagasti “hired a lawyer and filed a copyright-infringement lawsuit, accusing American Eagle of stealing his work and seeking monetary damages. … Lawyers who work in this area say it’s not clear anyone has ever tried this in court. Copyright law, as its name suggests, lays out the rules for when it’s okay to copy something. But does it extend to art that’s on public walls?”
“As manager of Bamiyan’s tourism association, Ibrahim is the brains and muscle behind a push to convince foreigners to visit a town made internationally famous by one of the worst acts of cultural terrorism in recent history. Having enjoyed years of relative stability, Bamiyan wants to open up its cultural heritage to intrepid travelers curious to see more of the country than war.”
“With culture already devolved, there was little focus on the potential impact of independence on the country’s artistic scene, with many artists simply focused on the wider picture. The fate of BBC Scotland was one of the few genuine talking points. … I suspect many artists will simply return to creative work and trying to make a living. The campaign is likely to have been a major distraction and an energy-sapping experience. Others will realise they have divided their audience by speaking out.”
“Imagine a writer named John Gallant … who settled in Paris and published nearly every story he wrote in the New Yorker. Even if he was reclusive, he would be internationally famous. You would know what was thought of as his best work without ever having read it. His stories would be taught in every intro class, in high schools and college both.”
“Student attendance at major college football games is declining across the country. By how much varies greatly at each institution, but a recent Wall Street Journal analysis of turnstile data at 50 public colleges with top football programs found that average student attendance is down more than 7 percent since 2009.”
“Me experiences” are different from “bigger-than-me experiences.” Me experiences are about voice; they help students express themselves. The underlying question they begin with is, “What do I have to say?” BTM experiences are about insight; they start with, “What don’t I know?” Voice comes after reflection.
Don Draper, Tony Soprano, Walter White – “Each of these tragic exemplars of ‘adulthood’ is destroyed exactly because of his failure to behave like an adult. … In the main they are frauds who merely assume the trappings of ‘adulthood’ in order to participate in a society that would reject them if it knew the truth. … It’s not to do with having ‘killed off all the grown-ups’ as [A.O.] Scott has it: quite the contrary. It’s adulthood defined for the audience by its very absence on the screen.”
Andrew O’Hehir: “Well, if [A.O.] Scott gets to play frustrated English professor in his article, I get to play former college Marxist in mine … There really is something beneath his ‘death of adulthood’ premise, whether or not you like the prejudicial phrase. But to coin a phrase: It’s the economy, stupid.”