“The readers and commentators are correct to protest this story. Intended to be in praise of Ms. Rhimes, it delivered that message in a condescending way that was – at best – astonishingly tone-deaf and out of touch.” (includes responses from the Culture Editor and the article’s writer, TV critic Alessandra Stanley)
“In the review, I referenced a painful and insidious stereotype solely in order to praise Ms. Rhimes and her shows for traveling so far from it. … I didn’t think Times readers would take the opening sentence literally because I so often write arch, provocative ledes that are then undercut or mitigated by the paragraphs that follow.”
Kenneth Turan: “Simply put, Hollywood has traditionally been celebrated as the fox, entertaining everybody by making movies for a wide variety of appetites and audiences. … Today’s Hollywood, by contrast, has transformed itself into the hedgehog. The one big thing it knows how to do is make sequels and superhero movies and sequels to superhero movies, all aimed at a young adult crowd with no end in sight.”
“The law, which takes effect next year, increases the annual film and TV tax credit offered by California and eliminates a selection process producers complained is arbitrary and flawed. Advocates say the new law is crucial to preventing other states and countries from continuing to lure away film and TV production by offering their own lucrative incentives.”
“Bill Moyers has notified public television stations that his weekly series Moyers & Company will end after the Jan. 2 program. He made a similar announcement last October, but changed his mind in the face of an outpouring of support from his fans on social media. This time, however, “it’s the real deal’.”
Despite opposition from French telecom providers worried about
competition l’exception culturelle, Netflix began service in France this week, with Germany and Belgium being added later this month. The company has a partnership with one large French ISP (Bouygues) and has already commissioned one original French series.
“In giving [Shonda] Rhimes the key to Thursday, which remains a lucrative night as film studios promote weekend releases, the alphabet network is acknowledging how big a draw her name has become with her patented style of traditional procedural meets emotional roller coaster — and showing that it sees her as a vital figure in helping them crawl out of a three-year spell in fourth place in the advertiser-preferred 18-49 demographic. “