At home we watch a lot of BBC-produced television. Some of it is very good, some of it is very silly, but we are entertained enough. Anyone who has seen older and newer episodes of shows will pick up on the fact that productions at the BBC have made an
As a sequel to my NPR show on Donald Trump’s incursions at the Kennedy Center, the NEH, and the NEA, here’s something Jimmy Kimmel said on TV the other night: Trump says he’s closing the Kennedy center for roughly two years, so it can be rebuilt into the finest performing
Existential crises have a way of forcing clarity. Whether the arts and the larger creative world are in crisis I leave for you to decide. But with weekly news of financial and organizational meltdowns, political pressures and an almost primordial angst about threats of AI, some things may be becoming
Diana Wyenn, Director, Choreographer & Creative Director of Interlochen’s Imagine US, shares her leadership strategy leading complex creative processes.
Wishing that Stephen Miller, Gregory Bovino, Tom Homan, Kristi Noem, J.D. Vance, bigmouth Trumpscheisse, and the rest of his ilk were frozen in one of these ice floes?
Yesterday Rebecca Lowe mentioned in a note how much she enjoys reading the philosopher G.A. Cohen. I do too, and it reminded me of his part in an interesting, and I don’t think ever resolved, debate in arts policy. I’ll get to Cohen later, but first some background. Most people (I know
Tonight marks the 14th anniversary of Carl Weissner's departure. He left us unexpectedly in the late hours of Jan. 23, 2012 or in the hours before dawn on Jan. 24. His absence has not diminished among his friends, though the date of his death has grown more distant.
This past week I’ve been sent different, interesting takes on the state of cultural policy research. My friend James Doeser, who is very smart about these things, has a short post “The crisis of cultural policy in the 21st century” that is well worth your time. Friends and former colleagues
The following article is an abridged adaptation of my January 22 NPR report on recent developments in government and the arts — at the NEA, the NEH, and the Kennedy Center — under President Donald J. Trump. I write: “The arts sector feels invaded by aliens. The incursion is so
For readers familiar with his work, it will come as no surprise that Swiss novelist Christoph Keller's prose in English, an adopted language, has the idiomatic flare of a native speaker. Nor is it a surprise that much of his latest novel is again set in downtown Manhattan, where he
