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A Guy Walks Into a Room.

Privilege, in a nutshell, from a liberal, non-Christian, ostensibly White guy. For the ...

Louise Landes Levi A Voyager’s Magnum Opus: ‘The Goddess’

There are many kinds of poets. Among them are the voyaging / visionary poets, like Allen Ginsberg and Ira Cohen, both of whom were mentors as well as models for Louise Landes Levi, who has not only traveled widely, as they did, but has turned her voyaging — that is what her kind of travels must be called — into a life of poetry and music and, not least, has created an extraordinary literary chronicle of her experience.

Randy Cohen talks about the importance of sharing stories and statistics in the arts

Randy Cohen, Vice President of Research at Americans for the Arts, shares the power of sharing the impact of both stories and numbers in advocating for the arts.

Even more on the economics of live theatre

The Freakonomics series on the economics of live theatre continues with this third and final episode, in which I talk about its value – no, not economic value: all the other kinds… Will 3 Summers of Lincoln Make it to Broadway?

Celebrating 100 Episodes of Call Time

Last Thursday’s episode of Call Time with Katie Birenboim, featuring actor and choreographer Aigner Mizzelle, marked the 100th episode of the show — in some form or another. Longtime listeners, friends, or fans might remember that a different version of Call Time, then known as “Theatre Book Club,” started under the auspices of Berkshire Theatre […]

“Hope for the Best. Expect the Worst.”

You need to find a way to justify your worth to your community — and at the same time, prepare ...

Karen Ewald talks about arts leadership during adversity

Karen Ewald, Executive Director of the Hawaii State Foundation on Culture & the Arts, talks about leadership during adversity including the Lahaina fires.

On the hidden economics of live theatre

Freakonomics Radio has a new three part series on the economic landscape facing live theatre. Part One is here, and part two is here, which as a supporting act in an episode with Lin-Manuel Miranda, has me trying to coherently explain cost disease in the theatre, where it comes from and its implications. Part three will come next week,...

Bernstein, Balanchine, Ellington and the Waning of “Soft Power”

Kabalevsky contratulates Bernstein Today’s online Persuasion/The American Purpose runs an essay of mine building on the growing awareness that “soft power”

Nonprofit Arts Organizations: Beware “A Little Knowledge”

Forcing data to reach a conclusion causes nonprofit arts organizations to issue pronouncements that just aren’t so. ...

What to do with the NEA? Make it Conservative?

In my last post I wrote about the Cato Institute’s Ryan Bourne’s call to eliminate the National Endowment for the Arts. Here I will consider a different approach from the right, Mark Bauerlein’s “MAGA needs High Art, Not just Kid Rock”, from the New York Times. He writes about the National Endowment for the Humanities as well as the NEA, but I...

Jeffrey Sposato shares his strategy behind building a music department for the City of Detroit

Jeffrey Sposato, Chair of Wayne State University’s Department of Music, shares his ethos of building a music department for the City of Detroit.

Anatomy of a Rebound: The Arts in the U.S. Economy

https://youtube.com/watch?v=B9Ro0GWVKFU&feature=oembed

What do to with the NEA? Pull the plug?

Two opinion pieces were published this week giving different conservative takes on what to do with the NEA. I’ll talk about Mark Bauerlein’s New York Times Op-Ed in the next post; here I look at the Cato Institute’s Ryan Bourne’s briefing paper “End the National Endowment for the Arts”. To begin I’ll skip all the way to his last paragraph, which begins: There...

“An Urgent Priority” — R. I. P.: NEH (1965-2025) — A Postscript

Here’s a postscript to my obituary for the National Endowment of the Humanities, and for my own Music Unwound national

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