“This passing of the boundary between ‘doing steps’ and really dancing … is truly exhilarating. I’ve experienced it many times when dance took me away from the here and now, transported me into a different reality, soothed my thoughts and calmed my mind into one single inviting trail of thought.” - Dance Magazine
“Putting a camera in the audience POV of a dance show is only a reminder that the real thing is probably way better. Putting a camera in the wings, on stage, up close and personal ... in a way that no one can experience in an auditorium — that’s worth watching.” - IndieWire
Or at least, that’s what creator Amy Sherman-Palladino (the force behind The Marvelous Mrs. Maisel) wants to see. “Ballet isn’t something for someone else. It’s storytelling; it’s athletic; it’s powerful, emotional, transporting. It’s a great, dynamic art form.” - The New York Times
“’English audiences, in particular, expect to come in, understand it, and have a good conversation about it afterwards.’ The Israeli-born, soon-to-be-British choreographer would prefer people to approach contemporary dance ‘more like a concert’ – something you experience ‘through your senses’.” - The Telegraph (UK) (Yahoo!)
“Officially called the West End Concourse, the corridor has a lot going for it: It’s easily accessible, the floors are spacious and smooth, and there are public restrooms, a rarity in New York City. It’s a ready-made stage for all sorts of group and partnered dance. … The biggest draw? It’s free.” - The New York Times
Each April, hundreds of hopeful leotard-clad dancers travel from all over to the Big Apple to audition for a coveted spot on the famous kickline — founded in 1925, halfway across the country in St. Louis, Missouri, by choreographer Russell Markert. - New York Post
“Capezio is changing hands after more than a century of family ownership. On Thursday, Argand Partners LP, a New York-based middle-market private equity firm, revealed its acquisition of Ballet Makers Inc., the parent company of the venerable dance brand.” - WWD
At opening night of New York City Ballet’s spring season, as the dancers performed Balanchine, a woman began yelling from a balcony, “We’re in a climate emergency. Our country has become a fascist regime, and we are enjoying this beauty.” - The New York Times
The company that former artistic director Li Cunxin turned into a powerhouse with an international reputation is now “beleaguered”, as one headline put it. - InDaily (Australia)
“Two former dancers … filed a lawsuit on Thursday accusing the group of amassing a financial fortune and worldwide renown by subjecting an ‘army of child laborers’ to brutal working conditions and psychological coercion.” Another former company member filed a similar suit last November. - The New York Times
Alexey Brodovitch’s Ballet gets an 80th anniversary reprint. He "intended to foreground shape, blur, contrast, gesture and motion — the atmosphere of dance — in the photographs. ‘The photograph is not only a pictorial report,’ Brodovitch said. ‘It is also a psychological report.’” - The New York Times
How is it that an island that has managed to produce one of the strongest theatrical traditions in the West could be without a national dance company? - Fjord Review
“Since its founding in 1978 …, Links has been a cornerstone of the city’s dance scene, often giving a home to experimental new works that pushed the envelope, both artistically and politically. Executive Director SK Kerastas said Thursday that the venue will continue with performances scheduled through June.” - WBEZ (Chicago)
“More than 100 dancers auditioned for just 21 spots on the New York Liberty’s cheerleading team, the Timeless Torches. Founded in 2005, less than a decade after the creation of the WNBA, the Timeless Torches are a co-ed dance group in which every member is at least 40 years old.” - Gothamist
