While the conductor issued a subsequent statement maintaining that he had resigned, the announcement by the board said it had "made the decision that Sir John Eliot Gardiner, founder of the Monteverdi Choir, the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique, will not be returning to the organisation." - The Guardian
Born into a very old and eminent family (though one no longer, by his day, very rich), he wrote about the American aristocracy with skepticism and even scorn. Twice he reinvented one of the country's oldest magazines, attracting readers, attention and respect (though never profit). - The Washington Post (MSN)
"(He) fashioned a 43-year career at The Inquirer that featured hundreds of influential stories about Philadelphia’s art and culture and the people who shaped them. He first covered cultural life ... in 1989 and, until he retired in 2022, focused as much on the newsmakers as the culture they created." - The Philadelphia Inquirer
"(They) worry this is yet another attempt at gentrifying their art form and ways of life. (Breaker) Anne Nguyen … argues that the 'sportification' of breaking will push dancers to forego improvisation and individual spirit. 'Instead, they will be strategic, planning everything from A to Z, to get high scores.'" - Condé Nast Traveler
I want to suggest some parallels between this 18th-century musical lingua franca and a familiar device from another medium: modern realist prose, which emerged through the 17th and 18th centuries – just when these musical conventions took shape. - Aeon
Darren Walker announced Monday that he would step down as the president of the Ford Foundation at the end of 2025 after what will have been a consequential 12-year tenure in which he shifted the institution’s focus to inequality and oversaw the distribution of $7 billion in grants. - The New York Times
“What is becoming clear now is that the coming war is not really one between human and machine creativity; the two will forever be incommensurable. Rather, it is a struggle over how art and human labor are valued—and who has the power to make that appraisal.” - The Atlantic (MSN)
Millennials and Gen Z are taking over now. "The KHive has ditched the bee and gone coconuts now that Joe Biden has dropped out of the 2024 election and endorsed Kamala Harris. What’s more, Harris’s laugh is getting remixed into songs by just about every pop diva.” - Vulture
"If a list so devoid of representation from small presses, working class writers, genre-fiction, and poetry is aggregated with contributions from ‘hundreds of novelists, nonfiction writers, academics, book editors, journalists, critics, publishers, poets, translators, booksellers, librarians and other literary luminaries,’ what does that say about ... American readership?” - Scroll (India)
“Part of trying to get on quietly and diplomatically in life and not clash with people is keeping up the pretence that fuckwits don’t walk among us in the world, but sometimes you just have to face up to the reality of the situation: Fuckwits do walk among us in the world.” - The Villager
“Making queer-themed work in a country like Georgia is a perilous affair,” the writer-director says. “For And Then We Dance, his production had to lie about the plot in order to secure locations. … When details got out, the crew received death threats.” - Los Angeles Times (MSN)
"His understated comedy routines that emphasized the absurdities of ordinary life made him a national sensation. (He) became the first comedian with a No. 1 record and the star of two long-running sitcoms (and is) regarded as one of the most influential figures in modern comedy." - The Washington Post (MSN)
Beyond particular items in its collections, is the universal museum itself a product of colonialism that expresses an implicit belief in the superiority of Western culture over Indigenous cultures in the areas the West came to control in the age of imperialism? - The New Republic
"For much of its history, the Western sports novel had been the stuff of inspirational boys’ tales, full of moral instruction and can’t-lose heroes. … But the twenty-first century, and specifically the past decade, have served as an even richer terrain for the literature of athletics." - Esquire
Cutting Ball Theater plans to cease operations at the end of 2024. In its 25 years, Cutting Ball has mounted a Strindberg marathon, a staged documentary about its Tenderloin neighbors, Gertrude Stein and Suzan Lori-Parks on the same bill, and … classics audiences couldn’t see anywhere else. - San Francisco Chronicle (MSN)
"A funny thing happened when I got to the end of all that eating: I realized I wasn’t hungry. I’m still not, at least not the way I used to be. And so … I’ve decided to bow out as gracefully as my state of technical obesity will allow." - The New York Times
"The new programme, called Refúgiate en la cultura (Take Shelter in Culture), offers free flamenco shows – in the Prado, the Reina Sofía and the Thyssen-Bornemisza museums, and the Royal Collections Gallery – as well as free comic monologues in libraries and discounted cinema tickets for screenings before 5pm." - The Guardian
Its iconic crown and fabulous Art Deco lobby are still handsome — if you don't look closely. As the 94-year-old landmark's ownership keeps changing and its value keeps falling, maintenance has been seriously neglected. Not surprisingly, companies don't want to rent office space there. - The New York Times
But seriously: “Sophisticated imaging technology has helped reveal that dance’s multifaceted demands engage the mind as intensively as the body; that dance can root our minds more firmly in our physical selves; and that dancing together can help us relate to each other.” - The New York Times
“In its heyday, the Barton Opus was able to recreate the sounds of many instruments, including strings, flutes and tubas. ... It also contained real percussion instruments such as a piano, xylophone, glockenspiel, cymbals and drums and could produce sound effects including steamboat and bird whistles.” - AP
