“Through the process of opening the museo and welcoming the globe into Frida’s world, there has been one constant refrain: Más amor, más família, más Mexico – more love, more family, more Mexico,” said the artist’s grandniece. - ARTnews
The Emperors’ courts did, in fact, document their history carefully, according to a procedure which was followed more-or-less faithfully from the first century BCE onward. That’s not to say that the result was either comprehensive or impartial. - Aeon
“While nothing that he writes is of much interest, Nazir himself is shaping up to be an oddly appealing character. He’s a cultural chancer.” (And wow, Commonwealth Prize jury, what were you doing?) - Slate
“The brain initiates voluntary action unconsciously: our conscious sense that we have decided to act is actually the result of this brain activity.” It’s possible that our only choice is in deciding not to do something. - 3 Quarks
Some companies have embraced outright celebration; a few are pointedly grappling with what they see as troubling issues in the country’s history and present. Many are highlighting the huge body of American choreographic work, both ballet and modern/contemporary. - Dance Magazine
“The Kossuth radio station and M1, Hungary’s main public television channel, had halted transmission by Tuesday afternoon, with the latter showing the message: ‘Public media should not lie. We are sorry for doing it for so long.’” For the time being, Kossuth is rebroadcasting public radio’s classical-music channel. - The Guardian
“Since the (Sam Bankman-Fried/FTX) scandal, the movement’s organizations have shied away from the limelight and become extremely concerned with PR. For several years, their growth has been severely curtailed. But they survived. And the new AI money has given EA a chance to come back larger than ever before.” - New York Magazine
Dar al Funoon, located in the starchitect-heavy Saadiyat Island cultural district — alongside the Guggenheim Abu Dhabi (also by Gehry), the Zayed National Museum (Foster + Partners), the Louvre Abu Dhabi (Jean Nouvel) and others — will contain a 2,000-seat performance hall, a 3,500-seat open-air amphitheatre, a 400-seat theatre and a 250-seat jazz venue. - Dezeen
“The tents are the new home of the Gaza branch of Palestine’s national conservatory, dedicated to teaching classical, popular and traditional music. The institution, founded in 1993, once enjoyed well-equipped offices in Gaza City, three pianos and storerooms full of instruments and musical scores.” - The Guardian
And, for balance, this report also includes on-the-record favorable comments from one high-level staffer who worked with Sharif at Arena — Reggie D. White. who followed Sharif to DC from the Repertory Theatre of St. Louis. - DC Theater Arts
“Ending months of speculation, the New Museum said today that it has selected Massimiliano Gioni, its artistic director, to be its next director. Gioni has been with the New York standby since 2006, and will take the helm in August. Its previous leader, Lisa Phillips, announced her retirement last September.” - Artnet
Her deadpan performances in Woody Allen’s early films (she was his second wife) first brought her to public notice, but she achieved real fame as the pigtailed, gingham-wearing, put-upon suburban heroine of Norman Lear’s soap opera parody Mary Hartman, Mary Hartman, which aired 325 episodes over its 18-month run in 1976-77. - Deadline
“Richard Heffner’s The Open Mind, the gleefully eggheaded talk show on which Martin Luther King Jr gave his first sit-down televised interview — continues to soldier on,” with grandson Alexander Heffner hosting since Richard’s death in 2013. - The Hollywood Reporter
Why should a name matter so much? Psychologists have a term that might help explain what’s happening here: prestige bias. Developed by the cultural evolution theorists Joseph Henrich and Francisco J Gil-White, the concept describes the human tendency to preferentially attend to, learn from, and value the outputs of high-status individuals. - Psyche
Such an opportunity was bound to present itself to the director of San Francisco Ballet in the 2020s. It’s no surprise that she took the opportunity — but what she has to say about the experience, while quite perspicacious, isn’t much of a surprise either. - The Times (UK)
