The response from Alamo patrons has been largely negative, with many expressing outrage at a perceived about-face. They have taken to social media in droves to protest mobile ordering, and started a Change.org petition asking the chain to reinstate its no-phones policy. - The New York Times
The extent to which AI will upend creative work remains unsettled. But that uncertainty has made guaranteeing income for creatives a more viable policy idea. - The Conversation
Something has happened since the pandemic. I don't know if it was greed accumulated during the closure years, if it was inflation, if it was the lack of competition on platforms like Ticketmaster. But ticket prices have skyrocketed to levels that are, plainly and simply, obscene. - Armando Barrera Barrios
We no longer argue about whether art as such is a matter of life and death—we assume that it’s not. Consequently, critics aren’t prompted to ask about the political valence of their own activity: Is criticism itself a moral good? - Artforum
In 2019, Howard Reich, longtime jazz critic of the Chicago Tribune, published The Art of Inventing Hope, based on conversations with Elie Wiesel and Reich's mother’s experiences in WWII Poland. He has now adapted that book into an opera libretto, The Dialogue of Memories, with music by Tom Cipullo. - WTTW (Chicago)
An indicative ballot held by the performing arts union, Equity, was overwhelmingly backed by its membership: 98% voted yes to potential strikes. The result means the union now has the right to have a statutory ballot on taking industrial action. - The Guardian
Daniel Weiss took over as director and CEO in December after the dismissal of former leader Sasha Suda. He has rolled back some of the decisions made during her tenure, including the brief renaming of the museum as the “Philadelphia Art Museum,” or PhAM. And now new leaders in finance and human resources. - Philadelphia Inquirer (MSN)
The national government’s arts agency, Creative New Zealand, plans to have most funding decisions (excepting international projects and national companies such as the NZ Symphony and Royal NZ Ballet) made by up to 16 independent regional organizations. - The Big Idea (New Zealand)
His return became one of the most remarkable late-career success stories in American opera. As his voice matured into a true dramatic tenor, Pulliam emerged as a sought-after interpreter of Verdi and other heavyweight repertoire. - Moto Perpetuo
In 2022, Vermont Public Radio merged with Vermont Public Television to form a new entity titled simply Vermont Public. The marriage pulled together 57 employees from the radio network and 42 from the TV side and total assets valued at $90 million. It thus became the state’s largest news organization by far. - Valley News (Vermont)
Large online streaming services must contribute 15% of their Canadian revenues to Canadian content, the country’s federal broadcast regulator said Thursday. That figure is three times the 5% initial contribution requirement the Canadian Radio-Television and Telecommunications Commission, CRTC, set out in 2024. - AP News
The evening was championed by baritone Christian Pursell, better known in the fandom as Chester the Geroo, who plays Escamillo in Carmen. As far as anyone can tell, this was the first official Furry Night at the opera in history, a genuinely historic moment for the fandom and the city of Seattle. - The Stranger
“Over the years with the RSC, the English Shakespeare Company” — which he co-founded — “and beyond, Pennington played most of the leading roles in the canon; … his stage career looked like ‘he drew up a list of the juiciest roles in the classical repertoire and methodically set about ticking them off’.” - The Times (UK)
Some students only want people who hold similar views to address them at their graduation. They exercise what free speech law experts call a “heckler’s veto,” meaning when an audience’s reaction, or anticipated response, stops someone from speaking. - The Conversation
