The high court declined to revisit whether algorithms can hold copyright, leaving AI creations in legal limbo. While tech bros rage and traditional artists breathe easier, the real question remains: who profits when creativity gets automated? — Artnet
Bethany Collins spent four months transcribing the 900-odd-page text. She finds many of Melville’s concerns relevant today: “following the lone madman who will take the whole ship down, … overconsumption, the pursuit of oil and an obsession with whiteness.” (Okay, the last one might be a stretch.) - T — The New York Times Magazine
The “constitutive” role of universities cannot merely be announced to like-minded audiences or extracted from sympathetic courts. - Chronicle of Higher Education
When the news and social media are flooded with opposing interpretations of events, outright lies, and about a zillion editorial style video shorts that offer about a zillion different opinions, art and culture can bring the reality and humanity of the headlines to light. - Ludwig Van
The government says Live Nation retains its grip on the music industry with strong-arm tactics like demanding that artists use its promotion services in order to perform in its amphitheaters. - The New York Times
Jimmy Fedigan has worked on 125 shows, working up from substitute spotlight guy to overseeing the entire technical production of the musical Chicago. In this video, he walks us through various aspects of his job, from the scene shop where sets get built to backstage shortly before curtain time. - The Wall Street Journal (MSN)
Many of these productions function as modern-day trade magazines. One show targets car dealership owners. Another, TBPN (Technology Business Programming Network), focuses on tech overlords. Malcolm Harris, a former sports talk personality, helms “What The Truck?!?,” a thrice-a-week show all about logistics. - The Hollywood Reporter
“Chris Fleming … marries the idiosyncrasies of his writing — one bit has him pretending to be a dirty cast-iron skillet — with a delivery that leans heavily on his training in classic modern dance. He is probably the only working funnyman who cites Isadora Duncan as an influence.” - The New York Times
The piece, installed outdoors at the LongHouse Reserve on the South Fork of eastern Long Island, is one of only five existing versions of Fuller’s Fly’s Eye Dome. The roof of the fiberglass structure caved in under the weight of the heavy snow which fell in late February. - Artnet
Indeed, when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out copper wire. Inside, the Electrical Box Theatre is “an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown's galleries or more refined stages.” - Los Angeles Times (Yahoo!)
“Buffalo Toronto Public Media (BTPM) plans to move programming currently on news/talk WBFO (88.7) and BTPM Classical WNED (94.5) in Buffalo, NY, resulting from the latter’s recent conversion to an advertising-eligible license and the company’s loss of $2.2 million in annual federal funding.” - Inside Radio
“Jersey City Mayor James Solomon, who took office in January” and killed the project shortly afterward, “announced Monday that the city would work with Kushner Real Estate Group on new plans for the Artwalk Towers development.” - Gothamist
“While Egypt is known for its movies and Lebanon for its pop singers and composers, Syria’s TV series” — especially the high-profile dramas aired during Ramadan — “have for decades been seen as the gold standard in the region.” Naturally, the fall of the long Assad family dictatorship has led to some changes. - AP
Founding Artistic Director Cassa Pancho: “There was nowhere in this country for Black classical dancers to be hired. It was suggested to me that they go and dance with Dance Theatre of Harlem – as if every Black person trained in ballet can only go to one place!” - Bachtrack
AI talent studio Xicoia, which created Norwood, has announced plans for a “rapid expansion” for the digitized actor. The developments include a digital universe dubbed the “Tillyverse,” where ”Tilly and a new generation of AI characters will live, collaborate and build careers.” - Los Angeles Times
