Trustee Patsy Marino, who chaired the search committee, has resigned (along with two other trustees) over the elevation of chief curator Christine Vendredi to the directorship. The objection is not to Vendredi herself: no outside candidate was interviewed and the final decision was made, Marino says, behind her back. - Los Angeles Times (Yahoo!)
“To succeed, critically and commercially, the stage version must balance the horror the novel describes with enough verve and spectacle to delight a discerning, CGI-attuned crowd. Are the odds in its favor?” Journalist Alexis Soloski visits the show at its purpose-built theatre in London. - The New York Times
“On Wednesday, Dallas City Council voted to grant $225,000 for cultural programming to (DBDT). Last year, $248,000 in funding was cut in response to (DBDT’s) settlement with the National Labor Relations Board. The agency found merit to dozens of unfair labor practice charges …, including the firing of dancers due to union efforts.” - KERA (Dallas)
The Last Ship flopped in its initial Broadway run in 2014-15. Sting has now revised the show, with new songs and a new director, and it will have nine performances at the Met this June after runs in Amsterdam, Paris, and Brisbane. - Playbill
“After years of delays, the Lucas Museum of Narrative Art in Los Angeles will finally open its doors to the public on September 22, 2026. … Designed by architect Ma Yansong, the museum will be home to a collection of more than 40,000 works centering illustrated storytelling as a universal language.” - Artnet
The Dec. 5 draw, the World Cup’s highest-profile pre-tournament event, was expected to be held in Las Vegas. Trump reportedly swooped in at the 11th hour to offer use of Kennedy Center performance spaces and other facilities, for free, for almost three weeks, requiring cancellation or postponement of scheduled events. - The Washington Post (Yahoo!)
Temple, the Pennsylvania state university whose main campus is in North Philadelphia, will renovate Terra Hall, which had been a classroom building for the now-closed University of the Arts, and will move some of its art and music programs there starting in fall 2027. - The Philadelphia Inquirer (MSN)
Critic Zachary Stewart considers how the new immersive adaptation of The Phantom of the Opera (titled Masquerade), the drag-ball production of Cats (subtitled The Jellicle Ball), and director Jamie Lloyd’s unconventional revivals of Sunset Boulevard and Evita demonstrate how interesting the ALW shows we all thought were old chestnuts can still be. - TheaterMania
“Council members have declared city arts funding off limits for budget cuts next spring, even as they face a projected $111 million deficit. ... While the move falls far short of a long-unfulfilled council pledge known as ‘penny for the arts,’ council members said it’s a strong message.” - The San Diego Union-Tribune (MSN)
Continuing one of the more surprising comebacks of the digital age, vinyl album sales in the United States increased for the 18th consecutive year in 2024." While CD sales are on the decline, “Cassette tape sales jumped by 204.7% in the first quarter of 2025, hitting 63,288 units. - ToneArm
More than almost any other children’s show, Sesame Street seemed to crack the code on how to simultaneously educate and entertain children. - The Guardian
Production in the third quarter of this year was 18 percent lower than last year, and 40 percent lower than the five-year average, according to a new report from FilmLA, the local government organization that tracks production in the area. - The New York Times
“(A journalist) takes a deep-dive into all the facts of this fast-developing story, and why it’s brought the BBC to an inflection point.” - The Hollywood Reporter
A handful of rare and cranky antiques are powering the ungainly Hollywood resurgence of VistaVision. The format, developed in 1954 by Paramount, was once used to glorious effect by filmmakers such as Cecil B. DeMille. - The Wall Street Journal
In just eight years, it has become one of the art market’s biggest buyers. Its collection of 500 artworks is now valued at more than $1 billion and its platform has drawn 70,000 investors. - The New York Times
