Give people an hour with nothing scheduled, and many fill it with thoughts of to-dos: the unanswered email, the errand that’s been put off, the project due next week. Free time is sometimes less a chance to rest than an opportunity to take inventory of our obligations. - The Atlantic
Researchers generally agree that the relationship between music and learning is complex. The effects of music on studying and other cognitively demanding tasks appear to depend on the type of task performed, the kind of music and the students themselves. - The Conversation
“The Bridge Teatre in London, opened in 2017 by the former National Theatre duo Nicholas Hytner and Nick Starr, has been acquired by Trafalgar Entertainment,” which owns more than 20 venues in Britain and elsewhere - The Guardian
Reading comprehension was significantly lower when the students read on screens. The researchers also found that the number of “transitions,” where students would go back and re-read the text before submitting their answers, more than doubled—and in some cases tripled—when kids read on screens. - Time
Australia’s theatre industry is in desperate need of tax reform to keep it alive, experts have warned the federal government, after two major touring musicals and a $20m opera cancelled shows in the space of a week, citing skyrocketing costs and soft box office sales. - The Guardian
Oh, Brad Bird, say it ain’t so: "Ratatouille director Brad Bird revealed he’s putting the kibosh on any sequels to that delightful, delicious film.” (Could we at least get the musical? Remember that from the early days of the pandemic?) - Vulture
“The Cultural Fund will be forced to reduce the number of grants it had been expecting to distribute in the coming year, from 332 to 232. It has changed its eligibility requirements, eliminating grants to a pool of midsize organizations.” Mural Arts, meanwhile, is reducing its budget by 26%. - The Philadelphia Inquirer (MSN)
“Oja Kodar, the American film-maker’s partner and collaborator, has given her blessing to the project led by archives in France, Spain and Italy, along with the Munich film museum, to produce a coherent film out of 30 hours of footage scattered among them.” - The Guardian
“The Culture Ministry announced in May that it had acquired the fresco panels, dating from the 4th century, from members of the Torlonia family, one of Italy’s ancient noble families whose vast collection of antiquity has long been kept out of the public domain.” - AP
“In the late 1970s and early 1980s, (she became) one of Britain's most popular comedy actresses through her work in the BBC sitcoms The Good Life and To the Manor Born: she was both convincing and funny when portraying imperious and autocratic ‘grand ladies’.” - The Telegraph (UK) (Yahoo!)
Last summer the outdoor venue on stilts in the Hudson River presented 100 performances over four months; this year’s season is offering 56 performances over six weeks. The stated reason for the change is that funder Barry Diller “wants to take programming in a different direction.” - The New York Times
“The stand-alone NBCUniversal will include Universal’s film and television studios, its growing theme parks division, the NBC and Telemundo networks, Bravo, Peacock, and the European media business, Sky. The remaining Comcast business will consist of the company’s broadband, wireless and cable television operations.” - The Wall Street Journal (MSN)
“A three-judge panel from California’s 2nd District Court of Appeal unanimously issued the decision, saying his trial judge did not violate the former movie magnate’s constitutional rights. … The decision came a day after prosecutors in New York decided Weinstein would not face a fourth trial there.” - AP
The recently released Michael Jackson movie has overtaken Oppenheimer as the highest-grossing biopic of all time, after taking $977m (£739m) at the worldwide box office. - BBC
As Claude Design catches on among Anthropic users, a generic-design aesthetic is emerging that’s as noticeable as text-based A.I. tics such as overenthusiastic em-dash usage or “not X . . . but Y” constructions. - The New Yorker
