It launched in 1996 via a city ordinance that originally earmarked 1 percent of the budget for capital improvement projects for public art. That amount was raised to 1.5 percent for the 2022-2027 bond program. - San Antonio Express (MSN)
When Leslie Smart took the helm in early 2023, the company’s existence post-COVID was in doubt. She undertook both cost-cutting and fundraising campaigns, and she ultimately raised over $18.5 million and oversaw record-breaking ticket sales; just last week she announced a $9 million investment in the company’s expansion. - Louisville Courier Journal (AOL)
Billed as Oxford’s largest and most programmatically ambitious academic project, the Schwarzman Centre yokes together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema and a museum to house the Bate Collection of historic musical instruments. - The Guardian
The Council of the European Union announced on April 23 that it is formally sanctioning Mikhail Piotrovsky, the long-time director of the State Hermitage Museum in St. Petersburg. The reasons given are that Piotrovsky is “a close associate of Vladimir Putin.” - ARTnews
The company’s operating loss for 2025 was AU$4.7 million, down from AU$6 million in 2024. Losses are due to the costs of a temporary venue change; the company’s usual home, the Ian Potter State Theatre in the Melbourne Arts Precinct, closed for renovations in March of 2024 and will reopen this October. - AAP
In the past decade, the defining trend among curators has been to shine a light on artists who were previously “overlooked.” Various groups who were once misunderstood, neglected or ignored have been excavated and exhibited — artists of color, older women artists, women of Abstract Expressionism and so on (though “overlooked” is a deprecating term). - The New York...
What of misinformation that has taken hold, and how can it be debunked? If the misinformation is not going to be widely shared, the best thing to do can simply be to ignore it. Otherwise, however, it is best to get in first, provided our own presentation is clear and sticky. - 3 Quarks Daily
“(Their) show, titled ‘Official. Unofficial. Belarus.,’ (explores) how art is ‘made, censored, and experienced under authoritarian power and constant surveillance.’ … It’s a provocative and timely subject, made more so by the fact that the Belarus Free Theatre has been in exile since 2020, following widespread protests against President Alexander Lukashenko.” - ARTnews
“Every day, patrons are being sold what they believe are valid tickets, when, in reality, they are only paying for a chance that someone may be able to secure a seat,” said John Mangum, Lyric’s general director, who was also joined by leaders of The Auditorium and Harris Theater. - WBEZ
Organizations that design their entire experience for reflection, response, and real conversation are doing something quietly radical. Not just presenting art, but shaping the conditions that allow it to actually change us. - Seattle Times
“(The Guardian) has found a lane in the U.S. news market as a progressive alternative to institutional American media, … backed by a voluntary contribution model that has attracted 700,000 supporters, 500,000 of them recurring. Reader revenue has grown 35% a year for the past two years, with a still-growing 150-person newsroom.” - The Rebooting
“That is the technical legal term for this: batshit crazy. … Legally there is no basis for removing a broadcast license because you don’t like the program. And if there is some kind of DEI claim here, I really don’t know what that would be.” - Vulture (MSN)
“The whistleblower claims that the museum improperly moved funds between various accounts in order to meet severe cash crunches. The whistleblower alleged that a former director was forced out based on trumped-up staff complaints, and that the museum failed to even interview two qualified candidates to replace him before promoting an internal candidate.” - ARTnews
“In 1944 during the German army’s retreat, the 1719 ‘Lauterbach’ Stradivari violin was looted from the Warsaw Museum in Poland. … The violin’s value is estimated at €10 million. … Now, more than 80 years later, notice has been taken of an instrument which may be the looted violin.” - The Strad
