“Stages have been brimming with large-scale and high-resolution videos, deployed not simply for scenery but also as an integrated narrative tool. It is all made possible by the growing availability, affordability and stability of the cameras, computers, projectors and surfaces that are utilized as part of today’s stage sets.” - The New York Times
“(Three publishers) have launched the biennial Poetry in Translation prize, which will award an advance of $5,000 to be shared equally between poet and translator. The winning collection will be published in the UK and Ireland by Fitzcarraldo Editions, in Australia and New Zealand by Giramondo and in North America by New Directions.” - The Guardian
“It started out to be ... (a) serious memoir project about money and what it’s like to live in a capitalist system. … But then I sat down to write a memoir and realized, ‘Oh my god, I’m going to have to read about economics.’ … I didn’t want to do all that research.” - Slate
The cellist-pianist couple, also co-artistic directors of the Chamber Music Society of Lincoln Center, founded the Silicon Valley-based summer festival in 2002 and have been its leaders ever since. They will depart after next summer’s event. - The Strad
“Faced with ongoing budget shortages and the possibility of federal funding cuts, Wisconsin Public Radio is laying off at least 15 staff members and has decided not to fill several vacant positions, while canceling four of its programs.” - Inside Radio
André de Ridder, currently music director of the opera house and orchestra in Freiburg, Germany, will start work at both ENO and NZSO in 2027. Current principal conductor Gemma New will become the NZSO’s Artistic Partner, a new position. - Limelight (Australia)
Iran’s Cultural Heritage Organization has transferred museum artifacts across the country to secure storage locations and closed museums and heritage sites until further notice, according to local reports. - ARTnews
In our classrooms, we challenge the misconception that AI tools serve merely as shortcuts, bypassing critical thinking and creativity. We don’t seek to pit human authorship against AI; rather we aim to show how the two can work together. - Education Week
Unlike traditional restoration, which permanently alters the painting, these masks can reportedly be removed whenever needed. So it's a reversible process that does not permanently change a painting. - Ars Technica
In the age of TikTok, Netflix and Candy Crush, it is not just Finland’s public libraries that are booming, but also demand for their physical paperbacks and hardbacks. Last year the average Finn visited them nine times and borrowed 15 books, resulting in the highest lending figures for 20 years.
Experts say the nation’s cultural wave, known as “Hallyu” in Korean, began in the late 1990s, when South Korean soaps started gaining popularity in China and Japan. The rise of the internet spread these exports further. - The New York Times
For now, Art Basel’s reputation for quality and importance in the art market continues to draw in more seasoned collectors, but that may change in years to come. There are questions about whether galleries need to pivot. - The Art Newspaper
More and more, our “mediating technologies” are in the business not of enhancing our own senses to encounter the world better, but in replacing authentic experience with “experiences.” - The Point
The Picasso painting, an early Blue Period portrait from the permanent collection of the Pinacoteca Agnelli in Turin, is a star attraction in the special exhibition Berthe Weill: Art Dealer of the Parisian Avant-garde. - The Art Newspaper
These residencies, usually hosted by tech labs, museums, or academic centers, offer artists access to tools, compute, and collaborators to support creative experimentation with AI. - The Verge
