Of course, a lot of us accept “good enough” AI, but … maybe we can make better choices? “An AI-curated set feels like a dessert buffet. It’s all the stuff you love, and it’s great at first, but then it gives you a stomach ache after a while.” - The Verge
“The Cultural Olympiad (can’t we go back to the friendlier Arts Festival?) is special. It is the only aspect of the Olympics that needn’t be politicized or commercialized.” - Los Angeles Times (MSN)
Thanks to a long and protracted civil ward, “the country’s archaeological sites, ancient cities, and pre-Islamic artifacts have become easy targets for looters and unscrupulous art dealers.” - ARTnews
“I really believe that Los Angeles today is what New York was in the ’50s, ’60s and ’70s, what Paris was in the turn of the century. ...This is the spot.” - The New York Times
Kier has worked with Andy Warhol, Lars von Trier, Madonna, Gus van Sant, Rainer Maria Fassbinder - and nearly everyone else. "Of his work, he estimates ‘100 movies are bad, 50 movies you can see with a glass of wine and 50 movies are good.’” - Variety
Development - driven in part by remote work and the pandemic, and also by the TV show Yellowstone, is driving development. That is “a grave threat because of how it is carving up an ecosystem that must stay relatively intact to function.” - The New York Times
"She was a performer of great intelligence, warmth and wit” who became an international star, and later built the Alvin Ailey American Dance Theater "into the most successful modern dance company in the country.” - The New York Times
“The rabbit holes and the unexpected obsessions are what’s beautiful about searching the internet; but AI, like the tech companies developing it, is obsessed with efficiency and optimization.” - The Atlantic
Sigrid Rausing: “When you’re working on a text there’s always a sense of loss when it’s done. But finishing the translation of a book by my best friend who had just died brought a much greater sense of loss, because I was no longer with her.” - The Guardian (UK)