Perhaps the greatest compliment to Wikipedia at 25 years old is the fact that, if the fascists can’t buy it, then they’re going to try to kill it. - Anil Dash
There’s a new executive director, a search for an artistic director, and of course, it’s trying to keep a 71-year-old arts institution going. - Sacramento Bee (Yahoo)
Joshua Sutherland is "the bridge between the music industry and the NFL,” he says - and he’s also in charge of promoting women’s and men’s flag football for the 2028 Olympics. - Boston Globe
The 3,000-seat Keller Auditorium is seismically challenged. Should the city rebuild it, support the new Portland State University Broadway-show-size theatre, or make a third choice? A new study says the city’s population can’t support both. - Oregon ArtsWatch
Maria Manetti Shrem’s influence is everywhere - as is her name, alongside that of her late husband. A short list: The new UC Davis fashion institute, “the Fine Arts Museums of San Francisco, San Francisco Opera, SFFilm, KQED.” - San Francisco Chronicle (Yahoo)
Graham Granger: “I saw the AI piece and it was just—as an artist myself, it was insulting to see something of such little effort alongside all these beautiful pieces in the gallery.” - The Nation
Charles Fazzino "has been the official artist for Major League Baseball’s All-Star Game for more than 20 years. He’s served a similar role for the Olympic Games, two Fifa World Cup tournaments, five Daytime Emmy Award ceremonies and the Grammy Awards.” - The Guardian (UK)
“‘You don’t get to Cowboy Carter without Candi Staton,’ the musician and podcast host Rissi Palmer said, referring to the Beyoncé album. ‘She was seamlessly Southern and soulful in a way that, historically, kept her from being celebrated as a ‘country’ artist.’” - The New York Times
Writing by hand “allows the cognition of what we're working with to actually move through the visual processes, move through the physical processes of handwriting, and it allows us to have that time to think about the content that we're writing about.” - ABC (Australia)
"Stoppard wasn’t telling a story of Nazis and gas chambers; he was exploring the psychological danger of hiding one’s Jewish identity. A month after seeing the play, I decided to fly to London in search of some of my own hidden pieces.” - The Atlantic
