“The most important thing about Marlboro, musicians say, is that it removes the pressure of performance. Ensembles are free to rehearse and study as long as they wish. … The outsize focus on study and exploration raises the question of whether Marlboro is, at heart, a festival or a school.” - The New York Times
The company, based in Glasgow, will cut short its December run of Cinders in Edinburgh, canceling Christmas-to-New-Year’s-week shows, because — especially with an upcoming 5% addition to the hotel tax — the cost of accommodation for up to 150 performers and crew is simply too high. - STV News (Scotland)
“A federal judge has approved a $1.5 billion copyright settlement in which artificial intelligence company Anthropic will pay thousands of authors about $3,000 per book after using pirated copies of their works to train its Claude chatbot.” - AP
— Jessica Morgan, currently director of New York’s Dia Art Foundation. “Morgan will need to guide the organisation through a difficult financial landscape, raise poor staff morale and grapple with fluctuating visitor numbers.” - The Guardian
“Conductor and composer Julian Wachner has agreed to plead guilty to five counts of possession of child sex abuse material and to one count of possession of cocaine after he admitted to using cryptocurrency hundreds of times to buy (such imagery). … Wachner could be facing 10 years in prison.” - OperaWire
Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. - Artnet
“The distinction between a preview and an official opening night, once a universally understood boundary, has become increasingly blurred. In an era dominated by instant social media reaction, some no longer seem to realise there is a difference at all.” - WhatsOnStage (UK)
Stabilizing a modest number of impactful, sustainable nonprofit literary organizations via large, annual gifts puts them in the best position to do what they do best—which is find great books to publish, support translations, and dream up new ways to reach readers—rather than having to spend so much time drumming up funding. - Publishing Perspectives
“One of the sad things about this story is that we did not emerge with a more active, permanent activist constituency for the arts in America. We got complacent and people were exhausted. - The Guardian
Both Emily Wilson, who published a widely acclaimed English translation of The Odyssey in 2017, and well-known professor/writer/editor Daniel Mendelsohn are glad the movie is out there and doing so well, and they praise a number of the film’s elements, but they each think Nolan missed something crucial in the original. - AP
It was debated whether coffeehouses were truly a place of creativity or frivolous laziness. Many resolved to leave the coffeehouse behind, as if it were a vice, and then failed to kick the habit. - Aeon
Chicago, where the skyscraper was born, stood between the Western frontier of violence, timber, and gold and the banking capitals of the East Coast. It was at the center of a bridgeable world and the resources that flowed through it, requiring a degree of capital consolidation the likes of which had never been seen before. - The Nation
“The data shows that the majority of kids who enroll in dance will not pursue it as a career, and 90 percent will quit in their preteen years. There’s an opportunity for dance education to rethink its approach: How do we teach kids to love dance and the skin they’re in for all stages of life?” - Dance Teacher
