Carrie Underwood, winner of American Idol in 2005, has sung the musical opener for every game of Sunday Night Football for 12 years. “Underwood gamely sings each version before her, giving NBC options when it edits the song into the version that makes the television broadcast.” - The New York Times
Riley’s “In C launched a maximal musical journey and one of the most remarkable in American music. If he was the father of Minimalism — or, more accurately, the affable uncle — he presented In C as a gift to the world, rather than a plan for action.” - Los Angeles Times (Yahoo)
“(The move) escalat(es) a bitter contract dispute just weeks before the orchestra is set to open its new season. The vote, announced Thursday, Sept. 4, allows players to walk out if talks with Symphony management fail to produce a deal. The 2025-26 season is scheduled to begin Sept. 12.” - San Francisco Chronicle (MSN)
“The contract, ratified a year before the current one expires, includes a $10,000 salary increase in the first year and at least 3% raises in subsequent years, bringing the musician base pay to $128,036 by 2030. It also introduces changes to night rehearsals, offering greater flexibility for the musicians.” - Fox 2 (St. Louis)
Director Chris Columbus: “(It) not only propels the story forward but from a narrative standpoint, he’s taking the audience’s hand and inviting them inside that world. ... Certain film scores almost keep the audience at bay, but John manages to immerse the audience in the warmth, or the terror, of the film.” - Vulture (MSN)
There is a yawning gap between Columbia’s marketing—“Let magician Terry Riley float you on his tangerine carousel into a sunshine universe you might have dreamed of once when everything was easy and colorful and innocent”—and the still-reverberant utopian spirit of the actual music, infused with the composer’s lived experience. - The New Yorker
It is a mammoth undertaking that involves about 3,500 artists; 1,000 staff members; 16 stages; and a budget of 75 million euros (about $88 million). This summer alone, there were six staged operas and four plays, featuring more than 1,500 costumes, including leopard-print hats and glittering Swarovski-covered masks. - The New York Times
The creative director post is the first major initiative by Kim Noltemy, who became L.A. Phil president and chief executive last summer, and with it she proposes a possible rethink of the very nature of how a symphony orchestra might operate in the future. - Los Angeles Times
It turns out there are arts administrators — some of them right here in California — who understand the importance of innovative creative leadership. They understand that the key to attracting audiences in both the short and long term is to offer them something exciting and different and worth their attention, rather than warmed-over retreads. - San Francisco Chronicle
In the end it comes down to a simple question. Western classical music as a living art form – do we want it or not? If not, then that is, of course, our prerogative. - Engelsberg
The 61-year-old Finn, currently Chief Conductor of the BBC Philharmonic in Manchester and the Turku Philharmonic Orchestra in Finland, takes up his post in Ottawa one year from now. He succeeds Alexander Shelley, who departs next summer. - Ottawa Citizen (Yahoo!)
The real reason that indie started to die is Spotify. As streaming supplanted downloads and album sales, it automated music discovery. Instead of reading Pitchfork or asking a record-store clerk for recommendations, more and more people began to let algorithms suggest their next obsession. This had a variety of consequences. -The Atlantic
Generative AI, with its ability to spit out seemingly unique content, has divided the music world, with musicians and industry groups complaining that recorded works are being exploited to train AI models that power song generation tools. - APNews
“Our audience globally is about 55% of what it was before the pandemic. We still have a significant audience. We reached countries across eleven time zones, but whereas we used to have over 400,000 viewers per broadcast, now we have around 200,000.” - El País (Spain) (in English)
