"Bleak subscriber numbers and the company's response have stirred a mix of angst and uncertainty among many rank-and-file workers. Some are worried that the streaming heavyweight may have hired too fast and grown complacent as subscriber growth skyrocketed in the early days of the pandemic." - Yahoo! (Los Angeles Times)
The company’s response have stirred a mix of angst and uncertainty among many rank-and-file workers. Some are worried that the streaming heavyweight may have hired too fast and grown complacent as subscriber growth skyrocketed in the early days of the pandemic. - Los Angeles Times
These days, KEXP has roughly 180,000 weekly listeners on the airwaves, 100,000 listeners online, and a YouTube channel with 2.69 million subscribers and nearly 1.4 billion views — 75% of them outside the United States. Its biggest international audience is in Mexico. - Seattle Times
That it didn't, while also not making a direct copy, is due to writers who did the right thing - they asked agents what their lives were truly like. - The Atlantic
He called it "a difference of opinion" and said production of Being Mortal, the "movie in which he was set to star was suspended because an attempt at humor had been taken amiss by a female co-star." - The New York Times
Well into its run, the indie Everything Everywhere All at Once keeps gaining audience - and its platform rollout, something impossible during the height of COVID, "are a positive indication that adult audiences will return to the big screen for the right movie." - Variety
"It’s a scenario that’s perfect for the gossip-fueled Bridgerton: Golda Rosheuvel, who plays Queen Charlotte on the Netflix series, was once told to keep her sexuality a secret. By a director who was also a lesbian." - Los Angeles Times
Happy International Workers Day to Grace and Frankie's service workers! "At restaurants, at the DMV, at big-box hardware stores, and inside delivery trucks, the end of Grace and Frankie surely means that service workers of La Jolla are breathing a sigh of relief." - Slate
"A true metaverse — one accessible by a single gateway, in which life persists even in a user's absence — doesn't yet exist. But its depiction on screen is becoming more frequent and all-encompassing." - CBC
Despite 20 years of often difficult relations, a clear recognition of the “frenemy” dynamic at play, and the reality of intensifying competition for attention, advertising, and consumers’ cash, many publishers still actively seek to collaborate with platform companies. - NiemanLab
Better and less expensive equipment, the growing festival circuit, and, most of all, the rise of streaming video have made it easier for Africans to get films made and for viewers overseas to see them. (Not to mention that Nigeria now has one of the world's largest film industries.) - CNN
What’s surprising is that content fueling viewership only comes from a small subset of TikTok’s user base—a statistic similar to YouTube. Only 33.9 percent of TikTok users publish content to the platform, compared to 69.9 percent of Instagram users who publish their own photos and videos. - Fast Company
Culture officials in Newcastle envision an event with "the same spirit, vibe and inclusivity as the Edinburgh Fringe" but including art shows, concerts, and dance as well as theatre. They're planning a pilot for August 2023, with a full-fledged festival in the summer of 2024. - The Chronicle (Newcastle-upon-Tyne, UK)
When the financial incentives of the people paying for the movies and TV shows are aligned with those of the creators, the overall system is much more cost-effective — and often the movies and TV shows are better. - The New York Times
