"(Many in the industry are ambivalent), acknowledging the power of AI to help a screenwriter overcome writer's block or an editor to skip mundane tasks, but expressing alarm about the risk of machines replacing humans or effectively forcing them to work for free." - The Guardian
"Subscribers to Fresh Air+ will also get more recent exclusives, such as unaired excerpts from recent interviews and behind-the-scenes content that pulls back the curtain on how the Peabody Institutional Award-winning interview show is made." - Inside Radio
Jesse Thorn, host/producer of the public radio show Bullseye and founder/owner of Maximum Fun, which produces several other podcasts, worried about the fate of his staff if he sold the company to a larger enterprise. So he turned it into a co-op. - Yahoo! (Los Angeles Times)
Using this data from the brain, audiences create a non-conscious edit of the film in real time – reinforcing the films’ respective stories of science-fiction dystopia and a wandering, daydreaming mind. - The Conversation
"When I'm anchoring, I never have trouble, because the NPR studio is soundproof — there's no background noise to distract you, and I wear great headphones that I can crank loud. It's harder when I'm out in the field. … So far, there has always been a workaround." - MSN (The Washington Post)
"Sylvia's wide-ranging, often hard-hitting and always rich storytelling helped NPR distinguish itself in its early years as a news organization with deep interest in the wider world. Her work helped build the foundation for what is today NPR's award-winning International Desk." - NPR
The figures suggest that Netflix is finding its footing with the new revenue stream, after having been overwhelmingly reliant on subscriber revenue for most of its history. - The Verge
Basically, "Americans simply did not want to hear about it" early on, and now? "There’s reason to be pessimistic about the risk-averse, IP-addicted studios of the 21st century dipping back into a war that it rarely bothered to engage with in the first place." - The Guardian (UK)
At SXSW, there's a lot of discussion around what AI could do for (or against) the movies. But "for all the hype, some remain skeptical, wondering how much of the excitement is venture capital-fueled froth." - Los Angeles Times
Because honestly, a lot of things went right (not including the too-frequent Cocaine Bear jokes). For one (big) thing, in a much better choice than last year, "They gave out all the awards during the telecast." - NPR
Hollywood is very, very good at pathos - the art of emotional persuasion. The goal of the newly formed Climate Action Network is to "infiltrate every part of the industry with climate knowledge," they say. It's a rough road. - The Atlantic
"The thing I love most about the movies is their ability to obliterate reason and abolish taste. You know the jump scare is coming, but you jump anyway. You suspect you should be offended by the joke, but you laugh helplessly in spite of yourself." - The New York Times
"A good title won't save an unwatchable movie. But a catchy name has potential to propel a film into the zeitgeist (see 'M3GAN'), and as a clunky one can send a film plunging into obscurity faster than you can say 'Birds of Prey and the Fantabulous Emancipation of One Harley Quinn.'" - Variety
