Music

“At over seventy minutes, [Busoni’s Piano Concerto of 1904] may be the longest concerto ever written for any instrument. It may also be the most challenging. It demands nearly superhuman stamina and virtuosity of its soloist, who plays almost continuously throughout and whose part is fiendishly difficult.” – New York Review of Books

Peter Dobrin on the 270-seat hall in the Rhoden Arts Center at the Pennsylvania Academy of the Fine Arts: “New halls take a while to settle in, and this one, which employs an extensive sound system of speakers both on stage and overhead, seems more complicated than most. On first hearing, though, it sounded awfully dry.” – The Philadelphia Inquirer

The filmmakers didn’t line up Don Shirley’s original music with Mahershala Ali’s fingers; instead, they got a Julliard-trained pianist to play it. Kris Bowers “had never heard of Don Shirley. Bowers immersed himself in Shirley’s recordings. That made him nervous. ‘I was pretty scared actually once I listened to it because of how intricate it was, how difficult it was,’ Bowers says.” But he transcribed all of the music and then listened to it repeatedly, practicing for up to nine hours a day for the part. – NPR

Not that the AI could do it alone: It “analysed the timbre, pitch and meter of the first and second movements, using this data to generate melodies replicating Schubert’s style. Huawei then employed Emmy-winning composer Lucas Cantor to arrange those melodies into a hypothetical completed Symphony No 8.” – Irish Examiner

That’s right, it’s back. Why? And who the heck is feeling nostalgia for the days when you had to clean the tape heads, carefully wind any escaped tape back with the judicious use of a pencil (or two, to hold it flat), and make extremely precise mixtapes? – The Observer (UK)

The town used to be known for casinos, and then for being “a musical retirement village,” but now it’s getting “residencies” from stars like Britney Spears and, suddenly, both Drake and Cardi B. That says something about Las Vegas, but “it also says they are at the forefront of the next stage of hip-hop’s total cultural dominance, with a Vegas residency the ultimate in infiltrating middle America.” – The Guardian (UK)

Argento was always a force apart. He belonged to no compositional school, preferring a distinctly eclectic language that appealed both intellectually and emotionally to his audiences. At a time when most of the celebrated American composers were based on either the East or West coasts, where they could work together and help promote one another’s music, Mr. Argento lived and worked in Minneapolis throughout his career, teaching composition at the University of Minnesota and working closely for many years with the director Sir Tyrone Guthrie at what became the Guthrie Theater. – Washington Post

An investigation last year found that the national broadcaster’s two orchestras, the RTÉ National Symphony Orchestra and the RTÉ Concert Orchestra, were under-utilized, underfunded, and plagued by low morale and mistrust. RTÉ National Symphony general manager Anthony Long talks with a reporter about how things got to such a pass and what’s being done to improve things. – The Journal of Music

Last May, company general director William Florescu resigned because of what the Board described as because of “violation of the Florentine Opera’s policies and prohibitions concerning sexual misconduct.” His successor, the company’s first female leader, is Maggey Oplinger, currently director of community partnerships at the Milwaukee Symphony. – Milwaukee Journal Sentinel

The Federal Trade Commission held an entire hearing in 1937 to evaluate the Hammond’s sonority. The Commission sought to determine whether a series of advertising claims about the Hammond’s timbre were “deceptive, misleading and false.” Though many of the hearing’s participants believed their testimony would go down in history as an important reckoning of what constituted “real” and “good” musical sound, the affair is largely forgotten today. What the hearing does offer is an unusually detailed record of contemporaneous arguments over the quality and value of a new electronic sound. – New Music Box

Robert Massey comes to Louisville from the Jacksonville Symphony and previously held executive positions at Orchestra Iowa and the Washington Bach Consort. – Insider Louisville

It was played at the funerals of Einstein and FDR; TV and radio stations played it after JFK was shot; it’s been used to signify sadness in numerous films; orchestras added it to their concerts after 9/11. Then the electronica DJs got hold of it, and the remixes went over surprisingly well on the dance floor. – NPR

“Should metal stay dangerous and controversial and offensive? Is it censorship to deny bands a platform for their genocidal views? Is it curtailing their free speech to make it harder for a band to get booked or get signed versus at what point does it become critical to keep these dangerous Fascist elements out of our scene? At what point is that record worth so much to you that you would buy it knowing that you were actively contributing to something that is harming other people?” – The New Yorker

The most famous of collegiate a cappella groups, the Whiffenpoofs were an all-male outfit until a decision last year to choose singers based on voice range (still tenor, baritone, and bass) rather than gender. So the Whiffenpoofs line-up for 2018-29 includes tenor Sofia Campoamor. – The Washington Post

The orchestra’s board launched an investigation into conductor Matthew Savery after 14 people, including musicians, former staffers, and board members, sent a letter complaining of both a hostile work environment and a shrinking donor base caused by Savery’s alleged bullying and verbal harassment. – Bozeman Daily Chronicle

Anne Midgette: “There’s a big gap between the way classical music is introduced to lay listeners and the way musicians experience it. We tend to offer classical music to audiences like a history lesson, in explanations studded with names and dates that are useful enough as context but that don’t really get to the heart of what you hear. Musicians, however, experience it differently. So I went in search of a new view of the Emperor Concerto by talking to some of the artists who have played it recently, and although I’ve heard it dozens of times, I learned more than I ever dreamed I was missing.” – Washington Post

In Cremona, where the mayor doubles as the president of the Antonio Stradivarius Violin Museum Foundation, sound engineers were trying to record every note a Strad could make, and every transition between every note. But a town of 70,000 people can be noisy, so the mayor “asked the people of Cremona to please keep it down, and blocked traffic around the concert hall during recordings.” – NPR

The chairman of the board also happens to be New York City Opera’s biggest benefactor. And: “Its board is down to a mere three members. It has largely spent the more than $5 million in bequests it received after emerging from bankruptcy, and its modest endowment is shrinking. The company’s most recent financial report notes that its difficulties ‘raise substantial doubt about New York City Opera, Inc.’s ability to continue as a going concern.'” – The New York Times

The original advertising campaigns for the theremin included it as a home music-making instrument. “This campaign primarily targeted middle and upper-class white women, a demographic frequently associated with (and compelled to take on) domestic music-making and most likely to select music technology purchased for the home.” – NewMusicBox

The Composer’s music moves people, and he is not characterized in the book as necessarily a bad person; he meets with every fan who stays after the concert to chat with him, and he knows his work provides comfort to people going through the hard years after September 11. And his CDs are his own compositions. It’s just that if you were to pay to see a performance by the Composer’s ensemble, it might not necessarily be a “live” rendition by the musicians on the stage in front of you. – New York Magazine

Ashley Magnus: “Right now, we’re in a golden era of American opera. Significantly more operas have been written in the US between 1997 and the present than in the 100 years prior. I would love for people to take risks and support new opera the way that they support exciting new projects in other art forms.” – WFMT

“In fact I have the show to thank for discovering electrical muscle stimulation (EMS), which uses electric current to amplify your workout and actually builds muscles much faster than I could on my own. I liked it so much that I gathered investors and started one of the first EMS companies in America (seriously).” – The Guardian

“Chicago Symphony Orchestra musicians voted on Wednesday evening to authorize a strike that would begin on March 10, if contract negotiations are not resolved. … At issue are pension, health care and salary.” – Chicago Tribune

“A landmark pay-discrimination lawsuit filed by the Boston Symphony Orchestra’s star flutist, Elizabeth Rowe, has been settled out of court after successful mediation between the two sides. ‘While the details of the resolution are confidential, all those involved in the process are satisfied with the result,’ according to a joint statement from the BSO and Rowe issued by the orchestra Thursday afternoon.” – Berkshire Eagle (Pittsfield, MA)