I’ve spent roughly 20 years in the Australian extreme metal scene – clubs, festivals, support slots with bands like Napalm Death, Psycroptic and Gorguts – and I can tell you this: the industry isn’t just tough. It’s quietly chewing up the people who keep it alive. - GuitarWorld
What’s too often missing for Tines in opera and classical music is an investigation into why treasured artworks remain valuable and what they may say today. What he’s not interested in, he concludes with a knowing cackle, is being “slapped into someone’s production of Don Giovanni. - The Guardian
“Conservatory-trained musicians are expected to execute written texts flawlessly while sounding convincingly fluid and expressive. Loosening inhibition can seem like a solution to both anxiety and excessive rigidity. But alcohol is a blunt tool.” - The New York Times
Alabama had no professional recording studios before a man named Rick Hall created FAME. Then the town became songwriting and recording central. “They were like, well, we can work in the aluminum factory, or we can find a way to make a hit record. I know which is more fun.” - NPR
“Every night, I would sit in my room listening to recordings of Bach, then Horowitz and Ashkenazy, pretending to play along. It was pure escape, pure fantasy. I could hide inside the music. ... The Chaconne specifically was like an ancient key that slid into my heart.” - The Guardian (UK)
“After Bad Bunny said ‘God bless America’ in English, he added in Spanish, ‘Be it Chile, Argentina … ' and the countries of Latin America, suggesting he meant America broadly, not only the United States. (He also said ‘United States’ and ‘Canada’ in English.)” - The New York Times
“I was left with a feeling of tremendous shame. Even after gathering the courage to speak up, I was ashamed that I was a victim, ashamed that I was unable to stop it. Ashamed that even after finally speaking up, I was disregarded, ignored, discarded.” - Toronto Star
Concert promoter and former city councilman Martin Ludlow always wondered why a city full of excellent musicians had no equivalent of the big jazzfests in New Orleans, Montreux, and Montreal. So, starting this August, he’s putting on the LA Jazz Festival, hoping to draw 250,000 fans over 25 days. - Los Angeles Times (Yahoo!)
In fiscal year 2025, earned revenue (ticket sales, hall rentals, concessions) reached a record high of $12.1 million. Orchestra Hall reached 82% paid capacity, up almost nine points. Nevertheless, the season ended with a $4.2 million operating loss, compared with a $3.8 million deficit the previous fiscal year. - Twin Cities Pioneer Press
What distinguishes Streets of Minneapolis is not just its fidelity to the tradition of the protest song, but its mode of circulation as a rapid response in the digital age. - The Conversation
Dudamel is the outgoing music director of the Los Angeles Philharmonic; Hindoyan is the incoming music director of Los Angeles Opera; they have known each other since their youth in Venezuela. “His advice was,” said Hindoyan, “L.A. will follow your imagination ... push boundaries. L.A. will follow.” - Los Angeles Times (Yahoo!)
Elfriede Jelinek, winner of the 2004 Nobel Prize for Literature, and composer Olga Neuwirth, who received the 2022 Grawemeyer Award, have created Monster’s Paradise — now premiering at the Hamburg Opera — with an Ubu-like President-King who looks very familiar and gets eaten by the monster Gorgonzilla. (Yes, there are also zombies and vampires.) - AP
The specific outrages Lincoln recounts—lynchings, burnings, mob executions—belong to his era. But his insight is structural. The deepest danger of mob law, Lincoln explains, lies not in the immediate violence but in the example it sets. - The New Republic
The orchestra’s board chair and executive director told musicians and staff that they would remain employed, that the Kennedy Center would maintain its funding of the NSO, and that the Center is contractually obligated to find the orchestra a new venue. But where and when? - The Washington Post (MSN)
