TV networks spend about $100 million a year in developing pilots for series. Only a small number get to the schedule. Even fewer become ratings successes. So there’s an awful lot of very weird failed pilots out there… – Tedium
Media
Wouldn’t It Have Made More Sense For Netflix To Just Buy Sony Pictures Outright?
Last week the video-rental-service-turned-streaming-giant paid an estimated $1 billion for five-year exclusive U.S. rights to Sony’s theatrical releases and right of first refusal for the studio’s direct-to-streaming productions. If Netflix is going to spend that kind of money, shouldn’t it have just bought Sony outright? It’s what many people expected, and all the other major Hollywood studios have been gobbled up by other corporate giants. Josef Adalian explains why a purchase might have made sense for Netflix five or six years ago but not now. – Vulture
TV Viewing Down? Networks Protest Nielsen Data
Through the trade group Video Advertising Bureau, the networks are perplexed by Nielsen statistics that show the percentage of Americans who watched their televisions at least some time during the week declined from 92% in 2019 to 87% so far this year. – Toronto Star (AP)
In The Netflix Era Does It Make Sense To Classify Movies?
Censorship ain’t what it used to be, including in Ireland. Here, as elsewhere, it’s been replaced by a different C-word. The last Irish film censor, John Kelleher, was instrumental in seeing through legislative reform which in 2008 renamed and redefined his office: he was now a Classifier of films. As a result, the curtain was finally lowered on a long, shameful history of repression, philistinism and bowdlerisation that dated back to the very beginnings of the independent Irish state. – Irish Times
One Of The Movie Theater Chains That’s Closing Also Owns Cinerama Technology. What Happens To That Now?
“Pacific Theatres announced on Monday that it would close all of its locations, which include the ArcLight Hollywood and the historic Cinerama Dome. Not as well known is that the theater chain also owns the Cinerama technology. The three-camera filming technique was introduced in 1952 in response to the rise of television, and was virtually obsolete by the time the Cinerama Dome opened on Sunset Boulevard in November 1963.” But there are still some movies made with the technique extant — what will become of them? Perhaps the leading current expert on Cinerama explains. – Variety
How A Gentle Little Movie By One Of Pakistan’s Favorite Directors Got Banned For Blasphemy That Isn’t There
Novelist Mohammed Hanif (A Case of Exploding Mangoes) writes about the strange case of Sarmad Khoosat’s film Zindagi Tamasha (“Circus of Life”), which has won multiple prizes at international festivals, was cleared by three Pakistani boards of censors, made the country’s official entry for the Best International Film Oscar, glommed onto as a political football by people who hadn’t seen it, protested by enormous mobs who knew nothing about it, uncleared by those same boards of censors, and then re-cleared. The movie still hasn’t been shown there. – The New York Times
How Endorsements Took Over Celebrity Culture
“The celebrity endorsement is a three-way relationship connecting the star, the product and us, and the internet has worked to draw all of its participants closer and closer together. We’re all mingling on the same platforms, our photos pinned to the same timelines. Social media influencers have narrowed the distinction between celebrities’ claims to fame and their ability to exploit that through sales: Influencers’ notoriety is itself derived from their facility at moving product.” – The New York Times
Univision And Televisa Sign Merger To Create Spanish-Language Media Giant
Univision, the largest producer of Spanish-language in the United States, and Televisa, Mexico’s largest media conglomerate (and one of the world’s biggest single producers of broadcast material in any language) will combine their content operations to form Televisa-Univision, which could become the dominant media force in the entire Hispanophone world. – Variety
One Of Australia’s Most Popular Soap Operas Roiled By Accusations Of On-Set Racism
Neighbours, which has been running in Australia since 1985 and is one of the country’s most successful TV shows internationally, has had two indigenous cast members and one of Indian descent publicly describe some brazen behavior from fellow cast and crew members, including one incident where an actor compared the Indian-Australian colleague to a bobblehead doll. – The Guardian
What The Closing Of The Arclight Theatres Means For Movie Theatres
The truth is, the cinema experience as we know it, is likely doomed. While it isn’t going to disappear entirely, it will become a “nice to have” option for the populace, versus the “must have” it was through much of the 20th century. Look forward to much more expensive tickets and far fewer movie houses, more like what happened with live theater and Broadway. – Forbes
Awards Shows Used To Be Ratings Gold. Now They Struggle
The Emmy Awards — already in a ratings tailspin in recent years as it no longer celebrates mass-appeal hits — showed how far audience levels can drop, sinking 9% to 6.1 million viewers Sept. 20. Other shows, such as the American Music Awards, the Country Music Assn. Awards and the Billboard Music Awards, hit all-time lows as well. – Los Angeles Times
Two Beloved California Movie Theatre Chains To Close
ArcLight’s stable includes the prized Cinerama Dome Hollywood. The Dome, built in 1963 by Pacific Theatres’ parent company the Decurion Corp., is the crown jewel of the small theater complex that was later reconstructed in the early 2000s. Throughout the decades, the Dome, in particular, has been a favorite site place to stage premieres — it timed its opening to the global launch of It’s a Mad, Mad, Mad, Mad World — and is beloved among many cinephiles. – The Hollywood Reporter
Nature Documentaries Are A Lot More Like Porn Than You’d Like To Think
It’s not just that they’re wildly popular and can be addictive. It’s because nature documentaries have at least as much artifice as any studio-produced adult video and maybe more. (“Are these seabirds supposed to be majestic or comical as they enact their mating dance? The music tells us. Whom are we to root for in this interaction of predator and prey? Listen for the menacing strings.”) Emma Maris argues that “the solution to the way [nature docs] might warp our expectations is the same as it is for porn — not to ban them, but to diversify them.” – The Atlantic
The Surrealists Would Have Loved TikTok
In fact, reporter Angela Watercutter compares the 15-second-video service old Surrealist game Exquisite Corpse: “The platform, thanks to its duetting and stitching functions, automates a lot of what the Surrealists were doing. It’ not exactly an exquisite corpse, since TikTok records the entire genealogy of any given work, and there is a want for continuity with what others have contributed before. But there is a similar spirit of spontaneous collaboration, and a kindred quest for the absurd.” – Wired
And Now: Virtual DJ’s Powered By AI
“Virtual entertainment is the new cultural center of gravity,” Authentic Artists founder and CEO Chris McGarry told Protocol. Authentic Artists has developed a dozen such virtual DJs thus far, and is powering their performances with a custom-built AI music engine that uses a catalog of 130,000 MIDI files to generate performances in real time. The resulting music is being fed into the company’s animation pipeline, and there’s a feedback mechanism for Twitch audiences to change the course of a set. – Protocol
Hot Off The Press — How The Sacramento History Museum Became A TikTok Star
Museum docent Howard Hatch started making short videos of him working an old printing press. Soon the museum had more than a million followers on TikTok – WESH (Sacramento)
The British TV-Watching Public Complained A Lot About An Excess In Coverage Of Prince Philip’s Death
As a matter of fact, there were so many complaints about the bump in programming for special coverage of the Duke of Edinburgh’s death that the BBC had to set up an whole new temporary complaint page. And it wasn’t just the main channel. “BBC Radio 4 and Radio 5 Live also aired special programming charting Prince Philip’s life, while BBC Four was paused and displayed a message directing viewers to switch over for a “major news report”. – BBC
The MTV Show ‘The Real World’ Jump-Started Reality TV As We Know It, But At A Huge Cost
In 1992, television wasn’t all about the latest competition or race or humiliation reported to the camera. So when The Real World started, it was a shock. Perhaps not as much of a shock – but a choice that has echoed for nearly three decades – is the way the show framed Black cast members. “The show often sacrificed nuance in favor of drama when framing the Black castmates for the network’s predominantly white audience.” – BuzzFeed
The Messy, Low-Budget, Rediscovered Late Soviet Era Lord Of The Rings
The 1991 project was believed to be lost. “But after Tolkien fan clubs urged the broadcaster [Channel Five] to scour the archives of its Soviet predecessor, Leningrad Television, workers for Channel Five managed to find the footage last year” – and to put it online for all of us to enjoy in late March. – The New York Times
BAFTA Wins Include A Fair Number Of Surprises
Chloé Zhao won another directing award for Nomadland, which also won best film on the second night of the mostly online awards. Anthony Hopkins was a surprising win for The Father; at 83, he’s the oldest male actor to win a BAFTA. Promising Young Woman and Emerald Fennell also came in for surprising wins, and Youn Yuh-jung’s win for Minari capped a late surge for the actor. – The Guardian (UK)
Chloe Zhao Wins Director’s Guild Honor, Cementing Her Status As Presumptive Oscar Favorite
Zhao, director of Nomadland, is the first woman of color and only the second woman ever to win the DGA award. Though director David Fincher didn’t win for Mank, he had a great line: “Directing … is a bit like trying to paint a watercolor from four blocks away through a telescope, over a walkie-talkie, and 85 people are holding the brush.” – The New York Times
New Guidelines Suggest Actors Set Nudity Boundaries Before Filming
To keep actors safe – and, of course, to cover their own liability – some productions are now employing intimacy coordinators. But contracts can go farther, and the #TimesUp group has suggested that “a so-called ‘nudity rider’ or ‘simulated sex waiver’ should be in place before filming begins.” – BBC
So You Want To Be In The Movies
The easiest part of being an extra, ahem, a background artist, is that you just have to be there. “Being an extra requires no experience, no acting talent and no talking.” – Los Angeles Times
We’re Living In A Golden Age For Documentaries, But They Have To Drop Their Cheesy Re-enactments
The rush of documentaries – they are cheaper to make, and especially if they’re true crime, there’s a willing and eager audience – has some aesthetic issues. “Cornball fuzzy re-creations lack credibility. … It doesn’t have to be like this. Plenty of recent shows and movies have made compelling artistic choices that enliven the storytelling.” – The New York Times
The Show Wynonna Earp Came At A Dark Time For Queer Women On TV, And It Bucked A Bad Trend
In 2016, 25 queer women characters on TV died on scripted TV and streaming shows. But Wynonna Earp promised to be different. With the choices the writers’ room and showrunner made, viewers saw “an acknowledgement of — and a direct rebuke to — a hurtful trope.” They rewarded the producer with trust and increased interest. – Los Angeles Times