"The dance video, in which the blue balloons stood in for ions, depicted how Checkers Marshall's Ph.D. work aims to make metal-organic frameworks smaller, more effective, and more useful for other applications, from water filtration to nerve agent detoxification." - Science
“A lot of the time when I’m working, I come up against a lot of imposed judgements of ‘you’re a wheelchair-user so you can only do this’. And I think having a cast that is all wheelchair users is going to be a big statement.” - The Guardian
'His mythic status as a dancer and revolutionary choreographer has overshadowed her much longer, more productive career. Nijinsky, whose artistic life was cut short by mental illness at 29, composed four ballets. … Nijinska made over 60. But only three of hers survive in full." - The New York Times
"The new boss of English National Ballet wants to ditch the stereotypical image of super-skinny dancers and see 'all' body types on stage." - The Times (UK)
"This year's cohort spanned five artists at different career stages ... whose movement styles encompass contemporary dance, classical ballet, tango and hip-hop. ... (The five got) studio time, a cast of two or three from ABT's corps and apprentice ranks, choreographic coaching — and complete artistic freedom to create a 5-to-10-minute work." - Dance Magazine
The world that Balanchine created for himself—one that moved from woman to woman, muse to muse—was itself a form of ronde. Come June 23, 1977, when the choreographer was seventy-three years old, he premiered a ballet that could have taken that line from Ophüls. “We’re in Vienna. It’s 1900.” - New Criterion
"Launched in 2018, danceLogic blends the two to introduce girls to coding and STEAM (science, technology, engineering, arts and mathematics). The Philadelphia-based program is the brainchild of Franklyn Athias, a retired Comcast executive, and (arts nonprofit executive) Betty Lindley." - Dance Magazine
"Though complicated and sometimes fraught, these transformations can feel organic: They apply the ideals of creative practice to administrative practice. ... Not all dancers want to supplement exhausting rehearsal schedules with leadership responsibilities. But for those weary of inhabiting the performer-as-obedient-vessel cliché, that level of involvement can be refreshing." - The New York Times
"From all-female sides to youth teams and an appearance at the Brit awards, photographer Rachel Adams has been chronicling England's oldest surviving rural tradition, and seeing how it has found a place in 21st-century Britain." - The Guardian
"The whole process of becoming a dancer was deeply embodied: We learned not by sitting and reading but by imitating, trying, falling, adjusting, trying again. We understood the body through luscious metaphors." - The Atlantic
"We smile while bearing the full weight of our body en pointe for hours. 'Blood builds character, one of my teachers said. ... Yet ballet isn’t training to endure sustained agony in the body alone; it is also training to endure it in the mind." - The Nation
"The Nederlands Dans Theater has decided to suspend its collaboration with disgraced choreographer Marco Goecke. Earlier this month, (he) smeared dog feces in the face of a critic ... while in the foyer of the Hanover State Theatre after lashing out about a review." - NL Times (The Netherlands)
"We have ranked the Largest 50 U.S. ballet companies based on their equity score. ... Included are DDP's 'Best of' Awards for companies in specific categories, as well as several Honorable Mentions for companies who have created opportunities for full-length premieres by female choreographers." - Dance Data Project
"In the dance industry, where gigs are often underpaid or unpaid, and where most performers string together many opportunities over the course of a year, the lack of wage transparency can be particularly fraught." (E.g., learning only after accepting a job that you won't be paid for rehearsals.) - Dance Magazine
"André Lewis, 68, has been (at the company) for nearly 50 years, first as student, then as company dancer, then as artistic director and CEO. ... In the spring of 2025, Lewis will step down from his position at the RWB after nearly 30 years at its artistic helm." - Winnipeg Free Press
