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Useful Idiots, Harmless Kitsch, and Nonprofit Arts Organizations Doing the Right Thing, No Matter What (Part Two)

A two-part column about you, your nonprofit arts company, and the power of your choices You have no idea what ...

Alex Laing talks about the impact of the Gateways Spring Festival

Alex Laing, President & Artistic Director of the Gateways Music Festival and 2018 recipient of the Sphinx Medal of Excellence, shares the breadth and impact of their upcoming Spring Festival.

Performing Arts “Crossover” Strategies Fail to Diversify Core Audiences, According to New Report

“Organizations should frankly assess whether they seek to expand audiences or whether they seek to expand audiences strictly for their artistic priorities, because these can be in tension. Organizations can choose to do either or both but should not conflate the two.”  — Francie Ostrower, PhD, In Search of a Magic Bullet: Results from the Building Audiences for Sustainability Initiative Barely a page...

On Bravery, with Stefanie Londino

Katie checks in with actor (National Tours of A Bronx Tale, Fiddler on the Roof, and Annie) and musician (West Side Waltz, The Voxies), Stefanie Londino.

The Chicago Symphony Lands Klaus Makela

It’s now official: Klaus Makela will become the next music director of the Chicago Symphony Orchestra, beginning in 2027-2028. He’ll

Now Available (Almost) WorldwideLondon Literary Critic Calls Them ‘Dark Diamonds’

'These poems are free sonnets of experience that even Blake would favor. They are tears for the tongue to be savoured once tasted, and like a drop for the eye, ear, or mind, they restore perception to its rightful place. They are dark diamonds.' — David Erdos, MÜ Magazine, London

Useful Idiots, Harmless Kitsch, and Nonprofit Arts Organizations Doing the Right Thing, No Matter What (Part One)

A two-part column about you, your nonprofit arts company, and the power of your choices You’ll never be this person. ...

A Framework for Thinking about Disruption of the Arts by AI

What would a strategy for the arts sector be for anticipating artificial intelligence, if consensus seems to be it will change everything?

Charles Grode talks about the importance of accessibility in programming

Charlie Grode, President & Executive Director, Merit School of Music, shares their commitment to accessibility and its impact across the breadth of their programming.

Mulling Salonen’s Resignation — Take Three: Harvey Lichtenstein and BAM

Harvey LIchtenstein (1929-2017) Here are a couple of responses to my latest blog, mulling Esa-Pekka Salonen’s resignation as music director of

What Kind of Room Do I Want to Lead? with Ellenore Scott

Katie explores artistry and leadership with choreographer and director (Funny Girl, Grey House, and Mr. Saturday Night on Broadway; Little Shop, Titanique, Black Exhibition, and more Off-Broadway), Ellenore Scott.

The Con Is On – Raising Emergency Money at the Expense of Everyone Else Is Not a Heroic Act

Especially when you leave the premises just before the devastation and claim victory That sucking sound you’re hearing is money ...

Dumb and dumber

Hard to believe, but the English National Opera posted a bio of Richard Strauss, in which they said Johann Strauss was his father: “Richard Strauss (1864-1949) was one of the most highly acclaimed composers of the 20th century. He was a leading representative of the German school of Romantic composers who set new standards for orchestration and tone colour in...

Eduardo Delgado talks about using evolving technologies in the arts

Eduardo Delgado, Public Programs Director of the New World Symphony, shares how they use evolving technology to implement their artistic vision of connecting with community.

Quick Study: NEA Chair in Conversation with U.S. Census Bureau Chief

In this special edition, I interview National Endowment for the Arts Chair Maria Rosario Jackson and U.S. Census Bureau Director Robert Santos about the mutually reinforcing roles of the arts and the social sciences, and about artists’ contributions to trust-building and community engagement. A transcript is available here.

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