In a recent post comparing the White House’s proposed “compact” with universities to the situation facing the nonprofit arts in the United States, I wrote:
The administration’s interventions into the Kennedy Center and the Smithsonian museums have received a lot of press, and these “anti-woke” interventions have a lot in common with the Compact. But you might have noticed, we don’t really...
What can arts organizations learn from a runner content creator?How to build connection and trust. Today’s audiences invest in process and personality, not polish—and that shift could change everything for the performing arts.
Ahmed Anzaldua, Artistic Director of Border Crossing, talks about their commitment to impacting audiences through their programming of Latin American classical music.
Christine Taylor Conda, Executive Director of Education and Community Engagement at Ravinia, talks about the unique impact of their One Score, One Chicago program.
The journal H-Diplo Review, addressing scholars of diplomacy, foreign relations, and international history, has graciously published a little something I
John Richmond, Dean of the College of Music of the University of North Texas, shares strategies of balancing innovation and tradition that embody excellence transforming pathways into the arts.
