Tonight marks the 14th anniversary of Carl Weissner's departure. He left us unexpectedly in the late hours of Jan. 23, 2012 or in the hours before dawn on Jan. 24. His absence has not diminished among his friends, though the date of his death has grown more distant.
This past week I’ve been sent different, interesting takes on the state of cultural policy research. My friend James Doeser, who is very smart about these things, has a short post “The crisis of cultural policy in the 21st century” that is well worth your time. Friends and former colleagues
The following article is an abridged adaptation of my January 22 NPR report on recent developments in government and the arts — at the NEA, the NEH, and the Kennedy Center — under President Donald J. Trump. I write: “The arts sector feels invaded by aliens. The incursion is so
For readers familiar with his work, it will come as no surprise that Swiss novelist Christoph Keller's prose in English, an adopted language, has the idiomatic flare of a native speaker. Nor is it a surprise that much of his latest novel is again set in downtown Manhattan, where he
The fear and concern are real. The issues are real. But we're trying to conjure up rules for 21st Century technologies with a 20th-Century vocabulary that's ill-equipped for the job.
Neil Barclay, President & CEO of the Charles H. Wright Museum of African American History, talks the evolving landscape for BIPOC organizations and avenues for sustainability.
My forthcoming novel, The Disciple: A Wagnerian Tale of the Gilded Age, may be my best book. A prequel to The Marriage: The Mahlers in New York (2023), it’s already available via pre-order. (And if you order both books, you get a discount.) My story tracks the prodigious American impact
In the midst of a lot of other news in his first 8 days in office….funding for child care for all, reactions to tragedy, responding to threats from the federal government, and more, new New York City Mayor Zohran Mamdani made ‘arts for all’ a priority. On Friday, he joined with the producers of the
A couple of my recent blogs – here and here — have saluted John Luther Adams as “among the most esteemed present-day American composers for orchestra. . . . Encountering Adams’s Become Ocean on a 21st-century symphonic program is so fundamentally enthralling that it risks cliché. It is the proverbial oasis in the
In the evolving world of AI, marketing is moving from getting messages out to engaging in dialog with the consumer. Messages get lost in the Sea of Messages. Persuasion asks what you're interested in first and engages you in opportunities.
I cannot think of a better conversationalist about music, and about the state of things musical today, than the conductor Kenneth Woods. Ken is an American based in the UK, where he conducts the English Symphony Orchestra in Worcester and resides in Wales. He programs bravely and insightfully. He presides
