Neil Barclay, President & CEO of the Charles H. Wright Museum of African American History, talks the evolving landscape for BIPOC organizations and avenues for sustainability.
Viewing these collages, you can feel your mind straining to integrate the images or to suspend the boundaries between the two. But you are immediately rewarded for your efforts, and the effect gets very close to Rimbaud's "systematic derangement of the senses." — Mark Terrill
My friends Joanna Woronkowicz and Doug Noonan have started a new venture, Arts Analytics, where they hope to bring more extensive, and shared, use of data into arts policy thinking, and also to spur discussion.
A recent post of theirs asked what is actually an old question in the arts policy world: if we are going to subsidize the arts,...
Throughout the digital age, Big Tech has promised us products that will make us more efficient and save time, which, it is assumed, is always an obvious good. It’s a cliché that tools shape the things we make. And through most of our history, better tools have helped us create better things. But what if this isn’t always true?
Camille Delaney-McNeil, Director of the Los Angeles Philharmonic’s Beckmen YOLA Center, shares their innovative approach to bring transformative impact to their community.
Erin Harkey, CEO of Americans for the Arts, shares the critical role that the arts play in society and actions everyone can take to advocate for their public support.
Opera Philadelphia's $11 ticket prices produced what we expect: increased attendance and more diverse audience. But audience perceptions about price aren't fixed.
Stephanie Shonekan, Ethnomusicologist and Dean of the College of Arts and Humanities at the University of Maryland, talks about the value of arts and humanities in a modern world.
