The field of scientific art conservation is not a crowded one; James Martin, who set up the first for-profit art lab in the US, has been consulted in nearly every major fraud case in the past 25 years, often working alongside the FBI or other investigators. When he is described as the premier forensic detective working in art today, the accolade comes not only from people such as John Cahill, a New York lawyer who has managed dozens of art transactions, and who called Martin “hands-down the best in the business,” but also from those on the other side of the fence, so to speak.
Everybody talked to Studs. Tennessee Williams, Luciano Pavarotti, Aaron Copland, Leonard Bernstein, Paul Robeson, Lotte Lehmann, Georg Solti, Elisabeth Schwarzkopf, Jon Vickers, and Buckminster Fuller come to mind among those gone now but were in their prime when they sat with him at WFMT. By the time Studs left the station in 1997, he had amassed more than 5,600 reel-to-reel interviews and mixdowns filled with insights he teased out of his guests from 45 years behind the mic.
To some theater veterans, the success of “Potter” — a 5½ hour extravaganza set in the world of a Hollywood mega-franchise — is cause for concern. Is this, they wonder, what it takes to make it here now? Shows based on known properties are mounting an offensive on the New York stage. And some in this old guard worry a sacred American institution — and a time-honored way of doing business — is becoming endangered.
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What Makes a Great Opera Singer?
>AJBlog: OperaSleuth Published 2015-08-24
The Stone Residency: Harris Eisenstadt’s rhythm/melody feast
AJBlog: Jazz Beyond Jazz Published 2015-08-24
Another Happy New Year
AJBlog: Infinite Curves Published 2015-08-24
Jazz images Made in Chicago: PoKempner sees Steve Coleman, Greg Ward & Onye Ozuzu, Gary Bartz and more
AJBlog: Jazz Beyond Jazz Published 2015-08-23
“Sony Pictures is planning a film adaptation of the Broadway musical … Tom Hanks and his producing partner Gary Goetzman will produce through their Playtone banner along with Paul Blake, the lead producer on Broadway.”
David Cronenberg, on one ickily Cronenbergian moment in his Maps to the Stars: “That scene definitely freaked out several actresses. With Julie it wasn’t even a discussion.”
Laurie Spiegel: “I was playing music, I was improvising, I was making stuff up, and at a certain point I wanted to learn to write things down so I wouldn’t forget them. So I started trying to teach myself to write stuff down. One of my roommates in the house that I lived in pointed out to me that they call that composing. You make things up and write them down.”
Bergen was 84. According to critic Rex Reed, “Bergen was a legendary ‘A-list, New York Oscar party host’ — he remembers watching the Oscars one year on Bergen’s bed while sitting in between Paul Newman and Lucille Ball — but Bergen was even more passionate about women’s rights.”
“Projections of ever-longer life spans assume no incredible medical discoveries—rather, that the escalator ride simply continues. If anti-aging drugs or genetic therapies are found, the climb could accelerate. Centenarians may become the norm, rather than rarities who generate a headline in the local newspaper.”
“The Nashville Ballet is embarking on an unprecedented public fundraising campaign to finance an expansion project to grow studio space, renovate its Sylvan Heights headquarters and dramatically increase the number of students.” The campaign, called ELEVATE, “has already raised $3.7 million out of its goal of $5.5 million.”
Fans of the bestselling author/public radio legend will know that he is obsessed with picking up the litter along the roadsides near his West Sussex home. Now the local council has honored him in the most fitting way possible.
“To the extent that anyone can articulate a sense of aesthetics for this new landscape, it’s all very superficial: It should twinkle at night, bustle by day, have some nice green things here and there, and mainly not impose very much on our eyes or mind. The new Silver Line stations do all of that, and they do it well.”
“The big ratings swings perplexed industry leaders and analysts. The correction in audience share raised questions about how just two families in Nielsen’s audience pool of 2,700 Los Angeles-area families could have such an enormous effect on the ratings.”
Does theatre make you happy?
AJBlog: For What it’s Worth | Published 2014-05-08
Revenge On Germany: Bern Museum To Get Gurlitt’s Trove
AJBlog: Real Clear Arts | Published 2014-05-08
The Struggle of Creative Professionals, and a Gay Bookstore Down
AJBlog: CultureCrash | Published 2014-05-08
Italian reports: Pereira is safe at La Scala but on a yellow card
AJBlog: Slipped Disc | Published 2014-05-08
“By now, Cultural Studies has infiltrated nearly every corner of the humanities and social sciences, and so a generation of educated, internet-addicted music listeners has spent their formative university years questioning the primacy of their own tastes and interrogating bricolage in early-nineties hip hop.”
Breaking News: Disgusting Developments In Detroit
AJBlog: Real Clear Arts | Published 2014-04-09
In Favor of Genetically Modified Organizations
AJBlog: Audience Wanted | Published 2014-04-09
AJBlog: Engaging Matters | Published 2014-04-09
German opera chief quits over 3m cuts
AJBlog: Slipped Disc | Published 2014-04-09
“The federal agency reports that, in 2013, 2.1 million workers had, as their primary occupation, a job that fell into the “artist” category (including musician, writer, and designer). Another 271,000 or so reported their second job—the one where they put in fewer hours than their main job—fit that description.”
“Why do these thinkers’ personal lives and ideological compromises seem unusually relevant to their work, beyond the usual scandal-sheet Schadenfreude? It may have something to do with their distinctive views regarding the relevance (or, rather, irrelevance) of character and personality to the objects of their study.”
“If you want to see intelligent, comprehensive coverage of the arts – features and reviews alike – then you’ve got to start clicking. Journalism is well on its way to being a numbers game for most outlets.”
“While small clubs such as the Smell have long drawn adventurous young punks and Disney Hall gets an older classical crowd, these new spaces signal an audience of young residents for whom music is part of an urbane, walkable lifestyle.”
The company’s music director, still in his first season back after a two-year sick leave, will double his conducting load next season as his health continues to rebound. Also, the Met will stage a major contemporary opera that caused some ferocious public battles not all that long ago.
“In an attempt to liberate Facebook from ‘photos of lunch,’ that circa-2009 shorthand for all things annoying and self-promotional on the Internet, Facebook ‘occupiers’ are actually engaging in the exact same behavior — posting self-indulgent poems or images to show off how sophisticated they are.”
“While ‘American Hustle’ and ‘The Wolf of Wall Street’ have the kind of grandiose titles, A-list actors and based-on-a-true-story subject matter associated with prestige dramas, they are, at their best, flamboyantly savage comedies.”
“About half of Equity members undertook unpaid work in the past 12 months, with a similar proportion earning less than £5,000 over the year.”
Rex Ranch in Arizona is poised to become an ambitious artists’ retreat, if a Sundance Institute executive can come up with the money to buy the 50-acre former dude ranch by the middle of December.”