Antoinette Crow-Legacy says the Jeremy O. Harris play "gives me freedom to be messy and complicated and blur the lines between right and wrong." - Los Angeles Times
Toossi wrote one her plays going up in New York in white-hot anger after the Trump Muslim travel ban. "If all that ever gets produced of my work is just my stories about Middle Eastern people, I don’t think I would ever be upset." - The New York Times
According to a dozen LA-area artistic directors interviewed, the annual budget of small arts organisations has spiked by an average 40%, disproportionately punishing companies operating on less than $300,000 a year, particularly common in a state with a dearth of public funding for the arts. - The Stage
Says one, "There are so many moments where I'm shocked by humanity. Once when I called out for proof of vaccination and photo IDs, a man said, 'I got my proof of vaccination tattooed on my ass. Want me to pull my pants down?'" - Time Out New York
This staging, on the Mark Taper Forum's thrust stage, is the first time since playwright Jeremy O. Harris first workshopped the play at Yale. Here's a look at how the designer, director and staff adjusted to the new layout. - Yahoo! (Los Angeles Times)
Every time I encounter his work, it forces me to confront head-on the most futile labor that defines my occupation: finding language to describe art. As an artist, I hope my work will exceed definition, but as a critic, I need to do just that to the best of my ability. - The New York Times
Jed Perl’s “Authority and Freedom: A Defense of the Arts” is useful in showing the problems with thinking of social justice as inherent to serious art rather than one of many forms it may take. - The New York Times
A research report titled "Future Fringe" says that the world's biggest theatre and arts festival suffers from a lack of clear lines of authority and accountability, no "common set of standards", a growth-at-all-costs mentality, and a "pay-to-perform landscape." - The Scotsman
The scripts, 110 already uploaded and the rest coming later this year, "join Drama Online's award-winning digital library, an online research tool for drama and literature students, professors, and teachers. … The collection includes work by David Henry Hwang, Tony Kushner, Dael Orlandersmith, and Anne Washburn, among others." - Playbill
I learned all of these compositional principles from Babbitt. What it amounts to is, music exists in time, so how do you make it cohere? And that’s just as true with a three-minute song as it is with an hour-and-a-half opera, you know? - The New Yorker
The arbitration case was brought by Dramatic Publishing, which licenses the decades-old Mockingbird play by Christopher Sergel, long popular with schools and community theaters. The estate had tried to stop local productions of that script as Aaron Sorkin's new version was headed to Broadway. - The New York Times
"Broadway's mask and vaccination policy will remain in place through at least April 30, the most recent extension date for the policy announced last month. Broadway has required audience members to be be vaccinated and wearing a mask since its return last year." - Playbill
The "TikTok tickets" scheme will offer £10 seats, along with subsidized travel to Stratford-upon-Avon, to people aged 14 to 25 for this summer's productions of Richard III and All's Well That Ends Well. - BBC
As the loose, famously immersive adaptation of Macbeth restarts after two years of COVID, Alexis Soloski considers the influence the show has had on Punchdrunk (the British troupe that produced it) and other companies — and the script alterations that audience behavior has forced on it. - The New York Times
Playing the last Plantagenet king will be Arthur Hughes, 30 years old and born with radial dysplasia. (He identifies as "limb-different".) The production opens at Stratford-upon-Avon in June. - The Guardian
