"Heading into 2024, one of the most noticeable things about the ties that unite the live theater-scape, from the Great White Way through to touring houses around the country, is how it is happily riddled with all that is Stephen Sondheim." - The Smart Set
Jonathan Larson conceived the show as a monologue, with himself at the keyboard playing all the roles. After he died suddenly in 1996 and Rent became a smash hit, Tick, Tick … Boom! was adapted into a three-actor piece. But NPH and the Kennedy Center have bigger plans. - The Washington Post (MSN)
"While the news is hardly a surprise, given that Roche Schulfer is 72 and his longtime artistic partner Robert Falls exited in 2022, the departure brings to a close an extraordinary career that expertly led Chicago’s largest theater through the COVID-19 crisis and the changing habits of audiences." - Chicago Tribune (MSN)
Perhaps there’s a feeling that, having spent upwards of, say, 180 quid on a pair of tickets for something, they’re entitled to a five star, anything goes experience from the moment of arrival to the second they lay down their head back on the pillow. - Evening Standard (London)
Jenny Worton of the theatre division at the Roald Dahl Story Company: "Because the stories are so beloved, and appear in lots of different mediums, it’s quite hard to ensure consistency. So we cooked up the idea that we could start commissioning people directly and develop shows ourselves." - The Stage
In November, school officials in Sherman, Texas objected to the casting of trans student Max Hightower in a male role and ordered that actors' birth gender must match that of their roles. Here's how parents, students, and, ultimately, allies all over the US fought back and won. - The Dallas Morning News
Zuri Washington: "I was made to feel like I did something wrong in the course of this entire experience, and I know I didn't do anything wrong. I could have done things differently, perhaps. But what they did to me is like a legal version of tone-policing." - Los Angeles Times (Yahoo!)
Cervantes played Alexander Hamilton for more than two thousand shows, through the early days of the pandemic and much more - including the death of his daughter. "This show gave me an opportunity to use my frustrations and anger and sadness," he says. - Playbill
The Royal Court says it' seeking to "find new business models to sustain the theatre", while Hampstead has said 2022/23 turned out to be "one of the most challenging" in its history. The Young Vic has warned that "cost inflation and soaring energy bills" contributed to a deficit that went "way beyond budget. - The Stage
Trisha Kirk has been a member of the Guthrie team since 1985 and has held various positions, including season ticket manager, box office manager, and marketing manager, and, later, director of marketing. - American Theatre
Arifa Akbar: "Some trimmed-down Shakespeares – such as Simon Godwin’s Romeo and Juliet – are as rich as the originals, and not every staging of Much Ado About Nothing has to have its protracted comic interludes with Dogberry and his gang." Especially if it means missing the last train home from Stratford-upon-Avon. - The Guardian
"The (company is) offering 25,000 tickets at £25 as the theatre’s new artistic directors aim to 'throw open the doors' to a more diverse crowd. … The ticketing plan will be on offer for the entire season and sit alongside the existing TikTok £10 scheme for 14- to 25-year-olds." - The Guardian
Both, evidently. Some longtime standups are saying it's worse than it used to be; others say it's happened for the entire history of the profession. What consequences can be suffered for getting caught joke-thieving when jokes can't usually be copyrighted? - The Hollywood Reporter
"In a surprise announcement, Charlotte St. Martin ... said she would be stepping down from her current role next month. As the leader of the league, a trade association representing producers and theater owners ..., Martin has held one of the most pivotal positions in the theater industry." - The New York Times
"The more straight-faced, incendiary boo of displeasure has been all but silenced, bar lone tuts or harrumphs. But for centuries, theatregoing etiquette allowed for heckles and hisses alongside cheers and whistles, all permissible within the great debating chamber of drama." - The Guardian
