Works of literature and art, for example, can teach us to challenge dominant visions of sleep, allowing us to see sleep as a place where values are formed and cultural debates are shaped. - The Conversation
The reason I’m screwed is that Spotify listeners’ ability to access their collection in the far-out future will be contingent on the company maintaining its software, renewing its agreements with rights holders, and, well, not going out of business when something else inevitably supplants the current paradigm of music listening. - The Atlantic
The algorithm ends up being a centralizing force; although the viewing options on TikTok can feel limitless, the reality is that you are being fed content from a small pool of creators relative to the app’s overall size. - The Atlantic
"I’m feeling very energized by California. There is clearly a rich universe of creative forces at work — not to mention good food and a varied physical landscape, including ocean and mountains." - The New York Times
“Algorithmic recommendations are addictive because they are always subtly confirming your own cultural, political, and social biases, warping your surroundings into a mirror image of yourself while doing the same for everyone else.” - Los Angeles Times
"The Oscars omission carries a special sting: The Academy of Motion Picture Arts and Sciences, which presents the Academy Awards, used to celebrate choreography." - The New York Times
“The commission said it found that Apple violated European competition rules by preventing app developers from informing users about 'alternative and cheaper’ music services." - Washington Post
"Viscerally depicting the psychic gulf between methods of massacre and their creators is not simple in a medium like film. Cinema tends to enforce closeness between us and the characters.” - The New York Times
The information furnishes "a useful lesson in how U.S. media companies fare when they cannot fall back on the ironclad legal protections they enjoy in the United States, along with a window into an embarrassing fact-checking breakdown at a top American media outlet." - Washington Post
Shortz, who has been crossword editor at The New York Times for three decades, "shared the health update in a recorded message that aired on Sunday at the end of the puzzle quiz segment during the NPR program." - The New York Times
Margo McDaid: “At first, it felt like a coping mechanism; a ritual to hold on to. … I wanted to see how my work would change if I practised every day." - The Observer (UK)
Should crosswords lead solvers to new words and ideas, or should they be for those who’ve been doing crosswords for a while and “don’t want to be disrupted”? Crossword creator Anna Shechtman says it’s a challenge. “The notion of a sort of apolitical, abstract common knowledge is a fantasy." - Slate
“‘It’s pretty unheard of to paint a skyscraper, so it was like, ‘Oh man let’s go take advantage of this and do it while it lasts,’’ said Misteralek, one of five graffiti artists who described the scene inside the towers.” - The New York Times
“If Broadway is sustained by tourists, to use a sweeping generalisation, Off-Broadway is where the locals can be found, given the primarily limited run nature of what is offered. Losing theatres to high rents and redevelopment only contributes to the hollowing out of the city." - The Stage (UK)