“There’s a part of me that feels a responsibility to these listeners. I get all kinds of emails, stuff that I would never have expected, from people who I helped to get sober, who I helped pull off the ledge of depression. ... They live in my head.” - The New York Times
Fiona Benson, an editor of Exeter University’s Ukrainian Wartime Poetry Project, was invited to BookForum in Lviv by Arthur Dron’, a poet and war hero. On the second day, a siren sounded, everyone went down into a bomb shelter, and Russian missiles struck. - The Guardian
That’s not to say, mind you, that the moai walked by themselves. A new paper published by two archaeologists lays out, through observation and experiment, how the Rapa Nui people likely rigged up the moai and walked them from the quarry to their platforms. - Artnet
Roughly 96% of the classical music on terrestrial radio in the U.S. is broadcast on public radio stations — and those stations often have crucial symbiotic relationships with the classical music scenes in their listening areas. Michael Andor Brodeur considers what’s at stake. - The Washington Post (MSN)
The Broadway League, which represents Broadway producers and landlords, is currently in tense negotiations with two different unions: Actors’ Equity (performers and stage managers) and AFM Local 802 (musicians). Here’s an explainer covering what’s at issue and what could happen if an actual strike is called. - TheaterMania
“The two-page typewritten manuscript signed by Kerouac in green ink is titled ‘The Holy, Beat, and Crazy Next Thing’ and is dated 15 April 1957, five months before … On the Road was published. It was discovered last year during the disposal of items owned by (mafia don) Paul Castellano." - The Guardian
As AI becomes more embedded in music creation, the challenge is balancing its legitimate creative use with the ethical and economic pressures it introduces. Disclosure is essential not just for accountability, but to give listeners transparent and user-friendly choices in the artists they support. - The Conversation
In the past (autism became a diagnostic category only in 1943), the ‘idiot savant’ was a paradox, who confounded categorisation because there was no unified way of comprehending how such exceptional musical and numerical skills might co-exist alongside their polar opposite: profound disability. - Aeon
An estimated one-third of Navajo Nation members make and sell art for a living, and in Zuni Pueblo, as many as 85 percent of households include a working artist. Yet for more than a century, Native artists have been subject to a marketplace that undervalues their work and rips off their designs. - Mother Jones
The Smithsonian manages 21 museums around Washington, DC, and in New York, as well as the National Zoo and 14 research facilities. It had previously said it could rely on remaining funds from past fiscal years to remain open, originally for “at least” five days past the 1 October shutdown. - The Art Newspaper
The Oscar-winning director and actor with the most iconic American screen presence since Gary Cooper is now brawling with his castmates, getting sued by his crewmembers and, in recent months, giving paid keynote speeches at bakery and veterinarian conventions. - The Hollywood Reporter
Tilly, you never had to be 14, so I’ll tell you what Google can’t. It feels like your soul gets a broken glass enema. You go from curious about this marvelous world to drowning in un-marvelous you. Who am I? How should I be? Am I alone? Your human brain answers “no one,” “invisible” and “yes.” - The Hollywood...
My entire future rested on a few essays written in the school hall under a three-hour time constraint? Really? In the nineties, this was what we called “the meritocracy.” - The New Yorker
Given the complicated nature of library wholesaling and its existing position in the market, Ingram is well positioned to pick up a sizable chunk of B&T’s business. - Publishers Weekly
A team led by Dr. Shinichi Furuya at the NeuroPiano Institute and Sony Computer Science Laboratories, Inc. has provided the first scientific evidence showing how pianists’ touch on the keys can actually change a piano’s timbre—the tonal character of its sound. - SciTech Daily
