“The way we move has changed in the past year, indoor spaces seeming claustrophobic and our outdoor spaces not vast enough, backyards and gardens reinvented into havens. We’ve become resourceful and grateful for the places we occupy and with whom.” - The New York Times
The yearly Celluloid Ceiling report by San Diego State University found that women accounted for 16 per cent of directors working on the 100 highest-grossing films in 2020, up from 12 per cent in 2019 and only 4 per cent in 2018. - Irish Times
"When we restrict ourselves to Western art music, we forgo the opportunity to speak about basic yet essential musical elements such as groove, timbre, improvisation, and post-production in styles where these are powerfully foregrounded. Today’s leading theory texts cover more or less the same material as those we used as students. Why then do we as a discipline remain...
The entire population of the earth could live in a giant sustainable city occupying a fraction of the earth's surface, freeing the rest of the world for rewilding and the return of stolen lands, according to a new movie by architect Liam Young. - Dezeen
The overproduction of Ph.D.s has been an issue for years in the U.S., which has a higher rate of doctorate holders than almost any other rich country. - Bloomberg
"In Paris, its success was almost entirely predicated on lecherous social contracts. Sex work was a part of a ballerina's reality, and the city's grand opera house, the Palais Garnier, was designed with this in mind. A luxuriously appointed room located behind the stage, called the foyer de la danse, was a place where the dancers would warm up...
Lish’s job on Carver is perhaps too extreme to serve as an example of the role of the editor, but what any kind of boundary breaking always does is to draw attention to the boundary itself—in this case between editor and writer, who together with the text form a kind of Bermuda Triangle within whose force field everything said...
"In a highly polarized culture … the most recent and arguably final example of a great American work of art loved broadly and without reservations by the masses, the elite, and everyone in the so-called middle. Is Peanuts the last American artwork with universal appeal? And what is the spiritual message it conveys that engenders that appeal?" -...
Technology might have moved on, but the role of boredom in motivating change is no different for us in the 21st century. Yet not all change is equal. - Psyche
"It was never really my intention to be a movie star," says the actress, who's probably about to get her seventh Oscar nomination at age 88. "I've never been one of those celebrities who got chased down the street by shouting throngs. People are always very nice to me. It hasn't been at all unpleasant." - The Guardian
"Since pay equity leads to higher quality work, any company interested in having the best product to share with their community will center pay equity within their company because the benefits to the business are undeniable." - Howlround
One of the provisions added to the National Defense Authorization Act for 2021 makes antiquities dealers subject to the Bank Secrecy Act. One of the key rules requires identifying the individuals behind LLCs — meaning that it will be much harder to buy and sell items anonymously. There's a strong likelihood that the law will be applied to the...
The symbolic implications of the UK leaving the European Union has hit the art world hard. But the deal will also have a concrete impact on the way the it does business. - Artnet
After all, "in 2009, critic Allan Kozinn declared in The New York Times, 'If you think about it, drums are the new violins,' pointing out the newfound ubiquity of percussion on new music programs." And with the 21st-century blossoming of contemporary classical repertoire in the U.S., percussion groups are getting ever more pieces to play and ever more opportunities...
Things might have seemed iffy for the multibillion-dollar animation powerhouse after its founding creative director, John Lasseter, abruptly left in 2017 amid allegations of grabbing and kissing unwilling women. Disney, Pixar's owner, turned to Docter, who had been at the studio his entire adult life and directed Monsters, Inc., Up, and Inside Out — and was then in the...
