After all, "in 2009, critic Allan Kozinn declared in The New York Times, 'If you think about it, drums are the new violins,' pointing out the newfound ubiquity of percussion on new music programs." And with the 21st-century blossoming of contemporary classical repertoire in the U.S., percussion groups are getting ever more pieces to play and ever more opportunities to play them. Jeremy Reynolds on how and why it's happening. - San Francisco Classical Voice
The ceremony, hosted by Trevor Noah, had been scheduled for January 31. It will now take place on March 14, due to, as a statement from the Recording Academy puts it, "the deteriorating COVID situation in Los Angeles, with hospital services being overwhelmed, ICUs having reached capacity, and new guidance from state and local governments." - Variety
Her horrible 2020 began in January when movers dropped her four-pedal Fazioli, the instrument on which she made every recording she'd done since 2003. Paolo Fazioli, the eponymous piano maker, had five new pianos made for her to choose from, and it took her about half an hour to pick one. Is it her new best friend? "I guess it is. Sorry old one. Not that I'm promiscuous." - The Guardian
"Yes, musical organizations will talk about learning pragmatic lessons from this pandemic. But as the industry begins the long march back toward some semblance of normalcy, let’s hope the lessons internalized also include keeping sight of the art form’s unique modes of immediacy, of intimacy, of direct expression, and of vulnerability. These qualities carried classical music through 2020 — and many of the rest of us too." - Boston Globe
“Every other major orchestra has been compensated since the very beginning of the pandemic. Met management is using the pandemic opportunistically. They are not seeking a short-term crisis-plan to balance out pandemic circumstances. They are seeking permanent cuts. The cuts they seek are so deep that the orchestra would need unrealistic salary gains over the next quarter-century just to get back to current salaries,” says the statement. - OperaWire
Is it too little, too late? "Unlike other business sectors that have been hit hard by the coronavirus, performance centres are in a uniquely challenged position due to thin profit margins that rely on large audiences." - BBC
The anthem - which replaced "God Save the Queen" only in 1984, though it had been written in the late 19th century - previously had a tweak from "Australia's sons" to "Australians all," and now it's from "young and free" to "one and free" - including the peoples who have been on the continent for 60,000 years. - The New York Times
Tyshawn Sorey has had numerous - as in, numerous - premieres and commissions this year. The composer, who straddles jazz and classical, "has been on everyone’s radar at least since winning a MacArthur 'genius' grant in 2017, but the shock to the performing arts since late winter brought him suddenly to the fore as an artist at the nexus of the music industry’s artistic and social concerns." - The New York Times
