Does anyone believe them? Hm. The Time's Up Organization tweeted a reaction: "On behalf of the many artists who look to us to hold the HFPA’s feet to the fire on the racism, disrespect, misogyny and alleged corrupt financial dealings of the Golden Globes, we need to see specific details, timetables for change, and firm commitments. The right words are not enough. The clock is ticking." - Variety
It's not great. "COVID has led to a sort of existential crisis for me working in journalism. When some of your readers claim that any facts you present that are inconvenient to their personal narrative are proof that you’re embedded in a conspiracy, you can only take so much of that before you start to question whether or not it’s worth it. The predominant emotion here is feeling powerless. ... When I am constantly seeing these sorts of messages and realizing that represents a broader portion of not just our readership, the country, it’s really easy to turn to apathy. We’re just kind of stuck here. And that’s a pretty sad place to be." - Slate
"Critics no longer have the power to make or break an artist’s career. Rather, art critics depend more and more on maintaining friendly relationships with artists, galleries, and publicists in order to consistently secure paid work. In other words, art critics today seem less “in the middle” between artists, dealers, and public than tailing all three." - Hyperallergic
Now that the bans are reversed, immigration lawyers who work with artists, including Ashley Tucker, director of programs at the Artistic Freedom Initiative in New York, will turn their attention to applications for visas and refugee status by artists who were on their radar but stood no chance during the last four years. - Artnet
"We have evolved to be clever enough to create massive amounts of choice in every field, but I, for one, have yet to evolve enough to know how to best make the necessary choices." - The Guardian
Under the current Phase 4 of Gov. Pritzker's five-phase plan, indoor gatherings are limited to a maximum capacity of 50% or 50 people per room, whichever is lower. That makes sense for restaurants, bars, multiplex cinemas and possibly even Chicago's storefront theaters — but, Chris Jones points out, the Auditorium Theater, Orchestra Hall, the Civic Opera House, and other such venues can safely hold many more than 50 people. And there's no intermediate stage between Phase 4 and reopening everything at full capacity. - Yahoo! (Chicago Tribune)
When the Brooklyn Academy of Music hired Katy Clark as its new CEO, the board wanted her to live in Brooklyn, where real estate prices were higher than in the upper Manhattan neighborhood she was moving from. So they gave her $968,000 toward the price of her new home — a figure well over 2½ times her $355,000 annual salary. Clark's contract said she'd have to pay part of that money back if she left her position before five years had passed — and not long after the five-year mark, she resigned to take a very different job. - The New York Times
Adelaide’s festivals were luckier than most. On the final Friday of last year’s season it was announced gatherings of more than 500 would be banned the following Monday. The air that weekend was eerie. The crowds were small and uncertain. Being out was a risk – but no one knew how big or small. - The Guardian
For many decades, Los Angeles had been known as a Black migrant "magnet." Folks came for the promise and the sunshine. The Black population in L.A. has dropped 30% since 1990, according to census data. What happens when your population falls below a certain percentage? What's the magic number? 10%? Nine? Seven? Slip below this and you fade away into a ghost. When do you — I — any of us become transparent? Lost to vision — of planners and the future. - LAist
" said that arts, entertainment and events venues can reopen April 2 at 33 percent capacity, with a limit of 100 people indoors or 200 people outdoors, and a requirement that all attendees wear masks and be socially distanced. Those limits would be increased — to 150 people indoors or 500 people outdoors — if all attendees test negative before entering." - The New York Times
On the surface, it certainly seems as if asking ticket buyers to show proof of COVID vaccination would be a good, quick way to performances running again and performers back to work — and in Chicago, at least, venues and presenters are considering the option seriously. Yet, writes Chris Jones, the idea poses potentially serious problems, both practical and ethical. - Yahoo! (Chicago Tribune)
"There have been two great catastrophes.The first has been the abandonment of freelancers, many of whom work in the arts. A whole swathe of them – about a third – have fallen through the cracks of the income support scheme and are ineligible for loans that have helped many others. The final debacle has not had anything to do with Covid at all but will be just as devastating. The new rules that follow Brexit mean that touring in Europe will now be vastly bureaucratic and significantly more expensive." - Apollo
The government is topping up the £1.57 billion ($1.9 billion) Culture Recovery Fund announced last July with an extra £300 million ($416 million), with an additional £90 million ($125 million) for English national museums and heritage sites and £18.8 million ($26 million) for local community-based projects. Alongside that funding designated for England, arts groups in Scotland, Wales, and Northern Ireland will get £77 million ($107 million), an amount roughly proportionate to their share of the total UK population. - Variety
We live in a fragmented celebrity world, due mostly - but not entirely - to social media. It's a global culture "where somebody can have nearly 17 million subscribers on YouTube and plenty of people can have no clue who they are." - The Guardian (UK)
The researchers found that if kept at 30% capacity with everyone wearing a mask and following proper precautions, museums, theaters, and operas are safer than any other activity studied. In museums, the R-value stands at 0.5 compared to 0.6 in hair salons and 0.8 in public transportation. - Hyperallergic
