ArtsJournal: Arts, Culture, Ideas

IDEAS

Nothing Bonds Americans Anymore, Except Games

Wordle, crosswords, Spelling Bee, and now Connections - we're into talking about all of it, all of the time, together. - NPR

Why So Worried?

Artificial intelligence might not destroy film! Let's find out. - The Guardian (UK)

Who Came Up With This PR Disaster, An AI?

You're head of a pro-AI project that wants to scan people's retinas, so obviously you should name your project Orb and make it look, frankly, evil. - The Atlantic

Persuadable: The Art Of Making Your Case

“There’s a huge difference between hearing and listening. You have to understand the person you’re negotiating with without judgment, whatever your personal values might be.” - The Guardian

Pondering The Thinking Machine

Few believe that LLMs are truly sentient, but some argue that they show signs of genuine intelligence and of having a conceptual understanding of the world. These claims, whether right or not, are forcing us to revise ideas about what intelligence and understanding actually are. - Prospect

The Webb Telescope Has Cosmologists Thinking Our Ideas About The Universe May Be Wrong

It’s not just that some of us believe we might have to rethink the standard model of cosmology; we might also have to change the way we think about some of the most basic features of our universe — a conceptual revolution that would have implications far beyond the world of science. - The New York Times

How Early Humans Learned To Count, A History

At first, our hominid ancestors probably did not count very high. Many body parts present themselves in pairs—​arms, hands, eyes, ears, and so on—​thereby leading to an innate familiarity with the concept of a pair and, by extension, the numbers 1 and 2. - Lapham's Quarterly

Research: Our Brains May Sort Memories By Practical Necessity

A new theory proposes the brain sorts memories by how likely they are to be useful as guides in the future. Memories of predictable things are saved in the brain’s neocortex, where they can contribute to generalizations about the world. Memories less likely to be useful are kept in the hippocampus. - Quanta

Aesthetics And The Dispassionate Observer

All of us experience aesthetic properties when we’re not in a condition to fully appreciate them because we are tired or distracted. Yet the virtues of a work may still be apparent to us. If the apprehension of aesthetic properties is tied to feeling states, how are dispassionate observers able to identify them? - 3 Quarks Daily

Creativity And Brilliance Seem To Cluster In Certain Places In Certain Times. Why?

A survey of the past shows that genius is not randomly scattered about, like the seeds of a dandelion, but concentrates: ancient Athens, Renaissance Florence, Silicon Valley, among other examples. Why these fertile eras and places appear, peak, and then decline is understudied as a historical phenomenon. - City Journal

The Problem With Criticism: As A Culture We’re Rejecting Hierarchy?

“Today the mere suggestion that some things are better than others, particularly in the arts, is met with confusion and hostility.” - Artnet

Professor Engages ChatGPT As Participant In Class

ChatGPT is the oversized A.I. elephant sitting front and center in every classroom. Instructors can try to ignore or prohibit it, but doing so doesn’t change the reality of the situation: Students are curious about it, talking about it, worried about it, and using it. - Slate

Tracking Your Screen Time So You Have A Healthier Life? Don’t! (It’s A Trap)

I was spending seven hours a day looking at my phone. I spent the following weeks actively trying to bring the number down. I deleted social media apps off my phone, but I just ended up looking at my account using my phone’s browser instead. - Wired

The Oh-So-Complicated Power Dynamic Between Artist And Patron

Given the vast difference in agency prevailing between artists and patrons, is an intellectual, artistic, ethical discussion on equal terms even possible? - 3 Quarks Daily

Criticism As A Creative Act…

Here lies the difference between viewing criticism as a passive medium of arbitration versus an act of creation—one that requires the critic to take a stand, to use her influences as materials, rather than be used by them. - The Point

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